Grex Music2 Conference

Item 29: The music of TV themes and movie soundtracks.

Entered by lumen on Mon Mar 10 05:24:57 1997:

This is the movie/TV soundtrack item.  Feel free to discuss John Williams,
Danny Elfman, Mike Post, and other TV theme/movie soundtrack composers.  Other
good topics might include commercialism of movie soundtracks (creating a movie
for a soundtrack instead of vice versa, the "Music Inspired For and/or By the
Movie--, for example).
107 responses total.

#1 of 107 by lumen on Mon Mar 10 05:30:42 1997:

To start, why don't we talk about how a soundtrack sets the mood for a movie
or TV show?  Are some series or movies more memorable to you because the music
was appropriate, well-timed, and well-crafted?  For example, John Williams
changed some of the music for the Special Edition of Return of The Jedi.  How
did this change the film for you?  Did you hate Sy Snoodles's original song
(that Williams created, of course) as much as Lucas did?


#2 of 107 by krj on Mon Mar 10 21:16:13 1997:

<krj is somewhat baffled, since he didn't think the Special Edition 
of JEDI was due out until Friday 3/14.  And who is Sy Snoodles?>


#3 of 107 by lumen on Mon Mar 10 22:12:45 1997:

Ah, so it was postponed by that loser Howard Stern everywhere?  Here's the
scoop: Lucas changed a lot of material in Jabba's lair on Tatoonine.  Sy
Snoodles was that funky lead singer for Jabba's personal band.  Lucas replaced
the puppet with a digital image, expanded the lineup of the band, and got
Williams to write a new song for her to sing (he loathed the first one).  I
guess the first song was pretty bad, although it did sound exotic.


#4 of 107 by krj on Tue Mar 11 05:10:45 1997:

<No, Fox & Lucas postponed the opening of JEDI because of the strength
of STAR WARS and EMPIRE at the box office.  Stern was a beneficiary, 
but not the cause, say the news stories I saw when the postponement 
was announced.>


#5 of 107 by lumen on Tue Mar 11 07:58:44 1997:

Ah, I see.  That reason is a good one.  Anyway, like I said, a lot of the
music is getting a makeover, so it will likely change the feel of the movie.
Also, the soundtracks themselves have been commercially re-released, with
material that did not make the original cuts.


#6 of 107 by jiffer on Wed Mar 12 07:25:44 1997:

 i have noticed that someitmes the music ot a sound track does better than
the movie itself.... Take Romeo and Juleit (1197 version).  People went for
the music it seemed than for the movie. 

Though i must admit,  A great movie with great action music is _Last of the
Mohicans_... the music makes your heart jut jump! course, so does Daneil
Day-Lewis... well for me.  Anywyas.  Music can be a very important part.  I
should be.  Soemetimes it is the movie.  It can make a movie good or bad. 



#7 of 107 by bruin on Wed Mar 12 12:38:26 1997:

"Romeo and Juliet" (1197 version)?  Shakespeare wasn't even born in 1197?


#8 of 107 by otaking on Wed Mar 12 13:10:28 1997:

The story of Romeo and Juliet goes back further than Shakespeare. Dante
refers to the Montagues and the Capulets in his Inferno (ca. 1300)

But seriously, I like "The Crow" soundtrack. It captured the mood of the
film perfectly.

I also like Mark Snow's "X-Files" music. It's a lot better that the other
CD of songs inspired by the show. His music soulds great on its own and
its hard to believe he writes roughly 30-35 minutes of incidental music
per show. Most shows only have 20 minutes per hour.


#9 of 107 by orinoco on Wed Mar 12 21:34:07 1997:

The small pieces of 'Dune's soundrack I have heard were far better than the
bits of the movie that I saw.


#10 of 107 by lumen on Thu Mar 13 09:50:16 1997:

I see people moved rather quickly to my other idea, or are about to. 
Jennifer's point is true-- but that's because moviemakers try to create a
soundtrack they know will sell well, rather than one that will fit the movie.
Sometimes, it seems as if they make a movie for a soundtrack album.  But
ironically, it's getting harder to find snippets of all tracks of a soundtrack
album in a movie.  And sometimes, producers want to sell music that didn't
make the edit of the film, so suddenly, it's "Music Inspired By.."  By the
same coin, not all movie soundtrack albums feature all the incidental music.

