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| Author |
Message |
| 25 new of 219 responses total. |
jazz
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response 192 of 219:
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Mar 21 07:06 UTC 2002 |
It'd be quite amusing if there was a populist movement to give money
to artists whom a listener has pirated MP3s from. Perhaps music can survive
on a shareware basis.
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brighn
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response 193 of 219:
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Mar 21 14:07 UTC 2002 |
#192> Hm. Now, my attitude probably WOULD be different if someone downloaded
entire albums via Napster-clones and then sent a $4 check to the band. Then
they could legitimately say they're giving more to the band than the RIAA
would be (a pittance, to be sure, per item), so they're not hurting the
artist. (Counterargument: The artist doesn't get new contracts without units
sold, but if the artists were getting most of their revenue from online sales,
they'd drop out of the RIAA gristmill anyway.)
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slynne
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response 194 of 219:
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Mar 21 15:33 UTC 2002 |
Except then, the big record companies wouldnt be compensated for all
the money they put into the marketing that made someone want the music
in the first place. There is a reason bands dont just set up web sites
that charge $4 for downloads (they could do this I am sure but they
dont, why not?)
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brighn
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response 195 of 219:
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Mar 21 16:48 UTC 2002 |
Sure. The RIAA is accused of all sorts of evil doing when N*Sync is selling
5 million copies and only getting a buck a unit, and while I'm inclined to
agree, the record companies are rarely praised for taking on that dark horse
that winds up selling the 5,000 copies and is a huge financial hit for them.
When someone asked my previous boss about profit sharing, his response was,
"Well, are you willing to pay out of your pocket when the company has bad
years?"
All the same, I think the movies, as an industry, runs better. It still has
its share of greedy scumbags, but award-winning actors who want to split their
time between blockbusters and indies (Kevin Spacey, William H. Macy, etc.)
have room to do so, and the indies do actually get made.
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anderyn
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response 196 of 219:
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Mar 21 16:54 UTC 2002 |
This response has been erased.
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slynne
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response 197 of 219:
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Mar 21 17:10 UTC 2002 |
I have never heard of Dougie MacLean. I'll bet that most people have
not heard of him. He is serve a niche market so his method of
distribution works but if he were trying to serve a mass market, his
method would all but insure failure.
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krj
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response 198 of 219:
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Mar 21 17:15 UTC 2002 |
(The Plant Life record label expired years ago; they didn't even make
it into the CD era. The new label Osmosys seems to have acquired
most of the Plant Life masters and Osmosys issues do turn up
in specialist shops. Pickey details that only Twila will care about.)
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krj
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response 199 of 219:
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Mar 21 17:16 UTC 2002 |
Non musical DMCA news: The Church of Scientology has used DMCA
threats to get the major anti-Scientology sites deleted from
Google's search engine listings. Source: Wired, and usenet.
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anderyn
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response 200 of 219:
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Mar 21 17:45 UTC 2002 |
This response has been erased.
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anderyn
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response 201 of 219:
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Mar 21 17:49 UTC 2002 |
This response has been erased.
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brighn
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response 202 of 219:
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Mar 21 18:35 UTC 2002 |
Slynne, people also said that bands that refused to sign major label deals
were always doomed to staying below the radar. Ani Difranco proved them wrong,
but the fact that ONLY Ani Difranco proved them wrong, proved them right.
All the same, I think the Net could be an incredible marketing tool for the
right artists, and I do think that some bands might be able to become huge
commercial successes without the majors.
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slynne
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response 203 of 219:
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Mar 21 19:25 UTC 2002 |
re#201 - It's about marketing, twila. If an artist wants to reach a
*mass* audience, one has to advertise. Most artists dont have the funds
necessary to really promote their work. While the Net can be an
incredible marketing tool, it isnt currently nearly as good as other
marketing tools -- marketing tools that are very expensive.
I get that you, twila, would be happy to buy downloads legally. I would
be happy to legally buy downloads too. But, I'll bet that a lot of
music you like is not mass market type of music. Think about how you
find out about artists. Most people probably discover new artists in a
different way. For me, I usually either hear of something from a friend
or I hear it on the radio. It takes a LOT of expensive marketing to get
a song on the radio.
