Grex Music2 Conference

Item 121: Music: An endangered species in the schools?

Entered by lumen on Wed Apr 1 02:10:24 1998:

Anyone see VH1's "Save the Music" commercials?  I've heard music educators
discuss the possibility that music and other arts might be cut from the
schools, or discuss ways to rebuild and strengthen such programs, but what
do you think?  Is music endangered in the schools?  Is the quality of
instruction there?  

Did you ever have a teacher who make you look at music a bit more seriously?
15 responses total.

#1 of 15 by jor on Thu Apr 2 04:39:12 1998:

        If you weren't already serious whydja havva music teacher?


#2 of 15 by cyklone on Thu Apr 2 13:05:40 1998:

Well, I was already somewhat serious about music when I started (I invested
$450 of my paper route money when I was 15 w/o knowing how to play a thing)
but I certainly had lots of music teachers who made me better and helped me
take seriously other aspects of music that I had not considered.


#3 of 15 by lumen on Sat Apr 4 05:06:14 1998:

That's a good reason to have an instructor :)


#4 of 15 by lumen on Thu Apr 9 23:30:15 1998:

I don't know why we aren't talking about this more-- music educators see the
demise of music in the schools as a real threat-- funding for the arts is
often the first thing to be cut in many schools (Mr. Holland's Opus deal with
this issue.)

How can we be sure future generations (quite possibly our children) have a
good music education?  What you got at least in elementary can't be taken for
granted..


#5 of 15 by eeyore on Sun Apr 12 12:44:32 1998:

Honesty, music is less likely to be cut from school programming then things
like the Fine Arts...Painting and what-not.  Because, I mean, Really!  How
can we have a great Football team without a Marching Band?  (Yes, there is
sarcasm and bitterness there)

I've gone to two school districts.  The first one was pretty poor, and it's
music program sucked.  (we learned a few songs for the school Christmas
program every year...other then that we hand wrote stuff off the board about
classical composers that we caed nothing about....and that wtarted in
Kindergarten!)

The second one was Ann Arbor....which has a lot of pride in it's music
program, and I had the biggest kiss-up of a choir director.  We always had
enough money to do whatever we wanted.  Of course it helps that our Choirs,
Bands, and Orchestras were all award-winning every year, so I'm sure that they
wouldn't want to lose that.  My jewerly class almost got canned due to lack
of money, though.  (sigh)

Much as I love music in schools, I don't know that there is too much worry
about it going away.


#6 of 15 by lumen on Sun Apr 12 22:19:35 1998:

People in A2 are biased, I'm afraid, because the area has such a rich heritage
of music.  The Ann Arbor Symposium was a forum for child psychologists and
music educators to discuss how children learn music.

Other areas are not so fortunate to have that great of resources.  Over here
in the Northwest, music programs do not have the same tradition of music in
the schools.  Teacher shortages in Alaska, California, and other states here
are pronounced in music education areas.

Award-winning music ensembles may give a music department in a school district
political power for a time, but really, a quality music education for everyone
is sacrificed.  My own high school instrumental music department had problems
precisely because we had such stunning talent from a small number of
individuals, and they *never* learned to support the rest of the group.  In
marching band competitions, we consistently received poor marks for ensemble
performance, while individual performance was high.

It's not so much a matter of music programs going away.  It is a question of
the quality of those programs.  Politics give music programs problems in a
number of ways: funding, presentation (in comparison to other departments),
and..history.  Yes, history.  Those that write the history books tell us what
music is good, serious, and worthwhile.  Now, rest assured, MENC literature
(MENC stands for Music Educators National Conference) address issues of how
popular music styles can be used to teach musical concepts, but there are a
lot of music educators who teach Western European music and nothing else. 
Recently, the Music Educators Journal even discussed the possibility that the
instruction of such historical styles (Baroque, Classical, Romantic, etc.)
may disappear or be diminished in the next century.

Music educators have also talked a great deal about interdisciplinary studies,
and other disciplines of the fine arts play a key role.  Granted, I see more
activity in the elementary school, but motivationally, I'm glad at least it's
being emphasized there.  Ideally, we want to motivate children to music early
and let them see how it's connected to all other subjects, including the arts.

Yes, funding is always a problem.  However, good educators know how to make
the best of what they do have.  Music does not need to be a
finanically-dependent activity.  Teachers who study Karl Orff's process to
teaching music (music and movement) especially emphasize this.  Yes, Orff
instruments can get expensive, but they are merely an extension of the process
of teaching music and are not absolutely necessary.