I am highly recommending you all check out Jeff Danna's soundtrack to Kung
Fu: The Legend Continues.  He came to Narada Records with this project as his
debut.  He took classically trained Chinese musicians, and then used their
skills to create music that is a mixture of traditional Chinese music and
Western symphony-- with a New Age touch.  The result is nothing short of
incredible.

The soundtrack to '2010' is another undiscovered gem, although the film didn't
quite do justice to Arthur C. Clarke's sequel to his bestseller, '2001: A
Space Odyssey.'  Ironically, the music is better than that of the critically
acclaimed screenplay of '2001.'  Even the ambient-influenced pieces are a
little bit more interesting than '2001's many variations of "The Blue Danube
Waltz,' and the 2010 theme itself is a freah arrangement of the old "Also
Sprach Zarathrustra" theme.  Fresh, folks, not fresh-- but it does have a more
sci-fi feel to it than a classical one!  But not to worry; it has an excerpt
of the old theme as well for comparison.


#11 of 107 by krj on Fri Mar 14 02:57:40 1997:

I have to confess that I don't remember a thing about the 2010 
movie score; I was so busy being irritated at what a botch Peter Hyams
had made of the story.
 
But I do have to quibble about 2001, a film I know very well: I've seen 
it at least 20 times, and I got the soundtrack album as a birthday
present in 1969.  2001 doesn't use "many variations" of the Blue 
Danube.  It uses the piece only three times: the two parts of 
Heywood Floyd's journey to the moon, and the closing credits.
And I'm pretty sure those aren't variations, but just excerpts
from the piece as Strauss wrote it.


#12 of 107 by lumen on Fri Mar 14 07:44:06 1997:

Thanks, Ken-- my error.  They are excerpts.  but that's what makes the
soundtrack so boring-- that's all there is besides the title theme.  This is
the other extreme of movie soundtracks-- it doesn't quite stand well as an
artistic piece of work on its own.

Compared to 2001, 2010 was indeed a critical failure.  But then Hollywood is
always trying to attract a broader audience then the typical sci-fi movie
goer.  Perhaps the corresponding soundtrack did so poorly because the movie
was so bad; I found a tape of _2010_ for 50 cents in a bargain bin.  But the
soundtrack is worth a second look.  The recording quality is good, the
electronic instruments used formidable for 1984, and the material is fairly
original.  "2010," the opening title cut, is merely based on "Also Sprach
Zarathrustra," but it's a well-crafted arrangement.  The 'New Worlds Theme'
rounds out the soundtrack and is another stand-out cut.  It is more orchestral
(probably because it's the end title), which makes a good ending since the
rest of the tracks are more ambient.


#13 of 107 by omni on Fri Mar 14 18:49:40 1997:

  There is a rumor that Clarke has written 3001.


#14 of 107 by krj on Fri Mar 14 18:50:02 1997:

No, there's quite a bit of other music in 2001, most notably 
Katchaturian's slow movement from the Gayanah Ballet Suite -- the suite 
is best known for the Sabre Dance, which doesn't appear in the film, 
but it's one of those classical pieces which everyone instantly 
recognizes -- and Gyorgy Ligeti's pieces "Atmospheres" and "Lux Aeterna,"
which are used for the encounters with the monolith.  
 
Ligeti sued Kubrick for making electronic distortions to his compositions,
and he won; I assume this is in Europe, where the notion of "artist's
rights" holds much more legal force than it does in the USA.
 
I suspect that scoring a film almost exclusively with previously-composed
classical music is a different form than composing music specifically
to fit the film.
 
I suspect that Jon hasn't heard the same recording of the 2001 soundtrack
album that I have.  I really don't know the ancestry of what's been for 
sale the last few years, but it has *not* been the same program as the 
1968 LP.  The '68 mix has only been issued on CD in the last few months.
 
