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Author Message
25 new of 226 responses total.
krj
response 93 of 226: Mark Unseen   Feb 27 20:47 UTC 1998

Let me see if I can do something about that.
maeve
response 94 of 226: Mark Unseen   Mar 2 17:09 UTC 1998

yet another show I'm not-going to..if anyone does go..tell me how it was :P
krj
response 95 of 226: Mark Unseen   Mar 4 03:14 UTC 1998

As life has developed, I can see that I'm not going to be able to 
loan any Mary Jane Lamond tunes to orinoco before Saturday's show.
Sorry about any raised hopes there...
orinoco
response 96 of 226: Mark Unseen   Mar 5 18:54 UTC 1998

Aw, poop...:P
That's okay, I'll live somehow.
krj
response 97 of 226: Mark Unseen   Mar 8 05:32 UTC 1998

Mary Jane Lamond & her band put on a fine show at the Ark tonight.
Of course, I'm a sucker for traditional songs set to electric guitar, 
and there was plenty of that.  Mary Jane's band was a standard 
rock trio, plus fiddler Lisa MacIsaac, who was introduced as 
Ashley's baby sister.  Lisa got to lead two sets of dance tunes.
Much of the material had a drum & bass style heavily influenced by 
contemporary dance music.  Mary Jane sang exclusively in gaelic.
maeve
response 98 of 226: Mark Unseen   Mar 11 05:55 UTC 1998

randomness...our jazz show on may 16 has two pieces to pieces from teh
chieftan's 'santiago' cd, and I think there's going to be a bodhran
player...and you should come to see it anyways..but there's even some celtic
music involved.. :)
krj
response 99 of 226: Mark Unseen   Mar 14 06:08 UTC 1998

CBC's CELTIC ELECTRIC show is on Channel 9 (cable 21 in Ann Arbor)
on Sunday at 9 pm.  Ashley MacIsaac and Natalie MacMaster are to 
perform.  Fire up the VCRs!
bmoran
response 100 of 226: Mark Unseen   Mar 16 14:33 UTC 1998

It was taped for me, I'll check it out later today if I have time.
I finally bought Martyn Bennett's _Bothy Culture_. Traditional
fiddle/pipes/ud/doudouk/drums/tape loops/spoken word W/ trance
backbeat/etc. It was the music of the day yesterday, and will probably be
heard a few more times in the next day or two. Even the dead get up and
dance to this stuff.
krj
response 101 of 226: Mark Unseen   Mar 17 16:52 UTC 1998

Happy St. Patrick's Day to all readers of this item.
I always remember a non-Irish folk musician once reporting that 
St. Patrick's Day was Full Employment Day for musicians...

Traditionally I observe the holiday by buying an Irish music album:
last year, I think, it was Eileen Ivers' WILD BLUE.  This year 
I'm probably going to bend the rules and get the most recent 
Loreena McKennitt disc, since I'm somewhat surfeited on 
trad Irish music right now.
 
bmoran above: I am scratching my brain trying to remember what 
the word "bothy" means.
mcnally
response 102 of 226: Mark Unseen   Mar 17 23:19 UTC 1998

  Isn't it a small cottage or hut?

  I usually find St. Patrick's Day celebrations to be silly at best
  and occasionally embarrassing (when they go overboard with the really
  idiotic stuff like green beer and leprechauns..)
lumen
response 103 of 226: Mark Unseen   Mar 18 23:09 UTC 1998

Heh..but it's the American way.
krj
response 104 of 226: Mark Unseen   Mar 19 05:47 UTC 1998

From the new issue of Scottish folk music magazine THE LIVING TRADITION:
 
"In many ways the bothy ballad is one of the less frequented corners
of traditional song.  Long nights, when not pursuing farm duties,
and the relative isolation of many of the "ferm touns" in which the 
bothy system of lodging farm workers operated led to a "new" set
of traditions.  ...  
 
