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Author Message
25 new of 247 responses total.
orinoco
response 54 of 247: Mark Unseen   Dec 18 03:28 UTC 1998

Really? Hmm...never noticed that...
gregb
response 55 of 247: Mark Unseen   Dec 19 04:12 UTC 1998

With BMG, you'll find it with the UPC on the back.
lumen
response 56 of 247: Mark Unseen   Dec 19 04:30 UTC 1998

Oh yeah.  I read packages with great interest, mostly because it's there and
it's something to read.  I suppose the music stores won't repurchase the
recordings, or do so at much lower prices, because collectors can be finicky.
In the world of comics, the ones that sell for higher prices than the cover
are the ones sold in the comic book stores, without a UPC barcode.  Now I know
there's not as high of a demand for music recordings, and there isn't a
definitive way to limit them, but-- I still think music stores figure their
clients won't want to buy recordings with the BMG or Columbia marketing
labels.

I think Dan's right-- most of the artists that advertise in record clubs are
very mainstream and are making *quite* a bit of money.  They can probably
afford it; they get paid from other sources-- music videos, MTV show
appearances, arena concerts, etc.  But I could be wrong.  Musicians aren't
as rich as you'd expect since they generally put their money back into
equipment, anyway.
krj
response 57 of 247: Mark Unseen   Dec 19 21:14 UTC 1998

According to an acquaintance who has worked in the record business
in promotion & office support:  In the old days, record clubs such as 
BMG were not given access to the best analog master tapes for their 
manufacturing runs, so the record club LPs were not as good.  
This continued into the early CD era, even 
though it made no sense in a digital era, just because it was 
the way business was done.  I've lost touch with this acquaintance, 
so I can't see if the record labels and record clubs have gotten 
smart enough to exchange digital masters.   I know I prefer not to 
buy record club products when I buy used discs -- just call it a 
silly prejudice.

I suppose some ambitious grexer could pick up pairs of "regular" 
CDs and record club CDs and examine the bit streams to see if they 
are the same.
gregb
response 58 of 247: Mark Unseen   Dec 19 23:05 UTC 1998

Funny you should mention that.  I compared a segments from an ELO CD 
produced by Jet Records, and from CH using Sound Forge.  Both patterns 
were exactly the same.
scott
response 59 of 247: Mark Unseen   Dec 20 00:17 UTC 1998

The data, or the analog waveforms?  The waveforms would look identical unless
there were some really audible differences between the two sources.

(I've got an old vinyl copy of "Who's Next" from some kind of record company
"nice price" series.  It has an actual dropout in the middle of one of the
tracks!
mcnally
response 60 of 247: Mark Unseen   Dec 20 09:32 UTC 1998

  It's probably a lot easier to read the tracks to digital audio files
  and diff them than it is to do any sort of waveform comparison so
  I'd assume that he was comparing digital to digital..
gregb
response 61 of 247: Mark Unseen   Dec 20 22:22 UTC 1998

Quite correct, Mike.
lumen
response 62 of 247: Mark Unseen   Dec 21 07:33 UTC 1998

I do own a few record club CDs and they sound OK.  Any difference is probably
very small.
mcnally
response 63 of 247: Mark Unseen   Jan 8 18:19 UTC 1999

  I'm bummed by the latest Ann Arbor music casualty -- the Wherehouse
  records on South University has closed and, despite the sign on their
  door proclaiming their "hope" that they will re-open in Ann Arbor, 
  I doubt they will..  They had a good indie section which was stocked
  by a knowledgable buyer and their prices were pretty decent if you
  either hit them on Tuesday when they had a standing $2.00-off sale
  or talked them into giving you the discount on other days (my usual
  m.o.)

steve
response 64 of 247: Mark Unseen   Jan 8 18:41 UTC 1999

   I'm sorry to hear about that.  I didn't go there much but knew
others who did.
   It would be interesting as a project to make a list of all the
music stores, new and used.  Unforunately, we might then be able 
to strike them off, one by one.