To stop beating a dead horse:  I don't suppose any of you have ever 
seen a soundtrack recording for Akira Kurosawa's film KAGEMUSHA?
I've never been able to find any evidence that one exists, darn it.


#15 of 107 by krj on Fri Mar 14 18:53:33 1997:

(omni slipped in.  No rumor, the novel "3001" is on bookstore shelves 
near you.  It starts by resurrecting Frank Poole, last seen drifting off 
into space after being murdered by HAL.  I never read "2061", the third 
book.)


#16 of 107 by lumen on Sun Mar 16 07:55:22 1997:

You are only partially correct, Ken.  A friend of mine (actually, his father)
has the '68 LP, and I had planned to get a copy of it since the tape of it
at the library was warped.  All I got was "Atmospheres", as part of a sampler
tape.  I liked the arrangment of it and I wonder why Ligeti chose to sue.

Re #3 now that 'JEDI' is out:  I liked the addition of 'Jedi Rocks' to the
Palace scene (and I should note that it was written by Andy Hey, not John
Williams), although it was a really weird fit to the otherwise exotic-sounding
music.  I also was very disappointed that Lucas decided to change the song
for the Celebration scene.  It was very New Agey and the mood really wasn't
celebratory at all.  Don't get me wrong-- I like New Age-- but the setting
was all wrong.  I wonder what Williams had to say about it.  (Then again,
Williams isn't as rich as Lucas, so he has no say)


#17 of 107 by bmoran on Mon Mar 17 15:09:34 1997:

Moving to tv music, I think Angelo Badalamenti's score made Twin Peaks one
of the creepiest shows ever. I've got a copy of the soundtrack from the
library, and listen to it a lot. 


#18 of 107 by mziemba on Sun Mar 23 11:21:11 1997:

I just picked up the recently re-issued soundtrack for _2001..._ and I'm
enjoying it very much.  Whatever was out, before this edition, was pretty
sadly packaged, and I'm not sure why.  This edition, however, is
delightful:  lengthy liner notes, extra music, and a whole track of sound
bites from the film.  It's a Rhino edition, though, so it's not surprising
they did a good job, this time around.



#19 of 107 by mziemba on Mon Mar 24 12:34:38 1997:

One of my favorite soundtracks is Phillip Glass's soundtrack to
_Koyaanisqatsi_.  But I'll be damned if I can't get through the movie without
falling asleep at least once...


#20 of 107 by bmoran on Mon Mar 24 15:38:18 1997:

I try to watch in a nice comfy chair or couch, after falling asleep on the
floor once.


#21 of 107 by krj on Mon Mar 24 21:05:52 1997:

Chacon a son gout, or whatever.  I've loved KOYAANISQATSI every time I have
seen it, and I wish it would come back to the Michigan so I can drag
Leslie to see it.  Now, the second film, POWAwhatever, bored me.
Go figure.  
 
On Sunday, the NPR show Weekend Edition had a long feature on the 
Academy Awards.  There was a long segment, maybe 10 minutes, discussing
John Williams' nominated score -- I think it was for SLEEPERS.
 
Many years ago, I mentioned to a friend who is a devotee of 20th 
Century Serious Music that many of his favorite pieces reminded me 
of movie music.  He said that this was because movies were the 
only place that most 20th Century styles could find a commercial 
marketplace.  (This was about 15 years ago, before the Minimalists
had much of a public impact.)  Discuss.  :)
 
Back to 2001:  It has a two day run coming up at the Michigan Theatre.
April 1 and 2, if I remember the poster correctly.


#22 of 107 by senna on Wed Mar 26 21:48:54 1997:

I have a question:  what great movie theme *hasn't* Joun Williams been
involved in?  He did Star Wars, He did Superman, he did Jawsw, he did Jurassic
Park.  has there been anything since, say, 1977 that's definitive that he
didn't do?




