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5 new of 54 responses total.
krj
response 50 of 54: Mark Unseen   Sep 8 23:07 UTC 1996

I bought a copy of MONSTER the week it came out and I still 
haven't opened it.  Obsidian keeps telling me I'm doing the right 
thing.
 
Other things which people might write about if they have heard them:
new albums from Suzanne Vega, Sam Phillips,  Kate & Anna McGarrigle.
katie
response 51 of 54: Mark Unseen   Sep 9 01:00 UTC 1996

I just recently learned that Sam Phillips used to be considered a "Christian
artist." 

The single "E-Bow the Letter" from the new R.E.
M. sucks, Patti Smith's vocals notwithstanding.
robh
response 52 of 54: Mark Unseen   Sep 9 01:31 UTC 1996

Is the new Suzanne Vega album out yet?

I'm aldo looking forward to the new Sarah McLachlan outing later
this year.
krj
response 53 of 54: Mark Unseen   Sep 9 04:11 UTC 1996

The new Suzanne Vega CD is in stock at Schoolkids.
 
I'm curious about Katie's phrasing about Sam Phillips.
She recorded under a different first name, if I remember correctly, 
for one of the labels in the Christian music market.
I'll have to go dig out her old name.
krj
response 54 of 54: Mark Unseen   Sep 9 18:44 UTC 1996

In the Christian Music market, Ms. Phillips recorded about five albums 
under the name Leslie Phillips.  BEYOND SATURDAY NIGHT (1984), 
DANCING WITH DANGER (1984), BLACK AND WHITE IN A GREY WORLD (1985), 
The Turning (1987), RECOLLECTION (1987).  The Web pages I've pulled up 
are being balky, but it looks like most or all of these were issued on 
the Myrrh label.  
 
I have a vague memory, from perusing the catalog machine at Schoolkids, 
that RECOLLECTION was an anthology and was the only title still in 
print.
 
Ah, here's a paper:  "When Leslie Phillips left the contemporary 
Christian music industry and started a new career using her nickname
Sam, she claimed that she left because she was given no room to 
grow artistically.  In this paper I will examine musical and lyrical
restraints in contemporary Christian music (hereafter called CCM)
as well as stylistic differences between the CCM and secular 
markets."
http://ccel.wheaton.edu/music/scheer/Cruel_Inventions.
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