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25 new of 111 responses total.
flem
response 67 of 111: Mark Unseen   Jul 3 14:37 UTC 2003

This is somehow different from the case for "to boldly go"?  
rcurl
response 68 of 111: Mark Unseen   Jul 3 15:12 UTC 2003

Not very. I suppose "To go boldly" could be the subject of a sentence ("To
go boldly is admirable"), but it turns out that isn't the subject. This
pseudo subject becomes even less clear by the inversion of the customary
word order. I agree there is "poetic license", especially when one is
writing poetry, but that does not always have a primary objective of
clarity. So, are we discussing this as poetry, or as clear expression? 

cmcgee
response 69 of 111: Mark Unseen   Jul 3 15:45 UTC 2003

The "sentence" doesn't have a subject.  It's a sentence fragment to start
with.
flem
response 70 of 111: Mark Unseen   Jul 3 16:53 UTC 2003

I think w.r.t. the canonical Star Trek example that the case can be made that
it should be evaluated as poetry, because of the context.  Or, if poetry is
too strong a term, at least rhetoric.  
  Still, as either poetry or rhetoric, it scrapes the bottom of the "mediocre"
end of the spectrum IMO.  :)

I think that part of my opposition to split infinitives comes from the idea
of considering grammar as, well, a grammar, in the computer science sense.
Without being too rigorous, I think it's a good idea not to use an adverb in
any situation where using an expanded adverb phrase would be bad.  If the
canonical example in question were something like "to with clear eye and
undiminished courage go...", I think most people would agree that that is more
awkward than, say, "to go with clear eye and undiminished courage...".  

Or whatever.  :)
jmsaul
response 71 of 111: Mark Unseen   Jul 3 18:23 UTC 2003

I agree that's more awkward... but I still don't see a good case for the
general rule against split infinitives.  (I won't claim that the Star Trek
line is great writing, either, but it scans better to my ear than the
alternatives do.)
janc
response 72 of 111: Mark Unseen   Jul 3 22:31 UTC 2003

I think it's a terrible example.  It's too familiar.  It sounds most
natural the way you most often hear it.  Big surprise.  Proves nothing
one way or the other.
orinoco
response 73 of 111: Mark Unseen   Jul 4 02:35 UTC 2003

Most of the so-called "rules of grammar" seem to actually be guidelines for
people with a tin ear.  Most people with a good sense of rhetoric and style
can get on just fine without them.  But for those who wouldn't know a good
sentence if it up and bit them, following the "rules" is a way to avoid some
of the worst pitfalls.

(I think the worst example of this is the "rule" against using the passive
voice.  Good writers use the passive voice from time to time.  But since some
bad writers use it _constantly,_ English teachers have started telling their
students not to use it at all.  The one about split infinitives doesn't bother
me as much, but it strikes me as a similarly fake rule, made to stop people
from coming up with atrocities like flem's in #70.)
jazz
response 74 of 111: Mark Unseen   Jul 4 04:52 UTC 2003

        Well, it's a set of informal rules.  Most native English speakers (and
several non-natives, including our own beloved Mynxcat) know them
instinctually.  But it's handy when you're pointing out why something doesn't
work, or editing a difficult piece, to know what the rules are and how to use
them.
pvn
response 75 of 111: Mark Unseen   Jul 4 06:59 UTC 2003

Yeah, but.  Is grammar the ruler of expression or is it nothing more
than a tool to aid in expression.  I am thinking I recall a situation of
english speaking not boss who's actors fun of made who angry exclaimed
"you may think I don't know fuck, but I know fuck all!".  Understood him
I did.
md
response 76 of 111: Mark Unseen   Jul 4 16:25 UTC 2003

Most grammars merely describe how people used the language back when 
the grammarian was learning it, with the addition of a few of the 
grammarian's pet peeves -- an error somebody once caught him in that 
he's been brooding over and consequently wants to convert into a quasi-
correct or exceptionally correct usage.  But there are no objective 
standards to refer to, only a faded snapshot of an active process.  To 
those who learned it forty years before, it will sound lax and vulgar; 
to those who learn it forty years later, it will sound pompous and old-
fashioned.  
klg
response 77 of 111: Mark Unseen   Jul 4 16:34 UTC 2003

re:  "#73 (orinoco):  ... But for those who wouldn't know a good
sentence if it up and bit them, following the "rules" is a way to avoid 
some of the worst pitfalls.  (I think the worst example of this is the 
"rule" against using the passive voice.  Good writers use the passive 
voice from time to time.  But since some bad writers use it constantly,_ 
English teachers have started telling their students not to use it at 
all.  The one about split infinitives doesn't bother me as much, but it 
strikes me as a similarly fake rule, made to stop people from coming up 
with atrocities like flem's in #70.)