   Has anyone been to the 'new' Schoolkids at OZ's?  Do they have
anything in stock or is it basically a front for an ordering service?
orinoco
response 65 of 247: Mark Unseen   Jan 9 01:56 UTC 1999

I've been to the new S'kids in the basement of Elmo's - they do have stuff
in tock, but not nearly as much as they used to. I haven't been out to the
one at OZ's yet.
steve
response 66 of 247: Mark Unseen   Jan 9 08:22 UTC 1999

  So there are *two* Schoolkids, now?  That sounds bad; the owner
could go crazy just trying to flip back and forth between them.
mcnally
response 67 of 247: Mark Unseen   Jan 9 17:18 UTC 1999

  I think there's also one in one of the stores on Main between Liberty
  and William.  I'm very confused by the whole "Schoolkids in exile" thing --
  there seems to have been some sort of diaspora..
anderyn
response 68 of 247: Mark Unseen   Jan 10 02:13 UTC 1999

The store on Main is Collected Works. That's where all the folk stuff
is supposed to end up, but it's not the world's biggest selection (yet).
I've been to the one under Elmo's, and to the Collected Works store,
but not to the one at Oz's. Seems that I've done more S'kids shopping
via the net (email) than in person these days. 
goose
response 69 of 247: Mark Unseen   Feb 22 23:20 UTC 1999

My statement on #45 (Artists paying for record club purchases) is
no longer correct in most modern contracts, as far as my recent
research shows.  They do pay for the cost of the record (CD, jewel box,
insert, etc) just like with any other CD, they just take 50% of their
normal royalty (which to this day is based on wholesale cost of
an LP! Yes, I mean vinyl record!)
krj
response 70 of 247: Mark Unseen   Mar 2 22:28 UTC 1999

According to the sign posted in the window:  Schoolkids-in-Exile-at-
Elmo's is moving down the street to become
Schoolkids-in-Exile-at-Bivouac.
orinoco
response 71 of 247: Mark Unseen   Mar 4 15:44 UTC 1999

They just don't sit still, do they?
cyklone
response 72 of 247: Mark Unseen   Mar 5 00:45 UTC 1999

Pretty soon it will be Schoolkids-in-Exile-in-a-Friend's-Basement . . . .

aaron
response 73 of 247: Mark Unseen   Mar 5 15:49 UTC 1999

Maybe Grex can rent it some space.
goose
response 74 of 247: Mark Unseen   Mar 5 18:51 UTC 1999

Ann Arbor school children can make up a game of "Hide the Schoolkids"
cloud
response 75 of 247: Mark Unseen   Mar 10 02:26 UTC 1999

I think Schoolkids should move into my basement, too. 
I've been to Schoolkids@bivouac, and I've got to say like them. I ordered a
CD on Friday, and it came in today.  I ordered one at SKR P&R, and I've been
waiting over three weeks for it.
krj
response 76 of 247: Mark Unseen   Mar 14 19:15 UTC 1999

After Mooncat's Grex Happy Hour on Friday I stuck my head in to check
out "Schoolkids in Exile at Collected Works."  The rumor I'd heard
was that this was supposed to be where most of the folk music ended 
up, but only a small fraction of what was there was folk-ish.
 
I'm happy to hear that Schoolkids-in-Exile's business model of 
relying a lot on special orders is working well for cloud.
I remember Steve Bergman talking about how the financial situation
necessitated working closely with "one-stop" suppliers, and this 
had the beneficial effect of getting most special orders in within 
one day.  
 
This will be a tremendous improvement over the old special order 
situation at Schoolkids -- which sounds like it is continuing with 
the SKR shop -- which is that you make your special order and it's 
something like putting a message in a bottle.
My last  special order at SKR Classical, which was a well-promoted 
CD from the large independent label Chandos, took FIVE MONTHS to 
arrive.

Even with a promise of next-day delivery, special orders just aren't 
going to work for me.  Making that second trip downtown to pick up the 
order is a nuisance for me.  If I can't grab a particular disc in town, 
I'd just as soon order it from one of the big online services.
The growth of CD Now and its competitors leaves me wondering how many 
people are willing to do special orders any more.

orinoco
response 77 of 247: Mark Unseen   Mar 14 22:10 UTC 1999

Well, Schoolkids-in-Exile also, if I remember right, give a bit of a discount
on anything you have to special order; and in any case you don't pay the
exorbitant shipping and handling.  So they'll have a bit of an advantage in
the special order department over other physical stores.
cloud
response 78 of 247: Mark Unseen   Mar 17 04:01 UTC 1999

Yes, Dan, they did give me a discount too.  From over 16 dollars origonally,
to less than fifteen, including tax.  I was well pleased, and I think that
they should be able to rely on me as a fairly regular customer from here-on
out.  
BTW; my CD from SKR has come in, finally, but I haven't had the chance to pick
it up yet.
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