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25 new of 165 responses total.
dbratman
response 75 of 165: Mark Unseen   May 6 23:23 UTC 2002

Possibly relevant screed by Philip Shropshire on Locus, claims that 1) 
file sharing and downloading have only increased since Napster was shut 
down; but 2) free online copies of written fiction have apparently been 
observed to increase sales.

http://www.locusmag.com/2002/Reviews/ShropshireOnEllison.html
gull
response 76 of 165: Mark Unseen   May 7 13:31 UTC 2002

I hope this goes through, but given all the money stacked against it I 
doubt it has a chance.
http://www.wired.com/news/print/0,1294,52298,00.html

WASHINGTON -- Rep. Rick Boucher is finally ready to try and dismantle a 
key part of the Digital Millennium Copyright Act. 

Boucher, a Virginia Democrat, said last July that he wanted to amend 
the DMCA to permit certain "fair uses" of digital content, such as 
backing up an audio CD by bypassing copy protection technology. 

In an interview on Thursday, Boucher said he now has sufficient 
support -- from the tech industry, librarians, and Internet activists --
 to feel comfortable introducing his bill "in the next month." 

"If I had introduced it six months ago, you wouldn't have seen this 
kind of support," said Boucher. 

As soon as it's introduced, Boucher's proposal seems certain to be 
targeted for defeat by content lobbyists including Hollywood, the 
recording industry and the publishing industry. 

Boucher plans to rewrite section 1201 of the DMCA, which says, "No 
person shall circumvent a technological measure that effectively 
controls access to a work protected under this title." 

It doesn't require that the person bypassing the scheme is doing it to 
infringe on someone's copyright. Boucher believes that people should be 
allowed to circumvent technological protection for research, criticism 
or fair use purposes, such as reading an encrypted e-book on another 
computer. 
krj
response 77 of 165: Mark Unseen   May 8 14:43 UTC 2002

Wired points to an excellent Wall Street Journal/MSNBC story on the 
backstage industry maneuvering that led to the music industry's
own download service, MusicNet.

   http://www.msnbc.com/news/748564.asp?0si=-

The story says MusicNet has "roughly 40,000" subscribers.
Its owners are trying to come up with Version 2.
keesan
response 78 of 165: Mark Unseen   May 8 16:00 UTC 2002

In the early days of radio, the record companies tried to prevent the radio
stations from broadcasting their music on the theory that nobody would buy
the records if they could hear them on the radio.  Then they discovered it
was worth their while not to charge, but to PAY, the radio stations to play
their music.  I don't understand how it would not equally benefit CD companies
to let their CDs be webcast.
gull
response 79 of 165: Mark Unseen   May 8 17:44 UTC 2002

It's not about whether they can benefit, it's about whether they can 
wring money out of people for the privilage.  They're not in the 
business of letting people do for free what they might be able to 
charge them for.
mcnally
response 80 of 165: Mark Unseen   May 8 18:24 UTC 2002

  And it's equally about the record companies being able to control
  what gets played..
krj
response 81 of 165: Mark Unseen   May 8 20:54 UTC 2002

This quote from a current Business Week magazine interview with 
Stanford Law professor Lawrence Lessig is directly relevant:

http://www.businessweek.com/magazine/content/02_19/b3782610.htm

> Q: The current debate over Web radio is a good example. New fees
> that the U.S. copyright office has mandated threaten to put small
> Webcasters out of business.
>
> A: Web radio is a perfect example. In the course of its testimony 
> before the CARP hearings [the Copyright Arbitration Royalty Panel, 
> the government group responsible for setting compulsory license fee 
> for Webcasters] the RIAA argued that higher rates would reduce the 
> number of competitors to four or five big players. That's their model: 
> To wipe out diversity and get back to a place where only a few people 
> control delivery. 

(The article, titled "The Dinosaurs are Taking Over," argues that 
the old-economy giants are moving in to control the Internet and 
squeeze out independent service, independent content, pretty much 
independent everything, and that in this power grab, Congress has 
been the willing servant of the corporate powers.)
keesan
response 82 of 165: Mark Unseen   May 8 21:25 UTC 2002

I was looking for classical music webcasts and many of the stations are no
longer in operation in the US.  Europe still has plenty, then there is Hong
Kong and Chile.  Maybe people will start listening to more 'foreign' music
of other genres and the US music companies will lose business before they
realize what idiots they were.
krj
response 83 of 165: Mark Unseen   May 9 00:26 UTC 2002

Everyone's probably seen this one by now, but I'm putting this in here 
for brighn anyway:

"TV exec says skipping the commercials is THEFT"          :)    :)

http://www.2600.com/news/display.shtml?id=1113

Jamie Kellner, chairman and CEO of Turner Broadcasting, 
had a wide-ranging interview about the TV business in CABLEWORLD 
magazine.  To a query about why digital TV recorders 
such as the Replay 4000 are bad, Kellner responded:

  "Because of the ad skips.... It's theft. 
   Your contract with the network when you get the
   show is you're going to watch the spots. 
   Otherwise you couldn't get the show on an ad-supported basis.
   Any time you skip a commercial or watch the button 
   you're actually stealing the programming."   
        ((I assume he means, "hit the fast-forward button"))

Kellner did allow that there was "a certain amount of tolerance" for
viewers going to the bathroom during commercials.  How thoughtful!