#23 of 107 by mziemba on Thu Mar 27 05:13:41 1997:

Well, um...yeah.  There's a whole mess of other prolific soundtrack composers
that have done some big stuff:  Maurice Jarre, Ennio Morricone, James Newton
Howard, Phillip Glass, Gabriel Yared, Michael Kamen, to name a few...


#24 of 107 by senna on Thu Mar 27 10:04:54 1997:

perhaps, but name some really significant work that they've done :)  John
Williams is *the* definitive movie composer of the last quarter century.


#25 of 107 by otaking on Thu Mar 27 13:15:39 1997:

What about Danny Elfman? He's done a lot of memorable film and TV scores.


#26 of 107 by mziemba on Thu Mar 27 13:26:58 1997:

Well, let's see.  Here's one famous one by each:  _The Fugitive_ (James Newton
Howard), _Brazil_ (Michael Kamen), _Koyaanisqatsi_ (Phillip Glass), _The
Untouchables_ (Ennio Morricone)...  Jarre's done too many to recall.  Yared
might not be in the same league, but he's been around...


#27 of 107 by bruin on Fri Mar 28 00:21:23 1997:

Don't forget Mike Post ("Rockford Files," "Hill Street Blues," "Magnum P.I."
and others).


#28 of 107 by tpryan on Mon Apr 21 03:33:25 1997:

        Any Tv show that had a Henry Mancini composed theme did not fail.
I think his last was Bob Newhart's "Newhart".

        Drummer for The Police, Andy Summers, did soundtrack work 
on "2010".


#29 of 107 by orinoco on Sat Apr 26 16:41:00 1997:

I remember a friend saying that he only liked the movie version of Dune for
the soundtrack, but he liked the soundtrack well enough that he watched the
movie whenever he got a chance.


#30 of 107 by mziemba on Sat May 3 07:17:36 1997:

Actually, that would be Stewart Copeland, if it was the drummer for the
Police.  If it was the guitarist, then it would be Andy Summers...


#31 of 107 by tpryan on Mon May 19 02:55:07 1997:

        Okay, guitartist.


#32 of 107 by mziemba on Wed Jun 18 09:37:25 1997:

Can we expand this to show tunes?


#33 of 107 by anderyn on Wed Jun 18 13:50:53 1997:

Right now, I'm listening to _The Cult Files_, 
a two-CD collection of movie/tv themes 
songs. Now, having the Avengers theme fits 
with the sf  slant, but then we get into things 
like the Hawaii 5-0 theme, and music from 
Body Heat and the Blues Brothers. Weird. But 
cool.


#34 of 107 by lumen on Tue Jun 24 05:02:39 1997:

Sure, Mark, mention show tunes if it turns your crank.  But I think the age
of the musical is dead; no one has been making any new musicals as of late.
They're all remakes, for the most part.


#35 of 107 by mziemba on Tue Jun 24 14:55:15 1997:

No one has been making new musicals?!?
 
_Les Miserables_, _Phantom of the Opera_, _Rent_...
 
I guess I would have to disagree...


#36 of 107 by jiffer on Tue Jun 24 23:46:28 1997:

_Les Mis_ and _Phantom_ are both over 10 years old.  _rent_ is a new musical,
however, in the past couple od decades the number of musicals being written
are considerably lowered.  Its just now making somewhat of a come back, and
the american musical is a high risk in the theater world.


#37 of 107 by senna on Wed Jun 25 07:06:16 1997:

They're out there, they just aren't as well known.  Plus, theater's been
taking a new turn toward dance (see Stomp, Riverdance, Lord of the Dance,
Bring in da Noise Bring in da Funk, etc etc)


#38 of 107 by orinoco on Wed Jun 25 13:54:51 1997:

It's just that things have changed so much...
Lord of the Dance and Oklahoma, for example, are worlds apart...


#39 of 107 by mziemba on Thu Jun 26 09:22:26 1997:

They may be over ten years old, but they are still running!  If that isn't
an indication of the popularity of shows, I don't know what is...
 
And, as has been established, there are plenty of new shows that are doing
well, also.


