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| Author |
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| 25 new of 163 responses total. |
krj
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response 81 of 163:
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Jan 30 15:44 UTC 2003 |
More published rumblings suggesting that prosecutions for peer-to-peer
filesharing users are looming. The last such rumblings promised
prosecutions last year; my own feeling is that the Feds have enough
on their plate, with the FBI closing numerous scattered office to
try to gather manpower to use against suspected terrorists.
Declan McCullagh writes about the possibility that someone is going
to "win" the prosecution lottery. He writes that the No Electronic
Theft act has yet to be used against file-sharers, despite the fact
that it was crafted for precisely this sort of situation.
Declan cites just two convictions under this act so far, both
for posting software or movies to web sites. He says the copyright
industry is continuing to increase pressure on the government to
prosecute some people.
"The New Jailbird Jingle"
http://news.com.com/2010-1071-982121.html
Business Week writes about the threat of such prosecutions.
They point out that it would really piss off a lot of consumers.
http://www.businessweek.com/bwdaily/dnflash/jan2003/nf20030127_9897.htm
Finally, a short detour into paranoid speculation land.
Hilary Rosen, the departing RIAA leader and spokesperson, was a
favorite target for vilification over the last three years. Press reports
say she did not expect this and was hurt by it, since business lobbyists
are usually invisible and the Napster war had not erupted when Rosen took
the RIAA job.
Some of the profiles written on Rosen's departure paint
her as a moderate, trying to drag her employers, the major music companies,
into the Internet Age. So here's my paranoid speculation: Did Rosen
quit now because she knew prosecutions were coming up fast, and she
didn't want to be at the center of the firestorm?
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polygon
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response 82 of 163:
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Jan 30 19:46 UTC 2003 |
Really nice page at Project Gutenberg which explains the details of
what copyrights have expired, or not:
http://promo.net/pg/vol/pd.html
One piece of good news from my personal standpoint: anything published
WITHOUT ANY COPYRIGHT NOTICE before March 1, 1989 (in the U.S., before or
without any foreign publication) is public domain.
In other words, legislative manuals from 1923 to 1988 with no copyright
notice (like West Virginia's and probably some others) can legally be
mined for pictures to scan and publish online.
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other
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response 83 of 163:
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Jan 30 22:13 UTC 2003 |
As can M-net user postings before 1 March 1989... Hmmm. bet that would piss
off a few people...
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remmers
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response 84 of 163:
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Jan 31 01:56 UTC 2003 |
I put copyright notices on some of mine...
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other
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response 85 of 163:
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Jan 31 03:49 UTC 2003 |
Well, it was specified that only those items lacking copyright notices were
affected.
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krj
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response 86 of 163:
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Feb 2 17:11 UTC 2003 |
Items from today's tour of music/p2p news portals:
http://www.latimes.com/business/la-fi-verizon31jan31001451,0,4320674.story?
coll=la-headlines-business
"Verizon Made Offer to Name Some Names"
The LA Times reports that Verizon made a settlement offer to the RIAA,
which is suing it for express access to customer information.
Verizon offered to cooperate with a limited number of customer ID
requests; "the RIAA proposed an electronic way to speed the identification
of subpoenaed customers," which suggests to me that the RIAA wants
direct access to the Verizon customer data base.
The RIAA rejected any limits on the number of DMCA subpoenas it would
send Verizon, so Verizon is now appealing the trial court ruling
against it. The point of the article is that Verizon is standing
on issues of costs, not issues of principle.
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krj
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response 87 of 163:
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Feb 2 18:13 UTC 2003 |
Salon runs an essay by a board member of NARAS, the National Association
of Recording Arts and Sciences, the organization which gives out the
Grammy Awards. The author, John Snyder, is president of a small
record label I have never heard of before, and the intro says he
has been nominated for a Grammy Award 32 times.
http://www.salon.com/tech/feature/2003/02/01/file_trading_manifesto/?x
"Embrace File Sharing or Die"
This is a long essay which was written to convince the NARAS board that
it needs to stop supporting the RIAA positions on file sharing.
Much of this will be familiar from this series of web log items.
From the introduction:
"The statistic discussed in the December meeting that there were 3 billion
downloads the previous month shows that the law is goign to have to be
changed, unless you take the position that downloaded music is stealing
and THEREBY CRIMINALIZE THE SOCIETY ((emphasis KRJ)). But how can
50 million people (over 200 million worldwide) be wrong?"
from the middle...
"Why is it that record companies pay dearly for radio play and
fight Internet play? ... If we look at the Internet as analogous
to radio, the problem becomes one of performance rights, not one of
unlawful exploitation of intellectual property."
"If your music is not being downloaded, then you're in trouble.
If you can't give it away, you certainly can't sell it. Daniel Bedingfeld
recently had a Top 3 song on the radio, with "Gotta Get Thru This."