2600 did include a link to the original article, but it has now been
moved into the pay section of inside.com.   I did read enough of the 
original interview, before it was restricted to paying users, to satisfy
myself that Mr. Kellner's views were not being distorted.

http://www.inside.com/product/product.asp?entity=CableWorld&pf_ID=7A2ACA71-
FAAD-41FC-A100-0B8A11C30373

-------

Slashdot pointed to the best followup I have seen:
http://research.yale.edu/lawmeme/modules.php?name=News&file=article&sid=198
 
   "Top Ten New Copyright Crimes"
which is a Letterman-style list...
   "Number 9: Changing radio stations in the car when a commercial comes on."

-------

Slashdot finds a further followup from "Broadcast and Cable" in which 
Kellner suggests that users should be charged $250 per year for the 
privilege of skipping commercials.

http://yro.slashdot.org/article.pl?sid=02/05/06/232213
http://www.tvinsite.com/broadcastingcable/index.asp?layout=story&doc_id=84804&display=breakingNews

keesan
response 84 of 165: Mark Unseen   May 9 01:01 UTC 2002

In the Netherlands everyone pays a yearly fee for any radio they own which
is hooked up to cable, and they all get to vote on what programming they want,
and the amount of each type of programming is based on the vote.  At least
for the noncommercial tax-supported stations.  There are pirate stations
broadcasting from ships.  I assume some of the for-pay cable TV stations are
also commercial free, am I wrong?  Requiring that one listen to ads in order
to hear music makes as much sense as requiring college students to play
football or vice versa.
senna
response 85 of 165: Mark Unseen   May 9 03:07 UTC 2002

Big entertainment business has become so insular that skipping commercials
is now THEFT?  I don't recall there being any contract signed for me to watch
broadcast television, so this is news to me.  

Thank you, Ken, for your occasionally alarmist tracking of copyright issues
which brings to my attention very real idiocy, and, in situations like this,
outrageously humorous examples of the effects of frontal lobotomy.
mdw
response 86 of 165: Mark Unseen   May 9 06:51 UTC 2002

For-pay cable channels are generally interuption-free.  They generally
run blurbs for other shows as fillers, which is a form of advertisement.
AMC used to run on the same system, although they now seem to be
evolving away from this.
slynne
response 87 of 165: Mark Unseen   May 9 12:49 UTC 2002

Yeah, I have been bummed to find commercials on AMC. But I guess they 
have to make a buck just like everyone else. 

Personally, I would love to see everyone get a TiVo to skip the 
commercials because that really would make that advertising time less 
valuable which could mean that companies that advertise would look 
elsewhere. This would mean a big loss of revenue for the TV/cable 
networks, unless the "elsewhere" was product placement within the shows 
themselves. It would probably mean that they would have to be forpay 
services. I know that if I had to pay a few bucks for *each* channel I 
got, I wouldnt get very many. But it would be worth it not to have the 
commercials. If a lot of folks get TiVo, it could result in a loss in 
choices as probably some networks would find themselves unable to adapt 
to a new model. It *could* also result in lower quality programming but 
I like to think that it would be the lower quality stuff that would get 
lost if networks go under. 


void
response 88 of 165: Mark Unseen   May 9 15:26 UTC 2002

The entire point of cable in the first place was to be ad-free.
remmers
response 89 of 165: Mark Unseen   May 9 16:30 UTC 2002

Now that AMC does commercials, I don't watch it anymore.  Same
goes for Bravo, with rare exceptions.  Wouldn't wanna be guilty
of stealing.  :)

Re #84:  Yes, I remember that when "pay-TV" (which later evolved
into cable) was first being discussed in the 1950s, one of the
selling points was going be freedom from commercials.  Um...
jep
response 90 of 165: Mark Unseen   May 9 16:58 UTC 2002

re #88: There was cable TV in Houghton, MI in the 1950's because there 
were no locally accessible TV stations there.  The original point of 
cable was sharp reception and greater selection of programming.
tpryan
response 91 of 165: Mark Unseen   May 9 17:00 UTC 2002

        The other end of it is the the local advertiser now has
a harder time than ever of getting their niche market into 
the cable station slots.
        I am sure some nightlife spot in Ann Arbor would love 
to advertise only on Comedy Central's Insomniac.  But no, instead
we get the ComCast self promotion ad instead.  To me, it looks
like ComCast is not interested in the small order business.
gull
response 92 of 165: Mark Unseen   May 9 19:53 UTC 2002

Cable TV started as "community antenna television."  (This is where the 
acronym CATV comes from.)  They'd put an array of single-channel Yagis 
on top of some tall structure, pointed at the various local channels, 
then amplify the signals and feed them out to residents, to avoid the 
visual clutter of every house having its own outdoor TV antenna.  
Obviously that wasn't commercial free since it was just another way to 
get broadcast TV.

