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25 new of 134 responses total.
md
response 25 of 134: Mark Unseen   Jan 21 18:49 UTC 1994

Re Mahler:  What annoys me about Mahler is the vulgarity.  The 
emotion is cheap and excessive, the effects are tawdry.  Someone 
once said the reason why so much Mahler sounds like movie music 
is that Korngold and the other early composers of film scores 
knew Mahler's music and realized that its general sound was well-
suited to the new medium.  Precisely.  

But mere vulgarity has never stopped me from liking other kinds 
of music.  Shostakovich is one of the most vulgar (and most 
Maherlian, I'm told) of 20th century composers, but I enjoy many 
of his compositions.  What is it about Mahler's particular brand 
of vulgarity that annoys me so?  

Re Pachelbel's Canon:  The music itself doesn't annoy me, I 
admit.  It's just that a piece so slight and inconsequential 
can't possibly support the veneration it's been accorded in the 
past twenty years or so.  No one with an ounce of taste seriously 
thinks the music has any qualities.  When music critics and 
theorists talk about it at all, it's generally as a joke and an 
embarrassment.  When the remakers of "Father of the Bride" needed 
the quintessentially trite symbol of phoniness to play at the 
daughter's wedding, guess what they chose?  But everybody's 
listening to it.  Why?  Because, well, because everybody's 
listening to it.  I'm thinking like, the Glitzsteins and the 
Baguettes both had it playing at their houses over the holidays, 
and Libby Glitzstein is a gourmet cook and Bill Baguette is a 
full professor of sociology at the university, so it *must* be 
good music, right?  
remmers
response 26 of 134: Mark Unseen   Jan 21 20:00 UTC 1994

Okay md, when are you going to take your inner snob on a walk down
Tin Pan Alley and have it do a number on ragtime?

Oh, and do you think that the popularity of P's Canon might have
some influence on your disdain for it?
md
response 27 of 134: Mark Unseen   Jan 21 20:13 UTC 1994

Ragtime is fun.  But it isn't *that* much fun.  I mean, all
the talk about Scott Joplin having achieved a permanent place
the in the pantheon of composers, right there between Beethoven
and Brahms, leaves me scratching my head.

It isn't the popularity by itself, or the inconsequentiality by
itself, that influences my disdain for Pachelbel's Canon.  It's
the combination of the two.  It's people talking about something
that isn't even *as* interesting as Ravel's Bolero, as if it were
an example of very high - almost sacred, in fact - art.  Btw, when
I talk about Pachelbel's Canon, I mean of course the Canon in D.
Or so it's called by the aficionados, as if there were some other,
inferior canon - say, the Canon in F.  Preposterous.

But I'm just being grouchy, and anyway, there's no arguing about
tastes.
vidar
response 28 of 134: Mark Unseen   Jan 21 21:48 UTC 1994

Light-Speed Polka.  I can stand most other Polka' s, but not those
that move to fast.  They're to hard to dance to.
skeez
response 29 of 134: Mark Unseen   Jan 21 22:40 UTC 1994

I cannot stand droning Metal songs which are the same monotonous chords all the
way thru, and have a couple words, which cannot be understood
shaymu
response 30 of 134: Mark Unseen   Jan 21 23:34 UTC 1994

Meat Loaf-I'd do anything for love (especially the video!)
vidar
response 31 of 134: Mark Unseen   Jan 22 00:11 UTC 1994

Hum.  Howabout Killing the Beavis & Butthead with Cher "I got you babe"
/
skeez
response 32 of 134: Mark Unseen   Jan 22 00:30 UTC 1994

B & B suck
vidar
response 33 of 134: Mark Unseen   Jan 22 12:59 UTC 1994

That's what I thunk.
chelsea
response 34 of 134: Mark Unseen   Jan 22 15:31 UTC 1994

I like Pachelbel's Canon and because I like it I wish it wasn't
played to death behind wine and automobile commercials and piped
into Target stores and recorded by *full orchestras*.  For me
it's a gentle *chamber* piece that's simple and folk-like.  It's
predictable and balanced and warming.  It's something like the 
Mr. Rogers effect.  The fact that your neighbor, the gourmet likes
it, doesn't at all alter my feelings about the piece.  As it should
be.  

Likewise, I don't give a ninny whether Mahler is fashionable or not.
Fashion has nothing to do with his ninth.  It's too personal for
fashion.  I'll take a risk here and share something of this personal
reaction and I'll explain why and when I listen to the hour-and-a-half
that is Mahler's Ninth.  I work almost 10 hours a day with people in
pain, very real physical pain.  Death is there all the time, not
in the immediate sense of their dying on the spot, but of the news
of what the future holds.  There is anger, confusion, grief, and more
anger.  When I need to make sense of this I listen to Mahler's Ninth,
all the way through.  Skipping to the final movements doesn't work.
I don't believe in a god and afterlife.  I believe in death as an
end.  Mahler's Ninth may be vulgar but then so is death, so it all 
balances out.

I don't know enough about music to discuss it on an intellectual
level.  And knowing that Sam Shepherd likes Ravel's Bolero wouldn't
allow me to enjoy it one whip more than I do, which is not at all.
See, when you aren't looking at music with an intellectual eye you
can be outrageously forgiving and enjoy it because it works, on a
very personal and simple level, just for you.  