So I'm still not sure what the word "bothy" means, it's more than 
just a small hut.
bmoran
response 105 of 226: Mark Unseen   Mar 19 20:33 UTC 1998

It sure is...My boss lived near one in Scotland. A bothy is an illegal
drinking establishment. They are usually an old motor home or trailer,
almost always on it's last legs. They get raided once in a while, move on,
and set up again. Farther away from the reach of the law, they can be a
somewhat permanent building. This is the one she lived near, and her dad
and uncle frequented the place after working the farm. 
krj
response 106 of 226: Mark Unseen   Apr 20 18:46 UTC 1998

Argh, I never got back here: the April issue of FOLK ROOTS magazine 
had a complete definition of "bothy" and I will have to come back to 
key it in later.
 
In the mean time, I'm enthusiastic about Tuesday night's concert at the 
Ark, which is the Battlefield Band from Scotland, with John Renbourn
(ex-Pentangle guitarist) opening.  Battlefield Band is a bunch of 
old pros who have been around forever...  though only founding member 
Alan Reid (keyboards) has been with the band for more than five or 
six years, now that I think about it.  Young fiddle star John McCusker, 
who joined the band when he was 16, must be in his early 20s by now; 
this years newbies are Davy Steele (ex-Ceolbeg) on guitar and some singing, 
and I don't know the name of the new bagpipe and whistle player.
 
I've seen Battlefield a bunch of times over the last 15 years, and 
they always make lots of fun noise.  
krj
response 107 of 226: Mark Unseen   Apr 28 21:26 UTC 1998

John Renbourn was just a little bit somnolent, and I think most of our 
group snoozed off during his opening set.  Me, I was interested, if only
for the sense of history, and the little stories about other singers 
from the 1960s British folk revival.  (Most notably the reference to 
Davy Graham, who Renbourn credited with popularizing the DADGAD tuning, 
and who "expanded his tiny little mind" down in Morocco -- Graham was 
one of the folk scene's earliest drug burnouts.)
 
Battlefield had a pretty good set, and I didn't even mind Davy Steele's
singing as much as I have in his past ventures.  John McCusker 
is turning into the band's multi-instrumentalist; he spent as much time
on cittern and whistles and accordion as he did on his first instrument, 
the fiddle.  The band as a whole are certainly great entertainers.
 
Next up at the Ark: fiddler Natalie MacMaster, from Cape Breton, on May 3.
(We might have to skip it due to general busyness; I saw MacMaster 
last year and she did a fine show.  I do wonder how many years she can 
stepdance through an entire evening's show, though.)
anderyn
response 108 of 226: Mark Unseen   Apr 29 01:20 UTC 1998

I had to give the Battlefield Band a miss, but Bruce liked it a lot!
We're going to Artisan next, I think May 18th.
eire
response 109 of 226: Mark Unseen   Jun 8 18:19 UTC 1998

respond
I promised krj..I'd stop by...In reading previous entries..I've noticed no
mention of Brigid Boden...I rather like her...of course..I also like Sinead
O'Conner's "stretched on your grave"  A couple of Miss Boden's songs are
taditional laments..set to a techno beat...what can I say..I like to dance
and cry at the same time:)  Also..I 've heard no mention of RealWorld records
here...although the Celtic selections are sparse they are decent enough....
'Lament' on the RealWorld lable is interesting...A special project bringing
together 14 haunting solo airs form the Irish musical tradition of lamentation
Also...would ya'll include Trisan...as Celtic..?
I'm currently working on deciphoring about 20 new tapes brought back by a
friend from Dublin...Some really great stuff..But I'll have to sit down with
him to find out what may be available and what is not....He's known for
wandering the streets with a casette recorder in hand.....
krj
response 110 of 226: Mark Unseen   Jun 10 15:55 UTC 1998

The latest Capercaille album, BEAUTIFUL WASTELAND, is now out 
in the USA.  I thought about picking it up yesterday, but Capercaille
have disappointed me so often through the years that I decided t 
wait to see how their Ark show turns out.