Even today most cable systems, as part of the francise agreement, have 
to offer a cheap "basic service" level that mostly just provides area 
broadcast stations.  They rarely advertise that fact and will often 
charge an arm and a leg to install it, but it usually exists.
keesan
response 93 of 165: Mark Unseen   May 10 01:33 UTC 2002

Last I knew the local basic service here was $30/month, hardly cheap.
It had suddenly gone up from $8.
ea
response 94 of 165: Mark Unseen   May 10 01:46 UTC 2002

92 - the acronym CATV has since been modified to be "Community Access 
TV", which may go by other names including Public Access, or Community 
Television.
jmsaul
response 95 of 165: Mark Unseen   May 10 03:53 UTC 2002

Re #88:  I thought the point was to be able to show naked people and use
         naughty words.
dbratman
response 96 of 165: Mark Unseen   May 12 09:43 UTC 2002

Well, there's two origins of cable tv, and they tend to get confused.  
One is the provision of tv to back-country areas that get poor 
broadcast reception, and that's always been commercial, simply because 
it was a feed of broadcast stations.  The other is cable-only channels, 
intended in the first place for urban customers, which came along 
around 1980, and that indeed was originally mostly commercial-free, the 
idea being that subscription fees to cable would pay the cost.  So much 
for that notion.

Kellner's remark about stealing is profoundly disturbing, for several 
reasons.

First, as several people have pointed out, applied to print 
publications it would require that you read all the ads (and various 
corollaries about electronic media suggest that you'd have to start at 
the beginning and read the whole thing, read it only once, and you 
couldn't pass it on to somebody else).  It also suggests you can't flip 
stations during commercials, either.

Second, it flies in the face of the whole basis of advertising, in 
which the best ads are designed to actually attract attention and not 
just lecture to a captive audience, and more than that, in which ad 
rates are set with the specific understanding that there won't be 100% 
feed-through.

Thirdly, if you can be required to watch the ads, you can also be 
required to buy the wonderful products being pitched.
gull
response 97 of 165: Mark Unseen   May 14 15:01 UTC 2002

A couple interesting tidbits about copy-protected CDs, from The Register:
http://www.theregus.com/content/54/24940.html

First, it turns out some CD copy protection schemes can be defeated with
electrical tape or a Sharpie marker.  The idea is to cover up enough of
the outer, intentionally corrupt track that the computer will ignore it.

Secondly, a new copy-protected CD release apparently does nasty things
to the flat-screen iMacs.  Not only does it fail to play, it locks up
the computer and prevents it from rebooting properly as long as it's in
the drive.  (iMacs, you'll recall, will try to boot off CDs.)  It also
locks the CD tray, keeping you from remedying the situation by removing
the disc again.  I'm sure this wasn't intentional, but it's an example
of what can happen when you start putting out intentionally non-standard
discs.
gull
response 98 of 165: Mark Unseen   May 14 15:07 UTC 2002

Here's Apple's page about the problem:

http://kbase.info.apple.com/cgi-bin/WebObjects/kbase.woa/wa/query?searchMod
e=Ass
isted&type=id&val=KC.106882

They suggest several ways to try getting the disc out, but admit you may
have to take the machine in for service if it's a model that has no
manual eject hole.  They seem to be taking a pretty hard-line stance on
these discs:

"CD audio discs that incorporate copyright protection technologies do
not adhere to published Compact Disc standards. Apple designs its CD
drives to support media that conforms to such standards. Apple computers
are not designed to support copyright protected media that do not
conform to such standards. Therefore, any attempt to use non standard
discs with Apple CD drives will be considered a misapplication of the
product. Under the terms of Apple's One-Year Limited Warranty, AppleCare
Protection Plan, or other AppleCare agreement any misapplication of the
product is excluded from Apple's repair coverage. Because the Apple
product is functioning correctly according to its design specifications,
any fee assessed by an Apple Authorized Service Provider or Apple for
repair service will not be Apple's responsibility."

Think there's the possibility of a class-action lawsuit against Sony
from people who have to pay Apple to have these discs extracted from
their systems?
jmsaul
response 99 of 165: Mark Unseen   May 14 15:12 UTC 2002

I'd hope so.  The rumor is that putting a disc in actually damages the
firmware somehow, though I don't know how that's possible.
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