Grex Music3 Conference

Item 99: The new ambient item.

Entered by jaklumen on Wed May 22 08:30:50 2002:

This is the place to once again discuss all things ambient: space 
music, Brian Eno, Phillip Glass, New Age, indeterminism, minimalism, 
and perhaps some connections to electronica.
18 responses total.

#1 of 18 by jaklumen on Wed May 22 08:33:11 2002:

I suppose Wendy Carlos should be mentioned in a new electronic music 
item, but I'm wondering if she'll be involved in the soundtrack for 
Tron 2.0 (a.k.a. Tron-- Killer App: see http://www.tronkillerapp.com 
for a promo), as she was for Tron. 


#2 of 18 by orinoco on Wed May 22 16:06:40 2002:

I've been thinking for a while that I should listen to more of Eno's ambient
music.  I know the poppier albums he's put out, and some of his work as a
producer, but I've never gotten into the ambient stuff, and there seems to
be an enormous amount of it out there.  What's a good starting point?  DOes
it matter?


#3 of 18 by dbratman on Wed May 22 23:32:12 2002:

Philip Glass, ambient?  Yeeks.  Would you call Steve Reich ambient?

Wait, you're discussing Phillip Glass, two L's.  Must be somebody else.


#4 of 18 by jaklumen on Thu May 23 01:24:56 2002:

I could be wrong.  What would you call "Tubular Bells"?


#5 of 18 by micklpkl on Thu May 23 03:30:32 2002:

Wasn't "tubular bells" Gary Oldman? (pardon my ignorance)


#6 of 18 by mcnally on Thu May 23 19:32:24 2002:

  You're getting closer, anyway..


#7 of 18 by dbratman on Sat May 25 00:27:08 2002:

Tubular Bells was not by Philip Glass.  Nor Phillip Glass, Steve Reich, 
nor even Gary Oldman.

I did not say that ambient music does not exist.  Merely that Philip 
Glass is not it.


#8 of 18 by jaklumen on Sat May 25 01:25:14 2002:

I'm sure you're right.  This was yet another fried-out, overzealous 
attempt to expand the music cf beyond folk music and P2P (Napster) 
discussion.

Now-- would you care to discuss some ambient artists, then?

For ambient artists on NPR radio, I think "Hearts of Space" 
and "Echoes" might be a reference.. anyone care to correct or disagree 
with me?  Better yet, anything to add to that?


#9 of 18 by micklpkl on Sat May 25 19:38:07 2002:

Sigh. I'm sure dbratman is right, too. This will teach me to post without
researching; my brain doesn't handle name-matching (or even
genre-identificiation, for that matter) very reliably.

Tubular Bells --- composed by Mike Oldfield. (who has worked with the Galician
group Luar na Lubre, that's how I thought I knew the name)

I'm sorry for not mentioning the ambient CDs in my collection; I have a few,
including a compliation called "PATH" which I love a lot. A couple of
Tangerine Dream, too.


#10 of 18 by jaklumen on Sun May 26 22:40:51 2002:

Yeah, Tangerine Dream is nice from what little I've heard of them-- 
not sure if they are on the stricter sense of New Age, or have done 
more with melody, as Ray Lynch did with albums past his first 
recording.. can't remember the name of it.


#11 of 18 by dbratman on Tue May 28 22:51:33 2002:

"Eine Kleine Nachtmusik" by Mozart is, technically, ambient music, if 
defined as "music designed not to be listened to very closely."


#12 of 18 by orinoco on Thu May 30 03:11:56 2002:

Nice.  You could say the same thing about a lot of classical chamber music,
really.

Obviously, most of us wouldn't call Eine Kleine Nachtmusik "ambient."  I think
the reason for that is that it's _hard_ not to listen to it closely. 
Interesting things and catchy melodies keep happening, and drawing your ear
back to it.  Most of the music we call ambient is hard _to_ listen to closely.


#13 of 18 by jaklumen on Thu May 30 07:41:51 2002:

Really?  I just love to get lost in it, really.. I can listen to it 
quite actively, or I can turn it way down low and fall asleep to it.

Maybe that's just me.


#14 of 18 by dbratman on Thu May 30 22:59:06 2002:

re: 12 - No, most chamber music is designed to be listened to very 
closely indeed.  It's possible to treat it as if it were ambient music, 
but it wasn't written for that purpose.  Mozart's serenades, of which 
Eine Kleine is one, _were_ written for that purpose.  It's possible to 
listen to them closely and with attention, and they reward the effort, 
but that's not what they were written for.

I'm distinguishing between intent and effect here.  If you judge by 
effect only, almost all music is ambient - and simultaneously almost 
all is not ambient.  If you judge by intent, however, a distinction can 
be made.


#15 of 18 by orinoco on Fri May 31 05:43:30 2002:

I understand the distinction you're making.  I'm probably just flubbing my
music history.  I had thought that most chamber music from Mozart's day was
originally written as background music for parties, much as Eine Kleine
Nachtmusik was.


#16 of 18 by dbratman on Mon Jun 3 20:32:27 2002:

re: 15 - Works like Mozart's "Haydn Quartets" (so-called because 
they're dedicated to him) were definitely not intended as background 
listening.

Nor was all the "background music" chamber music, either.  Eine Kleine 
was originally intended for string quartet and continuo, though it's 
now usually played by string orchestra, but there are similar Mozart 
serenades for full orchestra.


#17 of 18 by jaklumen on Mon Jun 10 02:29:24 2002:

resp:8  Hearts of Space has a wonderful website at http://www.hos.com

You can listen to samples of archived programs via streaming audio, 
and consider subscribing for complete access to the archives.  The 
site also lists NPR stations carrying the program, CDs available, and 
more.  The site is well-designed and very pleasing to the eye.

The Echoes webpage is at http://www.echoes.org

The program could be considered somewhat similiar in spirit to Hearts 
of Space, although it does not play strictly atmospheric music.  Space 
music is part of the programming, although the playlist is much 
broader than that.


#18 of 18 by kyuusai on Tue Sep 23 15:48:57 2003:

Hi, why u don't try "Lustmord".. it's cool ambient music


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