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25 new of 46 responses total.
otaking
response 5 of 46: Mark Unseen   Oct 25 17:51 UTC 1999

Personally, I'd recommend either "Stop Making Sense" or "Sand in the
Vaseline". The latter is a "Best of..." album. Normally, I wouldn't recommend
those, since I prefer the original albums, but it has a lot of great tracks
on it.
mcnally
response 6 of 46: Mark Unseen   Oct 25 21:48 UTC 1999

  No, no, no!  Not "Sand in the Vaseline"..  It omits so much *great* stuff
  and presents the rest out of context, which really does change the way you
  hear it.

  My personal favorite album is "Remain in Light" but I could honestly 
  recommend starting with any of the albums up to (but not including)
  True Stories.

  They basically break down as follows:

    Talking Heads 77 -- unpolished experimental pop.  harsher sound.
    not "punk" by a long stretch, but influenced by the New York scene
    around whose periphery they floated..

    More Songs About Buildings and Food -- great, quirky pop album
    full of amusing songs about odd topics.  sound is a little more
    polished but still discernibly "early period"

    Fear of Music -- big change for this album, as they team with producer
    Brian Eno and begin experimenting with African rhythms.  complex,
    polyrhythmic, and highly memorable.

    Remain in Light -- in my opinion, their masterwork.  the same polrhythms
    that appeared in "Fear of Music" but more fully developed.  the first
    half of the album is brilliant, high-energy, and infectiously funky.
    the second half shifts pace considerably and has a whold different feel
    to it -- unfortunately this separation worked a lot better when they
    were different sides of an LP, but both halves are great.

    Speaking in Tongues -- more polished, mature sound marks the band's
    growing influence and popularity.  source of the first (and biggest)
    mainstream radio hit, "Burning Down the House".  varies considerably
    from eminently-dancable high-energy tracks like "Burning.." to 
    tender bits like "Naive Melody (This Must Be the Place)"

    Little Creatures -- my second favorite after "Remain in Light"
    very polished pop, substantially slicker than earlier releases, but
    still featuring the quirky lyrics and complex rhythms that are the
    band's trademark.

    Stop Making Sense -- (chronologically comes before "Little Creatures",
    I think..)  Excellent live album from the four Los Angeles performances
    that were filmed for the movie.  Heavy on material from "Speaking In 
    Tongues" and "More Songs About Buildings and Food"

  Related, and also highly recommended:

    David Byrne --  "The Catherine Wheel"  Byrne and choreographer Twyla
    Tharp teamed to do a ballet (!)   Although uncredited in the title,
    Brian Eno and Adrian Belew's influences can be heard all throughout
    this album as well.

    David Byrne and Brian Eno -- "My Life in the Bush of Ghosts".  Byrne
    and Eno take found sound samples and set them to really funky music.
    Works incredibly well..
orinoco
response 7 of 46: Mark Unseen   Oct 26 00:32 UTC 1999

(Yeah, I've got "Bush of Ghosts" and I love it, which is why I suspect I'd
like the Talking Heads too if I ever got around to buying an album)
shinewee
response 8 of 46: Mark Unseen   Oct 26 00:48 UTC 1999

"More Songs about Buildings and Food" is also Eno produced, by the way.  The
three eno albums (I think) are the best intros to Talking Heads.  How do you
all like solo Byrne, by the way?
krj
response 9 of 46: Mark Unseen   Oct 26 00:50 UTC 1999

I guess my question to orinoco would be: how many Talking Heads 
albums are you considering buying?  If the answer is just one or two, 
then the SAND IN THE VASELINE compilation and maybe the new edition
of STOP MAKING SENSE would be my suggestion.  But if you're willing 
to spend a little more, I think would be fun to relive the band's 
development by starting with MORE SONGS and proceeding chronologically
from there.  
 
MORE SONGS, FEAR OF MUSIC, REMAIN IN LIGHT, and SPEAKING IN TONGUES 
are all on my personal list of Greatest Albums.  I don't rate 
LITTLE CREATURES as high as Mike does. 
 
I'll have to write more later, have to go now....  I did want to note
that the Eno connection starts with the second album, MORE SONGS.
 