My opinion is that promotion of music must include the fine arts.  Indeed,
music is a part of the fine arts.  I suppose this involves establishing
community support.  One of the finest examples of the fine arts coming
together was the presentation of _Fiddler On The Roof_ in my hometown.  It
involved all of the high schools, and all of the fine arts departments--
instrumental, vocal, dramatics, and so on.  Both performances sold out and
there was several articles and stories in the news.

I guess what is necessary for an educational program to survive (be it in the
fine arts or otherwise) is community support.  Generally, the community at
large will determine what they want to see and hear.  If you feel your
interests are not being represented, it takes finding support from others
(friends, family, workmates, etc.) and working to make your case public.

Where there's a will, there's a way.


#7 of 15 by cyklone on Mon Apr 13 01:05:01 1998:

You make many good points. Frankly, it would be interesting to see if
something similar to the UM Halloween Concert concept could be tried at the
elementary or high school levels. Granted, the UM repertoire may be too
difficult for kids, but its a wonderful interactive way to interest kids in
classical music. And it wouldn't be to hard to adapt the Halloween theme to
other disciplines such as drama.


#8 of 15 by lumen on Mon Apr 13 23:53:13 1998:

We had professional operatic musicians come to CWU and give a performance for
the local elementary school children.  I don't see why an orchestra, wind
ensemble, or concert band couldn't do much the same for the same students.

Already, many high school and college music programs will come to younger
students classes to promote their music programs, or they will sponsor
events-- there is the Lionel Hampton Jazz Festival at the U of I in Moscow,
ID, and also the lesser known Band Festival at the same location.  I can think
of times where universities have hosted marching band competitions.

I think it would be very easy to extend these ideas to other art programs in
the schools (but they would have to be modified somewhat for art disciplines
that are not event-based).


#9 of 15 by kewy on Mon Nov 30 19:42:33 1998:

I've had a pretty good musical education in the Ann Arbor schools.  
mostly in middle school and High School with the band programs.  That 
sort of music education is quite alive and well in Ann Arbor, but 
learning about music other than playing (not sure how to word this), 
like learning about composers and such was pretty lacking in my 
education.  The only place where people I know have gotten this was in 
the Humanities program that some students take in their senior year.  As 
for elementary school, I had a crazy teacher who threw a chair at a 
student once, he had quite the temper, and basically we sang along with 
a record player, quite similar to what we did in music class when I went 
to school in the Willow Run district.  That's my assesment of things... 
hope it made sense.


#10 of 15 by lumen on Tue Dec 1 18:32:41 1998:

Well, I've noted from all of you that Ann Arbor and Detroit have powerful
music resources.  Our current orchestra director, Paul Cobbs, came to us from
the University of Michigan.  Dr. Cobbs is a thoughtful African-American man
with an authoritative presence sprinkled with a marvelous sense of humor. 
(His speciality instruments are the viola and trombone-- if that explains
anything.)  Some CWU students speculated that the department paid a lot of
money to encourage him to stay, but he likes the Pacific Northwest area.

His office is still a practice room, which I thought was a rather sad welcome,
but an unfortunate necessity.  CWU recently built a state-of-the art Science
building and remodeled the Education building to the same level, but the music
department is still stuck with a junky old building that currently holds twice
the capacity (counting music majors alone) that is was designed to hold.

It's so sad when the arts continues to be seen as a 'frill' in the schools.


#11 of 15 by kewy on Tue Dec 1 20:00:57 1998:

Especially at the college level, where it isn't just something that a 
lot of people do on top of academic subjects.  In college, plenty of 
people major in music, and that isn't neccesarily a frill, they deserve 
the resources that all of the other departments have.


#12 of 15 by lumen on Sat Dec 5 04:55:58 1998:

Exactly.  I'm sick and tired of the shit the music dept., has to face, but
we're still essentially in queue.  Science and Education were there first.


#13 of 15 by bookworm on Fri Mar 12 06:39:40 1999:

Music has always been part of my life, since before day one.
I really can't imagine life without it.


#14 of 15 by lumen on Fri Mar 12 06:52:44 1999:

We finally got our pamphlet from VH1's Save The Music Foundation!  
Perhaps I'll have to list some of the pointers here.


#15 of 15 by bookworm on Fri Mar 12 07:25:16 1999:

good idea.  I'll bring it (or you can bring it)


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