#40 of 107 by krj on Thu Jun 26 22:01:54 1997:

I guess I don't see items like "Stomp," "Riverdance" and "Lord of the 
Dance" as musical theatre, as there is little or no dramatic 
component to them.  However, I did want to mention that 
the new Michigan Theatre calendar announces a short run for 
STOMP -- August, I think.


#41 of 107 by mcnally on Fri Jun 27 04:26:07 1997:

  Really?  Cool, I've been wanting to go see one of their shows..


#42 of 107 by senna on Sat Jun 28 08:59:00 1997:

Stomp?  in that small of a house?


#43 of 107 by mziemba on Sun Jun 29 05:07:06 1997:

Confirmed...I was there the other day and the house manager mentioned it would
be there.


#44 of 107 by tpryan on Sun Jun 29 13:34:54 1997:

        Disney's Hercules is a musical
        Hercules & Zena - the animated musical, put out by the syndication
company that does the H & Z dramtic TV shows, may go directly to video
by the end of the year.


#45 of 107 by mziemba on Sun Jun 29 15:57:52 1997:

I just heard _The Big Chill_ soundtrack...great stuff!  All classic Motown
hits...


#46 of 107 by jiffer on Tue Jul 1 21:59:00 1997:

Mark:  Have you ever seen the movie or heard the music from the movie before?
If ya haven't seen the movie, i strongly recommend it to any and all


#47 of 107 by mziemba on Thu Jul 3 07:00:52 1997:

Jennifer-  saw the movie years ago.  The music, of course, is classic, and
I have heard much of it, before.


#48 of 107 by jiffer on Sun Jul 6 00:38:57 1997:

That reminds me,  I need to get that movie for my meager collection...


#49 of 107 by omni on Sun Jul 6 02:38:27 1997:

  The Big Chill was Ok, I guess. I certainly would not buy it, but I would
rent it. Better to get LA Story. Much better acting, and you get a serious
Steve Martin to boot. Another good one by Kasdan is Grand Canyon. I just loved
it, and I would very much like to buy it one of these days.


#50 of 107 by mcnally on Sun Jul 6 04:43:50 1997:

  Steve Martin was serious in "LA Story"?? (second the recommendation, btw)
  "Grand Canyon" was good?  Another data point to suggest that I live in
  an alternate dimension which shares many of the same characteristics
  as the one most people live in but has subtly different cinema.


#51 of 107 by mziemba on Sun Jul 6 15:27:45 1997:

I liked _The Grand Canyon_, myself.  And, the music, by none other than James
Newton Howard, was pretty good, too.


#52 of 107 by omni on Sun Jul 6 19:32:18 1997:

 Ok, so Martin was semi-serious. He's still was a better actor than Kevin
Kline was in The Big Chill, which was Laurence Kasdan's first attempt at a
screenplay. He attended the U of $.


#53 of 107 by senna on Mon Jul 7 19:10:08 1997:

Kevin Kline, in my opinions, is a very talented actor, and I enjoy his work
a lot.  Haven't seen Big Chill, though.


#54 of 107 by mziemba on Wed Jul 9 12:18:47 1997:

Kasdan was a director/writer on one or two of the Star Wars movies, too,
which, *ahem*, featured music by John Williams...


#55 of 107 by lumen on Sat Aug 2 06:38:45 1997:

I'm surprised no one mentioned Elmer Bernstein.  The only credits of his that
I can think of are _To Kill A Mockingbird,_ _Ghostbusters,_ and _Back to the
Future,_ but he has been an established-- well-established-- movie soundtrack
composer.


#56 of 107 by mziemba on Sun Aug 3 14:07:03 1997:

Is he related to Leonard?


#57 of 107 by lumen on Wed Aug 13 03:33:32 1997:

I wish I knew.  It wouldn't be too surprising, but I've never heard the two
mentioned together.


#58 of 107 by md on Wed Aug 13 12:01:45 1997:

Elmer Bernstein has written some great music, starting with
his groundbreaking jazz score for _The Man with the Golden Arm_.


#59 of 107 by lumen on Thu Aug 14 07:32:37 1997:

_The Man with the Golden Arm_?  Never heard of it.. or is it one of the James
Bond movies, titled _The Man with the Golden Gun_?