My vague recollection is that MY LIFE IN THE BUSH OF GHOSTS was 
contemporary with REMAIN IN LIGHT, so that might be another hook to 
hang orinoco's choice on.
krj
response 10 of 46: Mark Unseen   Oct 26 00:51 UTC 1999

(8 slipped in... hi Justin, and welcome to the music conference!)
raven
response 11 of 46: Mark Unseen   Oct 26 06:17 UTC 1999

Yes i would recomend Remain in Light as Well.  The world musicy second side has
some really erie songs on in and the first side is very funky, fun and
rhythmic.
otaking
response 12 of 46: Mark Unseen   Oct 26 15:44 UTC 1999

Re #6: Mike, you just summed up why I don't like "Best of..." collections,
but I still think "Sand in the Vaseline" is better than most.
otaking
response 13 of 46: Mark Unseen   Oct 26 15:46 UTC 1999

What side projects did the members of Talking Heads do? I'm already aware of
Byrne's solo work, the Tom Tom Club, and the Heads (band minus Byrne). Are
there any others?
mcnally
response 14 of 46: Mark Unseen   Oct 26 16:19 UTC 1999

  Jerry Harrison's   "Casual Gods"

  [best left unmentioned, imho..]
mcnally
response 15 of 46: Mark Unseen   Oct 26 16:26 UTC 1999

  As far as Byrne's post-Talking-Heads solo work goes, it varies quite
  widely in quality (my opinion, at least..)  I don't have much of it --
  until recently [latest album, "Feelings"] he hadn't released a solo
  record that I would have recommended.

  I thought "Rei Momo" was awful (except for one or two tracks) and
  what I remember from "Uh-Oh" was pretty dull.  I liked the remix CD-single
  that accompanied "The Forest", but wasn't big on "The Forest" itself.

  As far as the Tom Tom Club stuff goes, I like the first album (just
  called "Tom Tom Club", the one with "Genius of Love") and also enjoyed
  "Dark Sneak Love Action".  It's enjoyable fluff, nowhere near the
  level of quality that the Talking Heads achieved as a band, but it's
  interesting if only to show how important husband and wife Chris
  Frantz and Tina Weymouth were to the band -- it seems to indicate
  that their sense of fun and enjoyment of funky rhythms were important
  counterbalances to Byrne's self-indulgence
krj
response 16 of 46: Mark Unseen   Oct 26 19:20 UTC 1999

Mike in resp:3 :: sorry for being misinformed about the various 
TRUE STORIES discs.  I never did get to see the movie.
 
Jerry Harrison's first solo album, from around the same time as everyone
else in the band was doing side projects, was THE RED AND THE BLACK.
I'd be surprised if it had ever been issued on CD.  Harrison was also 
in an early version of Jonathan Richman and the Modern Lovers, before
his days in Talking Heads.
 
I picked up the new 16-track CD of STOP MAKING SENSE last night.
To the best of my feeble recollection, it has all of the songs from 
the movie.  It have have all of the performances from the movie; if 
so, the band introduction at the end of "Take Me To The River" was 
edited out.  I'm annoyed that what appears to be canned applause 
has been bled over the beginning of each track; this wasn't there in 
the 1984 edition.  
 
I'm sure that the 1984 edition has a different recording of "Psycho Killer,"
a different one than used in the film.  I don't think it's just variations
in editing.
 
Ah, I did a little web searching and found an interesting band site:
            http://talking-heads.net/th_sms99.html
This says that "This Must Be The Place" will be issued as a single, with
the three extra tracks from the video as bonus tracks.  Have to look for 
that...
krj
response 17 of 46: Mark Unseen   Oct 26 19:29 UTC 1999

Even more:  The Palm Pictures web site has a list of where STOP MAKING SENSE
will be playing.   
East Lansing Film Society is on the list for November 5-7.  
I can't imagine where they'll put it.  More information as it becomes 
available.
arijitkm
response 18 of 46: Mark Unseen   Oct 27 07:04 UTC 1999


krj
response 19 of 46: Mark Unseen   Oct 27 17:57 UTC 1999

I gave FEAR OF MUSIC a spin lately, having gotten a fresh copy of it.
Definitely not an album to start with.  I'd hoped that a modern 
American edition would sound better than the old German CD I 
had, but I don't know if this worked out.  There is an incredible
amount of loud high-energy signal in that album, and *something*
isn't handling it well. 
 
It's an interesting mix of styles.  "I Zimbra," the collaboration 
with Fripp, pointed the main course for the next few albums with its
driving polyrhythmic percussion track.   And the tracks I remember 
most fondly from the album, such as "Paper," "Cities," "Heaven," and 
"Air," are in the band's quirky pop-song style, maybe with the 
intensity ratcheted up -- this is a very *tense* album.  
After FEAR OF MUSIC, the pop style got laid aside until LITTLE CREATURES.
 