Maybe the hosts of those cocktail parties simply like P's Canon.
Maybe they haven't studied how the entire piece is so simply 
constructed that it's musical child's play.  Maybe they haven't
heard the snide comments made by the cynical intellectuals.  Or
maybe they have but like it anyhow, publicly, in your face.
msu
response 35 of 134: Mark Unseen   Jan 22 17:36 UTC 1994

I hate any Weird Al Yankovic song after the 2nd listening.
vidar
response 36 of 134: Mark Unseen   Jan 22 22:45 UTC 1994

Doesn't that happen to everybody?
skeez
response 37 of 134: Mark Unseen   Jan 23 15:30 UTC 1994

Re# 35 yes.....ugh. Um, I really hate both of "
<scuse me> The versions of "Whoot <or whoop> there it is", And I hate any
jodeci stuff, I hate all those stupid take offs of Boyz II men also.
vidar
response 38 of 134: Mark Unseen   Jan 23 15:49 UTC 1994

Uff da?
/
carson
response 39 of 134: Mark Unseen   Jan 23 19:32 UTC 1994

re #37: There are SO many versions of that song. There's the "Whoomp! (Addams
        Family)" and JUST THE OTHER DAY I saw "Whoomp! (Si Lo Es!)"! Give me
        a break! The worst part is that Billboard STILL ranks the Tag Team
        version in the top 10 (broke a record last week)! Why would anyone who
        DOESN'T own it yet decide to buy it NOW and WHY are there SO MANY of 
        them?
robh
response 40 of 134: Mark Unseen   Jan 23 20:24 UTC 1994

Re 36 - Nope, I still listen to my old Weird Al albums (I have all of
them) and still enjoy them.  Acquired taste.
vidar
response 41 of 134: Mark Unseen   Jan 23 20:45 UTC 1994

O gods.
md
response 42 of 134: Mark Unseen   Jan 24 17:01 UTC 1994

Re #34, chelsea:  I certainly wasn't discussing music on an 
"intellectual" level.  I don't like the *sound* of Mahler's music.  
It annoys me.  For all I know or care, his symphonies might be 
rigorously planned and developed, in such a way as to provide a 
feast for musicologists and other intellectual types.  In fact, I'm 
told by Mahlerians of my acquaintance that that is precisely the 
case.  But I can't get that far with it, and have no desire to.  My 
ears won't let me.  

As to Pachelbel's Canon, there is absolutely nothing wrong with 
being "outrageously forgiving and enjoying music because it works, 
on a very personal and simple level, just for you."  I do it all 
the time.  Everyone does.  When someone observes how shallow and 
vulgar disco music is, I'm not anxious to argue or defend myself; 
I just smile and shrug and pop another Donna Summer CD into the 
player.  Nothing personal.  

[Btw, I invented the Glitzsteins and the Baguettes.  I was trying 
to imagine how the "Canon in D" might have been elevated to its 
present "immortal classic" status for others, not for me.  It 
didn't happen for me at all, obviously.] 
md
response 43 of 134: Mark Unseen   Jan 24 21:00 UTC 1994

And another thing [md shakes a finger at chelsea], I'm *not* a 
"cynical intellectual"!  I'm dreadfully unhip, in fact, to the 
point of being innocent and childlike oftentimes (and I've grown 
to like it that way, thank you -- or at least to accept it as 
something that I couldn't change if I wanted to).  And I have 
never in my life told someone that I didn't like the music they 
were playing, much less made "snide comments" about it to them or 
to anyone else.  That is, if someone asks what kind of music 
annoys me, I'll say Mahler for sure; but if you're *playing* 
Mahler on your stereo when I'm there, you won't hear a peep from 
me about it.  Not that you could hear a peep anyway, over all 
that noise.  
chelsea
response 44 of 134: Mark Unseen   Jan 24 21:35 UTC 1994

Well, I'm sorry Michael, but I tend to think of you as an
intellectual and when I start thinking of someone in those
terms I can't seem to help myself. ;-)  And what's this 
about there not being any Baquettes?  Gawd, and I was liking
them already.
vidar
response 45 of 134: Mark Unseen   Jan 25 01:49 UTC 1994

this item is to discuss annoying music, NOT to bore us with the 50 miute
lecture on your abused childhood, or whatever you're talking about.
Stay on Topic.
rcurl
response 46 of 134: Mark Unseen   Jan 25 05:43 UTC 1994

You start :). The most annoying music I know of is *any* of the music
used on Morning Edition, or All Things Considered. They use little
snippets of music to separate topics, and the music is not only
totally irrelevant to the topics covered, but the snippets are also
totally out of musical context. They aren't even music; they are 
tonal noise. I've stopped listening to both programs essentially
because I got sensitized (like alergic) to these musical irrelevancies,
and I felt a tinge of anger whenever one occurred. Time to leave!
vidar
response 47 of 134: Mark Unseen   Jan 25 17:29 UTC 1994

The most annoying music that I have heard lately is W4 106.7 Fm's
Hit or Miss country song that they played last night.  I don't know
the title, but it was definately a miss.
skeez
response 48 of 134: Mark Unseen   Jan 25 23:50 UTC 1994

Anything by Snoop Doggy Dogg. His generic, loopy, hazy little stolen P-Funk
beats are a shame. If I wuz George Clinton, I would be pissed off to the
highest level of pisivity with Doggy. At least Dre knows that one is ok, but
Snoop just can't get the message.
vidar
response 49 of 134: Mark Unseen   Jan 26 02:21 UTC 1994

There are a lot of musicians/singers like that.
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