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25 new of 131 responses total.
lumen
response 16 of 131: Mark Unseen   Aug 13 21:08 UTC 1999

but damnit, girl rockers kick ass!
gnat
response 17 of 131: Mark Unseen   Aug 14 04:03 UTC 1999

More realistically than buying an electric guitar, I'll probably get
a pick-up for my acoustic, so I can rawk on the cheap!
koneko
response 18 of 131: Mark Unseen   Aug 14 16:28 UTC 1999

I'm thinking or girl-rockers and Nashville Pussy...there is a duo of grrls
that can really play.  Anyway, All my guitar playing friends are guys, and
while they are ready to help and assist, the shop guys snicker and laugh
until I bring my buddies in defense.  Then they promptly behave.
        My best frined plays acoustic.  She's a gilr.  She rawks amazingly
well,  as I get tingles from it.
mcnally
response 19 of 131: Mark Unseen   Aug 14 18:23 UTC 1999

  Geez..  Find another store if they're really that obnoxious, and make a
  point of telling the manager why you're leaving.  There's no reason to
  shop in a store where they "snicker and laugh" at you..
scott
response 20 of 131: Mark Unseen   Aug 14 22:52 UTC 1999

Or start your own grrl music store...
gnat
response 21 of 131: Mark Unseen   Aug 15 19:09 UTC 1999

Yeah, the salesgrrls can all write "SLUT" on their bellies.
scott
response 22 of 131: Mark Unseen   Aug 15 19:55 UTC 1999

Actually, you could try to form a buying club or coop.  Round up the most
knowledgable, and get advice from them.  Go to the store en masse...
lumen
response 23 of 131: Mark Unseen   Aug 16 23:00 UTC 1999

re:17  Keep in mind that an acoustic still sounds different electrified.

Yes, there is a difference in the way Stratocasters, Les Pauls, and Flying V's
sound in the way of solid bodies, not to mention the much different sound you
get when you play on an acoustic.



Besides the shape of the guitar, other features influence its sound.  I
mentioned the material of the body.  Solid body electrics are plastic, of
course.  There are steel body guitars.  Many acoustic and classical players
look to different woods for a particular sound, including spruce cedar tops,
and rosewood (classical players prefer this), walnut, or mahogany for the back
and sides.



An acoustic may have a cutaway, or it may not.  It may have a rosetta hole, two
f-holes, or one or two teardrop holes.  It may be a flattop, or it may have a
slightly raised bridge (more like one of the viols).  It may have nylon
strings, or it may have steel strings.  Steel strings even have a variety of
hardnesses that will influence the sound.  Nylon strings come in a variety of
qualities, too, which may be influenced by what is used to wrap the bass
strings (usually nickel-copper).  Classical guitarists may pay exorbitant
prices for high quality nylon strings.  And then..steel and nylons come in a
variety of tensions.



Some acoustics have specially modified frets (some are more at an angle) so
that the guitar can be tuned in 5ths instead of 4ths.  I listened to a
recording of some artists playing these sorts of guitars at Scott Helmke's
house.  I noted they had a sort of harpischord-like sound; this   special
tuning makes them sound much different.



Of course, mentioning that, some guitarists use alternate tunings other than
the standard E A D G B E..



Electrifying a guitar can greatly change its sound, but the same basic
qualities remain-- so your acoustic will still sound different than a solid
body.  Classical guitarists never use a pickup (you'll never see one
manufactured that way), and they tend to avoid miking the strings.  Even
amplifying the strings by a microphone may change the sound.  (It's not as
drastic as miking an unplugged electric.  That's an interesting sound). 
However, the Chet Atkins guitar is somewhat of an exception-- it's an acoustic
with a cutaway, nylon strings, and a pickup, usually with an equalizer.  The
strings are spaced at classical specifications, too.  It's a guitar for the
player who plays across genres, or a classical player who is less of a purist
(hmm, that might be a contradiction).  Chet Atkins is a jazz guitarist, by the
way.



Anyway, my original point was that you should be able to play like Lita Ford on
a solid body electric as well as like Ani DeFranco on an acoustic/electric.  To
hell with trends-- hard rock and metal grrls will eventually return to send the
folk rockers packing for at least a little while.  Look for something in a pawn
shop.  That's how a friend of mine found his Gibson Flying-V Epiphone.  It was
just a little over $100.  I also recommend that you watch for students selling
guitars at the universities.  I could have bought a steel-string acoustic AND a
flying V for $100 each about a year ago from a student selling them, and I've
been kicking myself ever since!  If you know where to look, you'll find
something relatively cheap, if you still desire an electric.
gnat
response 24 of 131: Mark Unseen   Aug 17 00:11 UTC 1999

I will buy an electric someday.  But I need to learn to play my acoustic
first.