I'm sure he wrote the soundtrack for _To Kill A Mockingbird_ first.  it's an
old black and white film.


#60 of 107 by remmers on Thu Aug 14 12:36:42 1997:

_The Man with the Golden Arm_ is a classic Otto Preminger film
from the 1950's, starring Frank Sinatra as a gambler and junkie.
It was a breakthrough film in that it dealt openly with drug
addiction at a time when such subject matter was banned by the
Motion Picture Production Code. The review in Maltin's _Movie
& Video Guide_ cites the "memorable Elmer Bernstein jazz score".

Date of _Golden Arm_ is 1955. _To Kill a Mockingbird_ was 1962
or 1963.


#61 of 107 by senna on Thu Aug 14 20:41:02 1997:

Mockingbird's theme didn't impress me all that much.  I'm not sure what hte
deal was.


#62 of 107 by lumen on Fri Aug 15 03:22:16 1997:

It wasn't impressive-- I just mentioned it because I could remember it as an
example of his work.


#63 of 107 by mziemba on Fri Aug 15 09:18:26 1997:

Gregory rocked, though.  I could just see him, fronting AC/DC or something...


#64 of 107 by thetick on Tue Aug 19 22:44:33 1997:

Well, did anyone go check out Stomp besides me?  I thought they did a great
show, with the exception of an idiot teenager behind my bro' and I that kept
saying "Man, this sucks.." "I hope it gets better.." "This is boring.." and
crap like that.

And my favorite TV theme..well..it's a cartoon soundtrack..the Robotech
Perfect Soundtrack Album..double CD set, most excellent :)


#65 of 107 by lumen on Wed Aug 20 01:37:35 1997:

Sounds cool.  I remember the Robotech theme :)


#66 of 107 by tpryan on Sun Aug 24 15:35:49 1997:

        Recently picked up the "Songs in the key of Springfield" _Simpsons_
TV soundtrck album.  A few goodies on there, a collection of a number
of the 'specialty' end-themes.  Some good music is missing--there is
so much they could have included; like the Homer Simpson/Fred Flintstone
car piece.


#67 of 107 by orinoco on Sun Aug 24 17:21:53 1997:

Hmm...sounds interesting.  Strange, but interesting.


#68 of 107 by mziemba on Sun Aug 24 17:46:46 1997:

Oh, yeah...I recall seeing that, before.  Very cool...


#69 of 107 by mziemba on Fri Aug 29 07:51:02 1997:

Just saw _The Point_ again, for the first time in years.  Great 70s animated
film with a cool soundtrack by Harry Nilsson.  You might recall "Me and My
Arrow", if you were listening, back then.  Soundtrack might be a little hard
to locate, though, these days...



#70 of 107 by lumen on Fri Aug 29 19:56:03 1997:

I had the luck to see that nifty little film some years back on a Disney
channel preview.  The music reminded my folks of Paul McCartney, if I remember
right.

How easy is it to find the film?  How did you see it, Mark?


#71 of 107 by snowth on Fri Aug 29 21:41:44 1997:

I luv _The_Point_! "Are you sleeping, can you hear me..." I watch it a lot,
and would love to have the soundtrack, if it's even out there anymore...

Dang. Now I want to go watch it, but orin has my copy. Snicky.


#72 of 107 by mziemba on Sat Aug 30 07:54:47 1997:

Yes, I have seen the film (twice, now, actually).  I was able to rent it from
an alternative video rental place in town.  I haven't checked on the
availability of the movie for purchase, yet, however.  I did sniff around for
the soundtrack, today, and had no luck.  Still more places to check, however.
I'll keep you folks posted, though...


#73 of 107 by mziemba on Sat Aug 30 07:56:44 1997:

Oh, one reason it might've reminded your folks of the Beatles was that Ringo
Starr narrated it.  I think someone else might've narrated it, at one point,
but the one I found was with Ringo...