According to our spouse, grammar is not taught in elementary school.  So 
by the time the students reach the upper grades, I suspect teachers are 
now "giving up" on the whole concept of proper word usage.  She 
constantly is telling us about the grammar errors made by the younger 
teachers.  We would bet that if we asked those teachers what passive 
voice or split infitives, they'd stare at us like a deer caught in a 
car's headlights.
pvn
response 78 of 111: Mark Unseen   Jul 5 07:55 UTC 2003

What is passive vice?
jaklumen
response 79 of 111: Mark Unseen   Jul 5 10:03 UTC 2003

That's a good question.  In the active voice, the author/subject is 
the subjective pronoun, I believe (coming before the verb).  You 
use "I" a lot.   In the passive voice, the author/subject is the 
objective pronoun-- using lots of "me's" (it occured to me, it dawned 
upon my mind).  The narrator seems to be acted upon by inanimate 
concepts.  I realize this is a poor explanation, but this is best how 
I remember it. 
i
response 80 of 111: Mark Unseen   Jul 5 11:25 UTC 2003

Active voice:  "We f*cked up"
Passive voice:  "Mistakes were made by us"  (The "by us" is often dropped...)
jmsaul
response 81 of 111: Mark Unseen   Jul 5 14:39 UTC 2003

Re #78:  You just lie there.
jazz
response 82 of 111: Mark Unseen   Jul 5 14:58 UTC 2003

        Re #75:

        Sometimes I can understand people when they break the rules of grammar
for the way they're speaking, sometimes I can't.  Someone could speak fluent
dancehall ragga, and I'd probably be left going, "uhmmmm what?"  
russ
response 83 of 111: Mark Unseen   Jul 5 19:28 UTC 2003

Passive vice:  Bookies stuff gambling winnings in your pocket as
you're walking down the street minding your own business.
pvn
response 84 of 111: Mark Unseen   Jul 6 04:49 UTC 2003

I should be so lucky.
keesan
response 85 of 111: Mark Unseen   Jul 6 06:11 UTC 2003

From a book of house plans - 
Windows are inadequate in number and insufficient in size.
This elegant design blends high vogue with a restful character.
A flexible interior enjoys modern space that welcomes sunlight.
Come home to spectacular views and livability.
majestic curb appeal
A taste of Europe is reflected..
This sensational design is sweetly luxurious....
an unrestrained floor plan
rich with reminiscent detailing
The combination of stacked stone, brick and siding [sic] add [sic] warmth
Kitchen and dining spaces lack windows and imagination
There is no focal point to draw one's eye as they approach the home.
open planning offers an aura (!) of spaciousness
Walls of windows provide a front row seat to enjoy nature's bounty....

If you can't write, sell houses.
pvn
response 86 of 111: Mark Unseen   Jul 6 06:19 UTC 2003

Probably more money in it right about now.
keesan
response 87 of 111: Mark Unseen   Jul 7 06:23 UTC 2003

Can anyone rewrite all these sentences to be both grammatical and meaningful?
For instace 'a feeling of spaciousness'.
gull
response 88 of 111: Mark Unseen   Jul 7 13:32 UTC 2003

Grammer rules always make me feel stupid.  (Err, sorry.  Passive voice,
there.  I guess I mean, "I always feel stupid when people bring up
grammar rules."  Better?)  I know I violate them all the time but I can
never keep track of all of them.
jazz
response 89 of 111: Mark Unseen   Jul 7 13:37 UTC 2003

        The passive voice is legitimate, as far as I know, but it does bring
up a good point.  The two sentences have different meanings - either a is
acting on b, or is acting on a.  The first sentence implies grammar rules or
grammarians make you feel a certain way, the second implies that you choose
to feel a certain way because of grammar nazis.  Oddly, I kind of feel like
one now ... :?
md
response 90 of 111: Mark Unseen   Jul 7 15:28 UTC 2003

[There is no passive verb in "Grammer rules always make me feel 
stupid."]

Passives become a problem mainly when people use them to hide 
responsibility.  Constructions like "I was told..." and "The decision 
was made..." are commonplace in corporations and government.  They've 
become so automatic now that they don't infallibly tell you the speaker 
is a weasel anymore.  Consider it possible, though, especially if you 
ask "Who told you?" or "Who made the decision?" and don't get an answer.
jazz
response 91 of 111: Mark Unseen   Jul 7 15:30 UTC 2003

        Syntactic deletions and nominalizations are fun.

        Like the sentence "The enterprise infrastructure was leveraged to good
end."  It means absolutely nothing. 
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