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25 new of 163 responses total.
krj
response 89 of 163: Mark Unseen   Feb 2 21:17 UTC 2003

((I misspelled the name of the artist cited in resp:87; it's 
Daniel Bedingfield.  He's the guy who the Snyders say had radio chart 
action for  months, though his CD sank right off the Billboard 200.
The Snyders say you can hardly find his stuff on P2P networks.
 
I ran a Google search on him, and it looks like his major label 
gotten him stuffed into every music portal site they could find.
But press coverage is minimal, and there is no sign that he has
any fans....   So from here it looks like his record company bought
his radio exposure, but no listeners seem to give a hoot about him,
which is why his music isn't being traded, and why his CD sank rapidly
after release.))
 
((Of course sales aren't everything: Richard Thompson's 1971 debut
solo album was cited as the lowest selling release in the history
of his record company...))
dbratman
response 90 of 163: Mark Unseen   Feb 2 21:34 UTC 2003

So I take it that Bedingfield is invisible, not because the record 
companies have successfully stomped out file trading of his songs, but 
because nobody actually likes his music?  Is his top-10 status a purely 
artificial creation, then?
mcnally
response 91 of 163: Mark Unseen   Feb 2 22:21 UTC 2003

  That's the contention..  It's almost certainly possible to buy your way
  to the top of the singles charts these days, though it takes a very large
  amount of money to do so..
cyklone
response 92 of 163: Mark Unseen   Feb 2 23:06 UTC 2003

Yup, the radio promo business, which was the focus of periodic payola
scandals, is still alive and well.
krj
response 93 of 163: Mark Unseen   Feb 7 05:24 UTC 2003

It looks like the copyright holders have ratcheted up the legal
arm-twisting on IRC networks.  DALnet (the IRC network where I 
used to hang out in #ecto and #indigo-girls) has announced that 
it will start squashing channels whose primary purpose is to 
facilitate file trading.

The DALnet news coverage didn't say anything about what motivated
DALnet's new policy.  Slashdot points to a statement from 
irc-chat.net (a network I haven't heard of) which says that
(krj's interpretation) after serious legal threats from the MPAA, 
the network operators will now comply with expedited DMCA subpoenas
and hand over contact info on IRC users to the copyright holders. 

   http://chat.irc-chat.net/modules.php?name=News&file=article&sid=26

The timing makes me guess that the MPAA is citing the Verizon
ruling as precedent when it approaches the IRC network operators.
tpryan
response 94 of 163: Mark Unseen   Feb 8 03:16 UTC 2003

        50 smackers a weekly to ride Clyde Ankle really heavy
would be downright cheap these days.
krj
response 95 of 163: Mark Unseen   Feb 18 18:12 UTC 2003

The RIAA and MPAA are making threatening noises towards large corporations
 -- specifically the Fortune 1000.  They have sent a mailing warning
corporations of their legal liabilities if the corporations do not
suppress the use and trading of unauthorized copies of songs and 
movies on their computers and networks,
and they are suggesting that the corporations begin auditing staff 
computers and disciplining employees.    The unspoken threat is that
corporations which do not adopt such policies will face whopping 
copyright infringement suits.
 
This story was widely reported, here's a few links:

http://www.billboard.com/billboard/daily/article_display.jsp?vnu_content_id
=1817612
http://news.com.com/2100-1023-984548.html

-----

Meanwhile, in Australia, the music industry has moved to direct action 
against two students who appear to have had a web page offering MP3
files, and the industry is in court demanding access to the students'
email accounts as evidence.
 
http://news.ninemsn.com.au/Sci_Tech/story_46014.asp

krj
response 96 of 163: Mark Unseen   Feb 20 18:15 UTC 2003

Couple of stories I wanted to dump in, but I'm sort of pressed for 
time.
 
Music publishers sue Bertelsmann, one of the big five labels, 
for some of the copyright infringements of Napster users.
The publishers claim that Bertelsmann's investment & flirtation
with Napster propped up the venture and made the injuries to the 
songwriters & publishers worse.
 
An unconfirmed report says the suit is asking for $17 billion-with-a-b.
 
http://news.com.com/2100-1023-985285.html?tag=lh
 
----------

Here's two stories on Universities involved in attempts to throttle 
P2P filesharing.  In the current budget climate, universities cannot
get more money for more bandwidth, and the file sharing applications
eat all available bandwidth on well-connected sites. 