However, his music was hardly available on any of the P2P networks.
His record lasted on the Billboard Top 200 for less than a month, even
though the single had been on radio playlists all over the country
for several months." The authors compare this with Eminem, whose
2002 was both widely downloaded, and the top selling album of the year.
"This seems to indicated the opposite of what the RIAA would have yhou
believe. When people share MP3s, more music is sold, not less."
and from the Conclusion:
"((The RIAA)) is leading us over a cliff. The RIAA has staked out a
position that is as unrealistic as it is anti-consumer and anti-artist.
Their interests and the interests of NARAS are not the same. ...
They cling unsuccessfully to the past rather than embrace the stunning
opportunities offered by the future. ... It is one thing to be unsuccessful,
it's one thing to argue a bad position, but it's quite another to be
silly and laughed at, and that's where the RIAA has ended up.
They appear to be totally irrelevant except as bagmen."
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mcnally
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response 88 of 163:
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Feb 2 20:36 UTC 2003 |
He has an astonishingly good point regarding radio vs. internet "radio" play.
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krj
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response 89 of 163:
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Feb 2 21:17 UTC 2003 |
((I misspelled the name of the artist cited in resp:87; it's
Daniel Bedingfield. He's the guy who the Snyders say had radio chart
action for months, though his CD sank right off the Billboard 200.
The Snyders say you can hardly find his stuff on P2P networks.
I ran a Google search on him, and it looks like his major label
gotten him stuffed into every music portal site they could find.
But press coverage is minimal, and there is no sign that he has
any fans.... So from here it looks like his record company bought
his radio exposure, but no listeners seem to give a hoot about him,
which is why his music isn't being traded, and why his CD sank rapidly
after release.))
((Of course sales aren't everything: Richard Thompson's 1971 debut
solo album was cited as the lowest selling release in the history
of his record company...))
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dbratman
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response 90 of 163:
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Feb 2 21:34 UTC 2003 |
So I take it that Bedingfield is invisible, not because the record
companies have successfully stomped out file trading of his songs, but
because nobody actually likes his music? Is his top-10 status a purely
artificial creation, then?
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mcnally
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response 91 of 163:
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Feb 2 22:21 UTC 2003 |
That's the contention.. It's almost certainly possible to buy your way
to the top of the singles charts these days, though it takes a very large
amount of money to do so..
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cyklone
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response 92 of 163:
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Feb 2 23:06 UTC 2003 |
Yup, the radio promo business, which was the focus of periodic payola
scandals, is still alive and well.
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krj
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response 93 of 163:
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Feb 7 05:24 UTC 2003 |
It looks like the copyright holders have ratcheted up the legal
arm-twisting on IRC networks. DALnet (the IRC network where I
used to hang out in #ecto and #indigo-girls) has announced that
it will start squashing channels whose primary purpose is to
facilitate file trading.
The DALnet news coverage didn't say anything about what motivated
DALnet's new policy. Slashdot points to a statement from
irc-chat.net (a network I haven't heard of) which says that
(krj's interpretation) after serious legal threats from the MPAA,
the network operators will now comply with expedited DMCA subpoenas
and hand over contact info on IRC users to the copyright holders.
http://chat.irc-chat.net/modules.php?name=News&file=article&sid=26
The timing makes me guess that the MPAA is citing the Verizon
ruling as precedent when it approaches the IRC network operators.
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tpryan
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response 94 of 163:
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Feb 8 03:16 UTC 2003 |
50 smackers a weekly to ride Clyde Ankle really heavy
would be downright cheap these days.
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krj
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response 95 of 163:
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Feb 18 18:12 UTC 2003 |
The RIAA and MPAA are making threatening noises towards large corporations
-- specifically the Fortune 1000. They have sent a mailing warning
corporations of their legal liabilities if the corporations do not
suppress the use and trading of unauthorized copies of songs and
movies on their computers and networks,
and they are suggesting that the corporations begin auditing staff
computers and disciplining employees. The unspoken threat is that
corporations which do not adopt such policies will face whopping
copyright infringement suits.
This story was widely reported, here's a few links:
http://www.billboard.com/billboard/daily/article_display.jsp?vnu_content_id
=1817612
http://news.com.com/2100-1023-984548.html
-----
Meanwhile, in Australia, the music industry has moved to direct action
against two students who appear to have had a web page offering MP3
files, and the industry is in court demanding access to the students'
email accounts as evidence.
http://news.ninemsn.com.au/Sci_Tech/story_46014.asp
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krj
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response 96 of 163:
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Feb 20 18:15 UTC 2003 |
Couple of stories I wanted to dump in, but I'm sort of pressed for
time.
Music publishers sue Bertelsmann, one of the big five labels,
for some of the copyright infringements of Napster users.