#74 of 107 by lumen on Sun Aug 31 03:21:31 1997:

No, I believe you are correct in saying Ringo Starr narrated the film.  But
my folks commented on the *music* itself.


#75 of 107 by orinoco on Sun Aug 31 13:33:11 1997:

From what I've heard of the music - I've watched the first half or so - it
does sound vaguely like the Beatles from Magical Mystery Tour or some such.


#76 of 107 by bmoran on Mon Sep 1 13:27:38 1997:

One of Nillson's albums had a note from John Lennon on the cover, saying
how much he admired his music. Like minds?


#77 of 107 by jurry on Tue Sep 16 15:12:51 1997:

Anyone remember  Sound of Music? There is an excellent theme from
Romeo & Juliet classic "time for us". Also Mark Twain based film
("Moon River), What about Born Free? Recently I see Amos and Andrew
with theme song "Down y the sea". (the film is a crap).
There is also Love Story, A Star is Born, Bette Midler
Winds Beneath my Wing (Beachees??).  A chorus line?
Some hits by Barry White? For modern movie perhaps Mannequin
Dirty Dancing, Flashdance, Grease Mahogany?


#78 of 107 by tpryan on Mon Sep 22 22:14:58 1997:

        Sometimes the music for a movie is contracted for before filming
even starts.  This could leave a contract to be kept, while the music
, and particulary, some of the pop-tunes just don't fit.  They might
know something better will fit, but this must now fit.
        Usually movie producer and music producer do have a product
that does both of them proud.


#79 of 107 by mziemba on Tue Sep 23 07:07:16 1997:

Then there's Eddy Grant's "Romancing the Stone", inexplicably dropped from
the movie.  Cool song, too.


#80 of 107 by no1spam on Wed Sep 24 17:56:50 1997:

For big hits MOVIE theme song/album (modern) perhaps
Whitney H. BODYGUARD or B. Adam ROBIN HOOD. Another one
is GHOST (Unchained melody). I also remember
TOP GUN (Take my breath away), PRETTY LADY (Roxette).
For fake one try THREE MUSKETEERS (B. Adams, R Stewart).


#81 of 107 by bruin on Wed Sep 24 22:32:50 1997:

RE #80 I believe that song from "Three Musketeers" was "All For Love" by Bryan
Adams, Rod Stewart, and Sting (or "ASS," if you're an acronym fanatic).


#82 of 107 by no1spam on Thu Sep 25 16:42:26 1997:

The big hit from Big Mountain (Reggae hits) and "Anything You want"
(Reba M?)  also come from movie. Phil Collins also have hits 
from the movie "buster" (Groovy kind of love). SEAL also 
have hits from the BASTMAN series. Bruce S. also have giant hits
"Streets of Philadelphia" from the movie related to AIDS.
BTW any site about MOVIE / TV theme song?


#83 of 107 by orinoco on Thu Sep 25 21:15:43 1997:

I've seen web sites before with WAV or MIDI versions of cult classics - Rocky
Horror, Star Wars, etc.  I don't know about 'everyday' movies.
A while ago, I spent quite a while hunting for Benny & Joon soundtrack clips
to no avail, but perhaps a better-known movie would prove better-represented.


#84 of 107 by lumen on Fri Sep 26 00:05:58 1997:

Forget the web.  It's more attention deficit than televeision, anyways.  Do
you have the soundtrack?


#85 of 107 by orinoco on Fri Sep 26 01:16:34 1997:

No, thus the problem.
Actually, I was looking fany sounds from the movie - soundtrack, dialogue,
whatever.


#86 of 107 by snowth on Sat Sep 27 03:50:48 1997:

"She was prone to fits of semi-precious mettaphors." Huh?


#87 of 107 by mziemba on Sat Sep 27 08:21:39 1997:

I just realized I needed to seek out another cool soundtrack:  the one for
the documentary about R. Crumb, the cartoonist (_Crumb_).  Lots of good old
blues tunes.


#88 of 107 by scott on Sat Sep 27 11:39:04 1997:

 Has anybody mentioned the "little rascals" music CD that came out a few 
years ago?  Highly recommended.