The first story is about a company called Audible Magic, who claim to 
be able to reassemble a file from the packets at the router level,
compare it against a database of "audio fingerprints", and block
the exchange of selected files.  The article points out that 
the computational demands of a broad-based block would be immense,
and the system could be defeated by minimal encryption -- uuencode and 
rot13, anyone?  University of Wyoming is dabbling in this.
 
http://news.com.com/2100-1023-985027.html?tag=cd_mh
 
The second story is a non-technical story about a claim that 
Kansas State has a home-grown application which is squashing
students' use of file-trading systems.  The claim is that their 
system is so effective that it has slashed the number of DMCA complaints
the school is receiving from copyright holders.
 
http://www.p2pnet.net/feb03/kansas.html
krj
response 97 of 163: Mark Unseen   Feb 21 05:45 UTC 2003

I had thought this was a mis-reporting of the case against two
Australian students which I cited in resp:95 :: however, the 
followup discussion on Slashdot indicates that no, the 
story is written correctly. 
 
http://www.smh.com.au/articles/2003/02/18/1045330603596.html
 
"Recording companies have asked the Federal Court to allow 
their computer experts to scan all computers at the 
University of Melbourne for sound files and email accounts, so
they can gather evidence of claimed widespread breaches of 
copyright."
 
In the followup discussion, an employee of another Australian
computer reported that their machine was scanned as part 
of a dragnet for MP3 files.
jor
response 98 of 163: Mark Unseen   Feb 23 01:31 UTC 2003

        "dragnet"
krj
response 99 of 163: Mark Unseen   Feb 24 07:42 UTC 2003

This isn't attributed to a verifiable industry source, but it's
the first printed report I've seen on CD sales so far in 2003:
down 14.5% for the year-to-date so far compared with last year's
sales.   If that number is accurate, it says that the falloff 
in CD sales is accelerating.

The source is the Seattle Times Grammy awards preview:

http://seattletimes.nwsource.com/html/artsentertainment/134638870_grammys23
.html
anderyn
response 100 of 163: Mark Unseen   Feb 24 15:08 UTC 2003


russ
response 101 of 163: Mark Unseen   Feb 24 22:33 UTC 2003

One hopes that the decline is largely the likes of NSync and Britney.
It might prompt the business to find some good music for a change.
jaklumen
response 102 of 163: Mark Unseen   Feb 25 03:52 UTC 2003

Oh, good grief-- you've really got to get over yourself.  Those acts 
are following established formulas than have been around since at 
least the 1950's.  What's equally true is those same formulas appeal 
to kids and seem to aggravate adults.  I think Ken was on to something 
in the "Geezer Rock" item: no matter how youthful the boomers think 
they are, they're bound to follow similar paths as their folks.

I laugh when I hear folks disparage the Britneys, Christinas, and 
other R&B-influenced pop acts out there.  It may be true that their 
voices could use a bit more room for refinement.. but, listen to the 
wannabes out there.  I catch American Idol occasionally, or listen to 
some chick off the street (on the radio, out and about, whatever) and 
I find many sadly lacking.  So many people trying to duplicate the 
vocal gymnastics of these performers without accomplishing the 
basics.  Breathy, whiny.. no diaphragm support, no intonation (off-
kay).. you get the idea.

I've studied voice a bit.  It is so less tangible than instrumental 
study; you've just got to try things out.  It helps to have a tonal 
memory (remember how things sound/like of like a memory tape 
recorder).  A personal voice coach is invaluable.

Come now, do you really want Madonna ruling the airwaves again?
dbratman
response 103 of 163: Mark Unseen   Feb 25 07:21 UTC 2003

More campus news, not exactly music but certainly appropriate - 
Stanford's on-campus video rental store is closing down.  So many 
students own DVDs now, informal lending among them is so high, and 
they're so easy to rip and burn copies of - seniors report a complete 
change from when they were freshmen - that the video store is obsolete.