I've got the Brigid Boden cd mentioned by eire around here somewhere, I 
need to dig it up for another listen.
krj
response 111 of 226: Mark Unseen   Jun 11 22:58 UTC 1998

Runrig news scooped off the website, www.runrig.co.uk and some of its links.
 
(krj summarizes)     With the departure of lead singer Donnie Munro, 
Runrig has been dropped by Chrysalis/EMI.  EMI has put out a compilation
called BEAT THE DRUM, and the band seems a bit unhappy about it.  
It seems to be a fair collection from three EPs which did not have a 
long shelf life, so I'm not exactly sure why the band is complaining.
 
Back on their old, band-owned Ridge label, Runrig has put out its 
own compilation:  THE GAELIC COLLECTION, 1973-1988.  This is a two CD 
set and it should be pretty nice; Schoolkids is decent about stocking 
Runrig discs so I'll wait a while to see if a copy turns up.
 
The band webpages says that they wish to squelch speculation: 
they have gotten nowhere in their search for a new lead singer.
 
(Have I written about Runrig before?  They are a Scottish rock band, 
not particularly folky but they do draw on Scottish tradition and they 
have a big appeal to Scottish national sentiment.  In their home turf 
they play stadiums.  The sound has a lot in common with the early 
Big Country, but Runrig has been a lot more durable.)
mcnally
response 112 of 226: Mark Unseen   Jun 12 02:26 UTC 1998

  For some reason I always thought that they were connected with
  Big Country in some way, like perhaps having band members in common.
  I guess that's not the case?
krj
response 113 of 226: Mark Unseen   Jun 12 03:54 UTC 1998

They picked up one Big Country member around 1980, if I remember the 
bio from the website correctly.
krj
response 114 of 226: Mark Unseen   Sep 17 18:11 UTC 1998

The Paperboys  //  The Ark  //  September 17, 1998:

I was startled by the size of the turnout: maybe 150 people.
I didn't think that more than a dozen people in Ann Arbor knew 
who this band was.   In a lot of ways they are a good-time Celidh
band; visually they are dominated by the blonde woman accordion
player and fiddler, who reminded me of "3rd Rock's" Kristen
Johnson, towering over the guys in the band.  As is usual 
with the Canadian Celtic bands, the slow songs veered towards the 
sappy and sentimental, but the uptempo stuff was pretty exciting.
The band had an epic version of "All Along The Watchtower," 
probably inspired by the Oyster Band's version, spliced into a 
tune set.   Every now and then the electric bass player would 
pick up a banjo and the sound would veer off into a bluegrass
raveup, and once or twice there was a Latin touch reminiscent of 
The Mollys.
 
Sorry you missed this one, Twila, you would have enjoyed it.
krj
response 115 of 226: Mark Unseen   Sep 30 21:11 UTC 1998

NP: Runrig, THE GAELIC COLLECTION 1973-1998.  As the title suggests,
it's a two-CD set of Gaelic language songs which Runrig recorded over
the years.  They did a lot in Gaelic when they recorded for their 
own label, but after they signed with Chrysalis they mostly sang 
in English, with just 2-3 Gaelic songs per album.
 
Chrysalis dropped them this year, after a ten year run, but they 
seem to have been cooperative in licensing a bunch of tracks back 
to the band's own label Ridge Records so this is a nice 
career spanning set.  Runrig is probably a bit too much arena-rock/
easy listening for many of you, but I'm enjoying the heck out of 
this collection.
 
This set was sort of a validictory compilation for departing singer 
Donnie Munro, who is a pretty fine singer.
cloud
response 116 of 226: Mark Unseen   Oct 3 22:20 UTC 1998

There was a wild rumer going around that Runrig was looking at Fish as a
possible replacement, but it was squashed.
urlman
response 117 of 226: Mark Unseen   Oct 30 05:38 UTC 1998

if you know any Internet Radio stations that play good Celtic music I 
would like to add it to Kill Pop Radio Dot Com @ 
http://www.killpopradio.com

e-mail me @ urlman@hotmail.com

Thanks :)
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