#89 of 107 by bruin on Sat Sep 27 14:05:27 1997:

How about the "Greatest TV Commercials" CD, which features memorable 
commercials and advertising jingles from the 1950's on?


#90 of 107 by orinoco on Sat Sep 27 17:43:17 1997:

("Some cultures are defined by their relationship to cheese.")
("You're out of your tree."  "It's not my tree".)


#91 of 107 by snowth on Sun Sep 28 20:01:20 1997:

Exactly.
"you're in your drift."  "It's not my drift."


#92 of 107 by mziemba on Wed Oct 1 14:55:23 1997:

I was in Encore the other day and spotted a soundtrack I'd been trying to
locate for years:  the soundtrack to _Paperhouse_, a very cool, slightly
surreal, and highly intelligent British psychological thriller.  Very cool
brooding music by Hans Zimmer.


#93 of 107 by bmoran on Mon Oct 6 12:51:47 1997:

And a very cool movie, too.


#94 of 107 by funnie on Mon May 4 11:32:36 1998:

Hi everyone ! I would very much like to see this item renewed.


#95 of 107 by lumen on Wed May 6 00:58:20 1998:

Then say something!  I poured a lot into it already.  Ummm..what say ye
of..can't remember his name..the composer of the soundtrack for _Titanic_?


#96 of 107 by mcnally on Wed May 6 03:29:13 1998:

  Horner?


#97 of 107 by eeyore on Wed May 6 06:17:19 1998:

Out of curiousity, has anybody seen a soundtrack for "princess Bride"?  Pretty
good stuff.  :)  And that's a composer that I'm surprised taht nobody's name.
(not that I can remember his name off the top of my head at the moment,
but...:)  The composer was the lead singer of Dire Straits....he's done a
buncyh of other movies too, including one that I *believe* was up for an oscar
this year...


#98 of 107 by krj on Wed May 6 13:43:28 1998:

TV producer David Kelley liked the work of a commercially unsuccessful
singer-songwriter, Vonda Shepherd, so much that he gave her a regular 
gig on his TV series ALLY McBEAL.  Once or twice every week, Shepherd 
is playing at the bar where the lawyers go to drink and dance.
 
(#97: the name eeyore is looking for is Mark Knopfler.)


#99 of 107 by funnie on Thu May 7 10:56:41 1998:

#95 Yeah. I guess mike is right. It is James Horner. By the way, does Horner
has any good works before _Titanic_ ?


#100 of 107 by lumen on Thu May 7 22:31:36 1998:

According to the liner notes, he must have.


#101 of 107 by eeyore on Mon May 18 03:08:29 1998:

Ken: Yeah, I remembered right after I got off....but the .5 hour wait to get
back on wasn't worth it...:)


#102 of 107 by mziemba on Thu Jun 4 23:27:29 1998:

I heard an album of Vonda's several years back.  I enjoyed it.  There seems
to be more of a publicity push on the new album, this time around.


#103 of 107 by mziemba on Fri Jul 3 12:28:07 1998:

I've been enjoying _Rent_ lately.  A few of the songs are just chilling...


#104 of 107 by krj on Sun Sep 13 17:24:45 1998:

I had some kind thoughts about the soundtrack for THE TRUMAN SHOW.
From my sketchy memory of the credits, at least part of it was by 
Philip Glass.  Haven't decided if I want to commit to buying a CD
yet.


#105 of 107 by diznave on Mon Oct 19 17:25:33 1998:

I've learned the theme song to _Taxi_ on the tenor recorder. Really beautiful
song (especially in its entirety).



#106 of 107 by lumen on Mon Oct 19 22:18:31 1998:

Great instrumentation, too.  I played a tenor in my Orff class last summer
and I fell in love with it.


#107 of 107 by otaking on Wed Feb 24 18:45:02 1999:

I just listened to one of the Macross Plus soundtracks yesterday. The music
really tied into the story. Of course, since the story revolved around an AI
singer, it's easy to incorporate J-pop music into the storyline. Still, the
music is great if you love J-pop.


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