Not being plugged into the student trading market, and having 
absolutely no patience (or bandwidth) for online downloading, I wonder 
how I'll see movies at home if rental outlets continue to disappear.
mcnally
response 104 of 163: Mark Unseen   Feb 25 08:11 UTC 2003

  > and [DVDs are] so easy to rip and burn copies of

  they are?
keesan
response 105 of 163: Mark Unseen   Feb 25 14:25 UTC 2003

I thought it was fairly easy to copy a video casette.  Maybe the students are
just so rich now that they are all buying their movies instead of renting.
goose
response 106 of 163: Mark Unseen   Feb 25 15:03 UTC 2003

RE#104 - Yeah.
slynne
response 107 of 163: Mark Unseen   Feb 25 17:07 UTC 2003

I know that I buy DVD's used from the video store with the intention of 
lending them to lots of people. It is much cheaper than renting movie 
plus one doesnt have the hassle of returning the things. 
mcnally
response 108 of 163: Mark Unseen   Feb 25 18:28 UTC 2003

  re #106:  the grocery store a few blocks from my house rents DVDs for 
  $0.79 during the week (Monday through Thursday nights.)  If I'm looking
  for something a little less mainstream than their selection, I can find
  it for at most $3.00 at a full-service video store.  Considering the 
  cost of blank DVDs I just can't imagine that it's cheaper and/or easier
  for students to copy them than to rent them. 

  Even if we're talking about not fully duplicating the DVD but just
  swapping a lower-quality video encoded as, say, DIVX, I still find it
  hard to believe that finding and downloading a full-length film on the
  Internet is easier and cheaper than renting it at a nearby video store
  unless the person doing this places no dollar value on their free time.
jmsaul
response 109 of 163: Mark Unseen   Feb 25 18:31 UTC 2003

Videotapes were really easy to copy too.  Weird.
gull
response 110 of 163: Mark Unseen   Feb 25 21:09 UTC 2003

Videotapes were time-consuming to copy, though, and once you were done you
couldn't use your copy to give someone else a copy without serious quality
problems.

I suspect that what's happened is all the DVDs on in the on-campus video
store have become avaliable as DIVX files on the campus LAN.  A trip around
Michigan Tech's LAN with Network Neighborhood would net you all kinds of
audio and video files while I was there, and that was a couple years ago. 
I'm sure the selection has only gotten bigger since then.

I'm reminded of a friend of mine who joked that he was doing Blockbuster a
service by making off-site backups of all their Playstation games. ;)
russ
response 111 of 163: Mark Unseen   Feb 25 22:57 UTC 2003

Re #102:  Ah, yes.  "Established formulas", indeed.  Perhaps it's
time to recognize that the formulaic approach makes lousy music
more often than not, and try to make better music?  Ars gratia
artis, and all that.

Apparently, at least one of the satellite radio outfits has
recognized that musicians give tribute to the best of their
own, and has set up a channel of music that musicians listen to.
I doubt that Madonna will get played there; I know NSync won't.
krj
response 112 of 163: Mark Unseen   Feb 26 05:27 UTC 2003

USA Today has a puff piece on the Rhapsody authorized download
service.  It includes some customer numbers on the major 
authorized services:
 
  "Sony and Universal's Pressplay, and Rhapsody, have about 50,000
   subscribers each, and MusicNet, owned by Warner, EMI and BMG Music,
   has 10,000, says Phil Leigh of research firm Raymond James.
   The numbers are low, he says, because few people are aware of 
   paid alternatives to pirate swap sites.
 
  "That could change Wednesday, when a revamped MusicNet will 
   be launched on America Online and marketed to its 35 million
   members..."    ((most of whom still use dialups  -- KRJ))
 
http://www.usatoday.com/life/2003-02-25-rhapsody_x.htm
 
Also widely reported is that Roxio (the makers of Easy CD Creator)
are planning to relaunch the Napster brand as an authorized pay
download site later this year.   The business plan, from one of
the stories I read, seems to be depend on the courts killing 
Kazaa; they realize that selling downloads will be tough while 
free ones are used by millions.  (But killing Kazaa is going to 
take years of international legislation.  And then there's 
Gnutella, and eDonkey, and heaven knows what else...)
gull
response 113 of 163: Mark Unseen   Feb 26 14:37 UTC 2003

From what I've heard, a big problem with the legal download sites is
that their catalogs of available songs are pretty small compared to the
illegal sites.  If you aren't offering what people want to buy, you're
not going to win them over.
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