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gull
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response 204 of 219:
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Mar 21 20:22 UTC 2002 |
Especially with many of the radio stations these days being owned by a
few conglomerates, some of which are wings of the same companies that
own the record labels...
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russ
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response 205 of 219:
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Mar 22 00:11 UTC 2002 |
Whee! Wind him up, watch him go! (Two word refutation: "fair use".
Also, legality has nothing to do with morality. But I'll stop here.)
Re #192: If I recall correctly, there already is. Fairtunes.com.
Unfortunately I don't know if they use anything other than Paypal.
(Since I have never downloaded any music which was not explicitly
being given away [one whole MP3 file], I owe nothing to any artist.)
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anderyn
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response 206 of 219:
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Mar 22 00:46 UTC 2002 |
This response has been erased.
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brighn
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response 207 of 219:
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Mar 22 02:48 UTC 2002 |
#205> "Fair use" is not a refutation in and of itself. And legality IS related
to morality: It's socialized morality. A culture's laws are a reflection of
what that culture, together, has decided its morality is. But I see you have
no real interest in a substantive conversation, you'd rather just through out
vacuous barbs.
Maybe I hit too close to home, so you're trying to sneak out of the
conversation.
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krj
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response 208 of 219:
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Mar 22 03:11 UTC 2002 |
Sen. Hollings has formally introduced the SSSCA in the Senate.
It has a new name, the Consumer Broadband and Digital Television
Promotion Act, or CBDTPA. Sponsoring Senators are
Hollings, D-South Carolina
Stevens, R-Alaska
Inouye, D-Hawaii
Breaux, D-Louisiana
Nelson, D-Florida
Feinstein, D-California.
News coverage is abundant.
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jazz
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response 209 of 219:
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Mar 22 04:11 UTC 2002 |
Wow, isn't that like calling a machinegun a "mobile people renewing
tool"?
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other
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response 210 of 219:
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Mar 22 04:13 UTC 2002 |
Actually, with the economic imperative at work, this may well promote consumer
broadband and digital television. I mean, what better incentive for the
corporate interests than legally enforceable control over the consumer
experience?
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jazz
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response 211 of 219:
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Mar 22 04:15 UTC 2002 |
They're really not getting this whole concept that, when it comes to
a battle of wits, corporate America pretty consistently loses to rebel youth,
are they?
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other
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response 212 of 219:
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Mar 22 04:47 UTC 2002 |
I think you answered your own question, there, fella. :)
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russ
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response 213 of 219:
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Mar 22 06:05 UTC 2002 |
Re #200: From what little I've had the time to follow, the Co$
did it by making specious allegations of DMCA violations and
invoking the "notice and take-down" provision against Google's
mirrors. I gather they pretty much deleted xenu.net from Google.
xenu.net is hosted in Europe, outside the reach of the US courts.
However, in order to contest the specious take-down, xenu.net
would have to submit itself to the judgement of US courts in
Scientology's choice of venue. This means that the asshole
with the most money wins the battle, not the side that's right.
Yet another reason why the entire DMCA is evil and must be abolished.
Re #204: Now you know why I don't listen to commercial radio any more.
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gull
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response 214 of 219:
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Mar 22 13:38 UTC 2002 |
Google bas backed off a little -- they've relisted Xenu's homepage. The
request was apparently only to remove the pages that actually had the
claimed copyright violations on them.
http://www.theregus.com/content/6/24405.html
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krj
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response 215 of 219:
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Mar 22 14:42 UTC 2002 |
((Metadiscussion: now that Agora has rolled, I'll start the next
item in this series later today or this weekend. I wanted to give
Agora a chance to grow a few less argumentative items in its
front parlor.))
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brighn
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response 216 of 219:
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Mar 22 17:11 UTC 2002 |
Russ, if you don't listen to radio, don't buy commercial CDs, and don't
download music, what sources *do* you use? (I'm also wondering if you watch
TV and attend movies, or if you've taken your attitudes to Keesanian lengths.)
I suppose one's music consumption could be limited to concerts, but all but
the smallest of those are tied up in the same gristmill.
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