And a few tracks seem to lay out a path not followed: deliberate off-tuning
in "Memories Can't Wait," odd time signatures in "Animals" -- I vaguely
recall reading that "Animals" could not be played live by the band.
And then there's the slow dirge of "Drugs."  There's a faster 
arrangement of that song, usually billed as "Electricity," from the 
live promo "Warner Bros. Music Show," which I much prefer.
mcnally
response 20 of 46: Mark Unseen   Oct 27 23:06 UTC 1999

  I agree that it's not their most accessible album, but I believe it's
  one of their best.  I suppose I'd direct a neophyte to choose either of
  the albums that bracketed it, though ("More Songs About Buildings and Food"
  or "Remain in Light")

  I dragged out my copy of "Sand in the Vaseline" to check out what had
  and hadn't been included and it reaffirmed my opinion that although it's
  a better cover of the band's career than any other single recording it
  has some major flaws as a starting point.  In my opinion:

    1) the track selection isn't that good..  maybe I'm just bitter
       because they left off my very favorite track, "The Great Curve",
       but as far as I can tell they included no more than three tracks
       from any single album and only two from "Remain in Light"..
       I'm somewhat mystified by the inclusion of "Swamp" as one of the
       three tracks from "Speaking In Tongues" -- I can think of several
       more deserving choices. 

    2) the inclusion of the hard-to-find and never-previously-released
       tracks makes the collection attractive to the completist but most
       of them (out of seven or eight tracks) are definitely b-grade
       material compared to the things that were left off to make room
       for them.

  Supposing that you can get two of the original albums for not much more
  than the double-CD collection, I think that's the way to go..
orinoco
response 21 of 46: Mark Unseen   Oct 28 01:28 UTC 1999

<nods>  Okay, thanks.  Someday when I've got a few bucks sitting around....
krj
response 22 of 46: Mark Unseen   Nov 1 23:00 UTC 1999

I have the information about this weekend's showing of STOP MAKING SENSE
in East Lansing.  The film is showing in one of the Wells Hall auditoriums
at 7 & 9:15 pm, Friday, Saturday and Sunday, November 5-7.
 
Unless Wells Hall soundsystems have been upgraded in the ten years since
I last saw a movie there, this won't compare to the Michigan Theatre
experience, but it is probably better than video.
dbratman
response 23 of 46: Mark Unseen   Nov 2 22:04 UTC 1999

Which was the early '80s David Byrne solo album with the spoken-word-
interspersed-with-brass-ensemble piece about the woman selecting her 
power outfit for the day?

I haven't heard that thing in 15 years but it was absolutely 
unforgettable.
mcnally
response 24 of 46: Mark Unseen   Nov 2 23:23 UTC 1999

  Early 80s with a spoken word piece?  Wow, that rings *no* bells whatsoever..
krj
response 25 of 46: Mark Unseen   Nov 2 23:34 UTC 1999

My guess would be "Music from The Knee Plays," which was for a 
theatre piece, by, maybe, Robert Wilson the Philip Glass collaborator?
 
This was notable for introducing me to Bulgarian women singing, 
because Byrne set one of the Bulgarian songs from the legendary, 
then-lost album "Le Mystere Dex Voix Bulgares" to a brass ensemble.
 
I have a copy of this somewhere.  
happyboy
response 26 of 46: Mark Unseen   Nov 3 00:03 UTC 1999

that's it...i was just lissening to THe Knee Plays
a cupple of months ago.
orinoco
response 27 of 46: Mark Unseen   Nov 7 08:11 UTC 1999

I got a tape of "Stop Making Sense" at a garage sale a while back, and finally
got around to giving it a good listen.  I was more or less unimpressed by the
first side (with the slight exception of "Girlfriend is Better"), but I rather
liked the second side, especially "Once in a Lifetime" (which I'd heard
before, loved, and not realized I was listening to the Talking Heads) and
"Take Me To the River" (of which Annie Lennox's version now seems a lot less
original....).  For what it's worth, I think I agree with McNally's low
opinion of "Swamp".  

So between the song "Once in a Lifetime" and the reccomendations it's gotten
here, I guess I'll be putting "Remain In Light" on my to-buy list, although
the weirdnesses Ken mentions on "Fear of Music" sound awful tempting...
goose
response 28 of 46: Mark Unseen   Nov 7 16:07 UTC 1999

I can't remember if it was mentioned here, but "Take Me to The River" is
by Al Green and the original is very R&B.
orinoco
response 29 of 46: Mark Unseen   Nov 7 18:31 UTC 1999

Right; that was the version I knew originally.  So when I heard Annie Lennox
do her Annie-Lennox-sounding version of it on "Medusa," I sort of though "oh,
who would have thought to do a pop version of that one?"  And apparently, the
Talking Heads would have.
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