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Grex > Music2 > #127: NP #3: Music to Conferency By |  |
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| Author |
Message |
| 25 new of 504 responses total. |
otaking
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response 455 of 504:
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Jun 17 19:26 UTC 1999 |
Sarah McLachlan, "I Will Not Forget You" (live) It's an unreleased track that
was left out of "Mirrorball," Sarah's new live album.
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carson
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response 456 of 504:
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Jun 17 22:04 UTC 1999 |
(Len, "If You Steal My Sunshine", club edit. we're debuting it on
WUPX-Marquette.)
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krj
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response 457 of 504:
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Jun 17 22:54 UTC 1999 |
resp:455 :: so if the McLachlan track was left off the album, where
did you get it from?
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gnat
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response 458 of 504:
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Jun 17 23:11 UTC 1999 |
Robyn Hitchcock, "Don't Talk To Me About Gene Hackman," an unreleased
track from a few years ago... and unreleased tracks come from bootlegs,
just like the one I'm listening to now. :)
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scott
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response 459 of 504:
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Jun 18 21:18 UTC 1999 |
Spinal Tap, "Break Like the Wind" (courtesy of the Ann Arbor District
Library).
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carson
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response 460 of 504:
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Jun 19 12:51 UTC 1999 |
(Eagle-Eye Cherry, "Shooting Up In Vein [T-Ray Mix]")
(although I'm not listening to it right now, I did just play a song by
Dido, a new artist from London. she's a "beautiful voice over
electronic sounds" type that I usually dig. we have both an EP and the
new LP at the station, and I've enjoyed every song so far.)
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lumen
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response 461 of 504:
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Jun 19 13:24 UTC 1999 |
Not sure of the song-- I'm just listening to the Detroit soul station.
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carson
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response 462 of 504:
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Jun 19 13:52 UTC 1999 |
(which one?) :)
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orinoco
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response 463 of 504:
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Jun 19 21:29 UTC 1999 |
Beck, "Forcefield". It's on a mix CD my friend Bob made me, but I think it
originally comes from his "One Foot In The Grave" album.
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lumen
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response 464 of 504:
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Jun 20 04:53 UTC 1999 |
resp:462 don't know-- didn't make a note of the frequency-- it's a little
further down the dial
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krj
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response 465 of 504:
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Jun 21 16:51 UTC 1999 |
Jefferson Airplane, "Jefferson Airplane Loves You." Anthology box from
mumblety years ago.
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carson
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response 466 of 504:
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Jun 21 22:12 UTC 1999 |
(promotional copy of the soundtrack to _South Park: Bigger Longer & Uncut_.)
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bruin
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response 467 of 504:
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Jun 21 22:48 UTC 1999 |
Omigod! They killed Kenny! You bastard!
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gnat
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response 468 of 504:
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Jun 22 00:40 UTC 1999 |
Some guitar noodlings by a friend of mine.
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carson
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response 469 of 504:
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Jun 22 00:44 UTC 1999 |
(promotional copy of Slick Rick's _The Art Of Storytelling_)
(if it's not obvious, I'm reviewing new music for the radio station.) :)
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gnat
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response 470 of 504:
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Jun 22 02:26 UTC 1999 |
Promotional copy of "The Soft Bulletin," by the Flaming Lips
(I'm reviewing, too...)
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tpryan
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response 471 of 504:
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Jun 22 02:55 UTC 1999 |
re 469: Get the new "Weird Al" yet?
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orinoco
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response 472 of 504:
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Jun 22 16:29 UTC 1999 |
I just turned off "Super Black Market Clash". My tolerance for the clash
seems to have gone down since two summers ago, when I decided I LOVED them.
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mcnally
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response 473 of 504:
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Jun 22 16:31 UTC 1999 |
Well, "Super Black Market Clash" uses up tolerance faster than, say,
"London Calling" Such is the way of B-sides and bonus tracks..
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krj
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response 474 of 504:
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Jun 22 17:31 UTC 1999 |
Hmm, I wonder if I should toss my 10" vinyl of BLACK MARKET CLASH into
the hypothetical resale pile...
Afro-Celt Sound System, VOLUME 2: RELEASE.
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kewy
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response 475 of 504:
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Jun 23 00:25 UTC 1999 |
Billy Joel in the living room, can't remember the name of the song.
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krj
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response 476 of 504:
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Jun 23 04:08 UTC 1999 |
Jefferson Airplane, AFTER BATHING AT BAXTER'S. The binge continues.
Nobody does 10 minute psychedelic guitar jams any more.
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mcnally
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response 477 of 504:
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Jun 23 05:33 UTC 1999 |
Despite their disastrous post-Airplane careers ("We Built This City")
I still have a soft spot for Jefferson Airplane.
Lots of good stuff on "After Bathing at Baxter's". Since I rid myself
of my LPs long ago, I no longer have a copy, I'll have to go dig up my
copy of "2400 Fulton Street" (a 2-disc best-of from about 10 years ago)
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md
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response 478 of 504:
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Jun 23 14:04 UTC 1999 |
"Take the 'A' Train," by Duke Ellington, in a 1960 stereo
recording, rereleased this year for the Ellington contennnial.
It starts with a long solo by Ellington himself that withholds
a simple statement of the theme until the halfway point, in
an "applause" sign manner. The celebrated opening riff
doesn't appear until some time after that, and when it does,
Ellington emphasizes it for another applause sign. Then
the orchestra finally enters with what amounts to *another*
applause sign. There are a few more of those scattered
throughout the performance. 40 years ago, it was simply
a grand old man showing off grandly for the crowd; now,
it gives me goose bumps.
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orinoco
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response 479 of 504:
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Jun 23 14:49 UTC 1999 |
I didn't realize that "Super Black Market Clash" was a b-side collection.
That makes sense, though, since the one song I recognized - Pressure Drop -
sounded almost totally unfamiliar.
Phish still do 1/2-hour psychedelic guitar jams, if you don't mind that they
all sound the same.
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