I have a beautiful guitar.  It's a Martin DM, with a solid spruce top and
mahogany laminate back and sides.  It sounds gorgeous, and even smells good,
because of the mahogany.  Someday I will master its intricacies.
krj
response 25 of 131: Mark Unseen   Aug 17 03:42 UTC 1999

OK, now, someone tell me about Neutral Milk Hotel.
goose
response 26 of 131: Mark Unseen   Aug 17 12:36 UTC 1999

RE#23 -- You're way wrong about solid body electrics being plastic.  Many
Les Pauls are mahogany, Strats are basswood, ash, or maple.  Cheap solid body
electrics are plywood.  there is one plastic body guitar I know of, (well two
really) the first is an Italian model from the 50's-60's.  Buddy Miller plays
one, the other is the Dan Armstron plexiglas guitar.
scott
response 27 of 131: Mark Unseen   Aug 17 15:41 UTC 1999

There is a new kind of special guitar body plastic called "luthite" that at
least 2 manufacturers are using.

Re: angled frets and odd tunings:  NO.  No connection.  The angled frets allow
longer bass strings, for a different tone.  Tuning to 5ths rather than 4ths
can be done on any guitar.
lumen
response 28 of 131: Mark Unseen   Aug 17 19:06 UTC 1999

re:26 whoops, that's right-- I forgot.  Most electric players are very 
particular about the wood as well-- my understanding was that newer 
models were cheaply made in Japan with plastics..

re:27 I stand corrected..I should have written it down.

I *never* purport myself to be an expert..I just yap until someone 
corrects me.  Sometimes I find that the best way to learn, since people 
don't always give me as detailed of an explanation when I ask, or I 
forget and learn much better from my mistakes.  Problem is, it's so 
gauche and tactless.
mcnally
response 29 of 131: Mark Unseen   Aug 17 20:18 UTC 1999

  re #25:  did anyone ever start an item on the Elephant 6 cooperative?
  that'd probably be a better place to discuss Neutral Milk Hotel..
gnat
response 30 of 131: Mark Unseen   Aug 17 21:34 UTC 1999

Someone asked me to start an E6 item, but nobody ever explained how.
krj
response 31 of 131: Mark Unseen   Aug 18 03:57 UTC 1999

 (( Assuming that you are direct-dialed or telnetted, the command
    to start a new item is:   "enter"  ))
krj
response 32 of 131: Mark Unseen   Aug 26 19:34 UTC 1999

We bought a copy of "Entertainment Weekly" this week; we used to subscribe
but gave it up because we found its cynical, snarky style entirely too 
addictive.  
 
After a summer with no new music releases I cared about, "EW" reports
three new ones from August 24:  Richard Thompson's MOCK TUDOR, 
a new one from Julie Miller (Twila note!), and the duo album from 
Emmylou Harris and Linda Ronstadt.    The Thompson album gets a B+
grade; the Julie Miller gets an A; the Harris and Ronstadt album is 
not reviewed but is the subject of a lengthy feature.
 
The Thompson album will be reviewed in RT's own item when I get a copy.
But it's a sign of how much times have changed for me when I realize 
that the new Thompson album doesn't even rank in the top 5 of 
"CDs I must buy now;" it'll probably be mid-September before I 
get around to that one.
kevco
response 33 of 131: Mark Unseen   Sep 7 18:16 UTC 1999

re #2 & #8:  Definately the strangest item in my collection.  The CD 
came with a small package of bark.

Alright people, it's almost time for us to be 10-8.  In just a few 
moments we'll be 10-8 and I'm going to tell you the story of 180 and the 
letter G.



orinoco
response 34 of 131: Mark Unseen   Sep 8 17:44 UTC 1999

See, I bought my copy used, so I didn't get any bark.  Now I'm
dissappointed...
kevco
response 35 of 131: Mark Unseen   Sep 9 04:09 UTC 1999

The bark is what sold me on it...  I really couldn't pass up a CD that 
included bark.  

<kevco wonders what ever happened to his negativeland bark>

It must've burned up along with the sex chemicals.
goose
response 36 of 131: Mark Unseen   Sep 9 05:41 UTC 1999

I still have my bark.  And I only bought the CD about a year ago from the
cutout bin at Borders.  $10 natch.
mcnally
response 37 of 131: Mark Unseen   Sep 9 15:00 UTC 1999

  The Julie Miller album that Ken mentioned got a big plug on "Fresh Air"
  last night..
tpryan
response 38 of 131: Mark Unseen   Sep 9 23:49 UTC 1999

        I did get the CD with a zipper; the Rolling Stones album.  Heck
I got the LP version with the zipper, first
orinoco
response 39 of 131: Mark Unseen   Sep 10 20:04 UTC 1999

I recently saw a CD case in the 'local' bin at Wazoo that was made out of
cardboard and held together with velcro.
lumen
response 40 of 131: Mark Unseen   Sep 10 22:39 UTC 1999

re:32  Although I too find _Entertainment Weekly_ addictive, the fact 
that they are cynical and snarky puts me off, particularly because it 
shows in the reviews, not to mention some of their music critics are 
incredibly short-sighted.  Oh well-- if you have to write for a 
particular audience, I guess you do have to write like someone with a 
short-attention span for musical tastes, and not as someone who has 
actually listened to a significant amount of an artist's work =P
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