The publishers claim that Bertelsmann's investment & flirtation
with Napster propped up the venture and made the injuries to the
songwriters & publishers worse.
An unconfirmed report says the suit is asking for $17 billion-with-a-b.
http://news.com.com/2100-1023-985285.html?tag=lh
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Here's two stories on Universities involved in attempts to throttle
P2P filesharing. In the current budget climate, universities cannot
get more money for more bandwidth, and the file sharing applications
eat all available bandwidth on well-connected sites.
The first story is about a company called Audible Magic, who claim to
be able to reassemble a file from the packets at the router level,
compare it against a database of "audio fingerprints", and block
the exchange of selected files. The article points out that
the computational demands of a broad-based block would be immense,
and the system could be defeated by minimal encryption -- uuencode and
rot13, anyone? University of Wyoming is dabbling in this.
http://news.com.com/2100-1023-985027.html?tag=cd_mh
The second story is a non-technical story about a claim that
Kansas State has a home-grown application which is squashing
students' use of file-trading systems. The claim is that their
system is so effective that it has slashed the number of DMCA complaints
the school is receiving from copyright holders.
http://www.p2pnet.net/feb03/kansas.html
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krj
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response 97 of 163:
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Feb 21 05:45 UTC 2003 |
I had thought this was a mis-reporting of the case against two
Australian students which I cited in resp:95 :: however, the
followup discussion on Slashdot indicates that no, the
story is written correctly.
http://www.smh.com.au/articles/2003/02/18/1045330603596.html
"Recording companies have asked the Federal Court to allow
their computer experts to scan all computers at the
University of Melbourne for sound files and email accounts, so
they can gather evidence of claimed widespread breaches of
copyright."
In the followup discussion, an employee of another Australian
computer reported that their machine was scanned as part
of a dragnet for MP3 files.
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jor
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response 98 of 163:
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Feb 23 01:31 UTC 2003 |
"dragnet"
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krj
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response 99 of 163:
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Feb 24 07:42 UTC 2003 |
This isn't attributed to a verifiable industry source, but it's
the first printed report I've seen on CD sales so far in 2003:
down 14.5% for the year-to-date so far compared with last year's
sales. If that number is accurate, it says that the falloff
in CD sales is accelerating.
The source is the Seattle Times Grammy awards preview:
http://seattletimes.nwsource.com/html/artsentertainment/134638870_grammys23
.html
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anderyn
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response 100 of 163:
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Feb 24 15:08 UTC 2003 |
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russ
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response 101 of 163:
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Feb 24 22:33 UTC 2003 |
One hopes that the decline is largely the likes of NSync and Britney.
It might prompt the business to find some good music for a change.
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jaklumen
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response 102 of 163:
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Feb 25 03:52 UTC 2003 |
Oh, good grief-- you've really got to get over yourself. Those acts
are following established formulas than have been around since at
least the 1950's. What's equally true is those same formulas appeal
to kids and seem to aggravate adults. I think Ken was on to something
in the "Geezer Rock" item: no matter how youthful the boomers think
they are, they're bound to follow similar paths as their folks.
I laugh when I hear folks disparage the Britneys, Christinas, and
other R&B-influenced pop acts out there. It may be true that their
voices could use a bit more room for refinement.. but, listen to the
wannabes out there. I catch American Idol occasionally, or listen to
some chick off the street (on the radio, out and about, whatever) and
I find many sadly lacking. So many people trying to duplicate the
vocal gymnastics of these performers without accomplishing the
basics. Breathy, whiny.. no diaphragm support, no intonation (off-
kay).. you get the idea.
I've studied voice a bit. It is so less tangible than instrumental
study; you've just got to try things out. It helps to have a tonal
memory (remember how things sound/like of like a memory tape
recorder). A personal voice coach is invaluable.
Come now, do you really want Madonna ruling the airwaves again?
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dbratman
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response 103 of 163:
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Feb 25 07:21 UTC 2003 |
More campus news, not exactly music but certainly appropriate -
Stanford's on-campus video rental store is closing down. So many
students own DVDs now, informal lending among them is so high, and
they're so easy to rip and burn copies of - seniors report a complete
change from when they were freshmen - that the video store is obsolete.
Not being plugged into the student trading market, and having
absolutely no patience (or bandwidth) for online downloading, I wonder
how I'll see movies at home if rental outlets continue to disappear.
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mcnally
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response 104 of 163:
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Feb 25 08:11 UTC 2003 |
> and [DVDs are] so easy to rip and burn copies of
they are?
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keesan
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response 105 of 163:
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Feb 25 14:25 UTC 2003 |
I thought it was fairly easy to copy a video casette. Maybe the students are
just so rich now that they are all buying their movies instead of renting.
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