Grex Cinema Conference

Item 60: *<*<*<*<*< AT THE MOVIES >*>*>*>*>*

Entered by mary on Sun Dec 28 00:44:29 2003:

170 new of 306 responses total.


#137 of 306 by albaugh on Thu Feb 26 17:38:09 2004:

Ignore tod, bru - he's just picking a fight, and it's not worth your time to
type the text.  He's not going to pay attention anyway.


#138 of 306 by anderyn on Thu Feb 26 18:04:05 2004:

I am not glad that I saw the movie, since it's not a movie to be glad about.
But it was very worthwhile. I am a wuss about movie(or other) violence, but
that is not what I'll recall about this movie. It's about a lot more than
that.


#139 of 306 by tod on Thu Feb 26 18:11:46 2004:

This response has been erased.



#140 of 306 by anderyn on Thu Feb 26 18:56:13 2004:

Okay, hwere can I get a copy? And is there an English translation? (I don't
read Hebrew.)


#141 of 306 by klg on Thu Feb 26 20:42:07 2004:

(It's the last chapter of the last (5th) book of the Five Books of 
Moses (Torah).  Mr. tod only made it sound as if it would be difficult 
to locate in English.)


#142 of 306 by furs on Thu Feb 26 22:24:52 2004:

Hey Twila, didn't you like the LOTR movies?  Does that kind of violence 
bother you?  Or is just more realistic type movies that bother you?  
(I'm not judging, just curious)


#143 of 306 by tod on Fri Feb 27 01:29:53 2004:

This response has been erased.



#144 of 306 by klg on Fri Feb 27 01:57:32 2004:

That being the 5th book.


#145 of 306 by anderyn on Fri Feb 27 02:14:16 2004:

Yes, I did like the LOTR movies. But it's very clearly fantasy. I can deal
with a certain amount of violence if it's clearly not real (orcs don't exist,
same with the skeletons in Pirates of the Caribbean). 


#146 of 306 by twenex on Fri Feb 27 02:19:55 2004:

Orcs don't exist??

Seriously, though: The violence in LOTR wasn't that explicit. Certainly not
in comparison to, say, a Terminator movie.


#147 of 306 by rcurl on Fri Feb 27 02:32:13 2004:

"Passion" is also mostly fantasy, although of such long standing that it
has become institutionalized. The real difference is that the fans of LOTR
fantasy can more or less take it or leave it, knowing it is fantasy, but
the fans of "Passion" are unable to comprehend that it is fantasy, and
hence get very much put out when its unreality is pointed out. 



#148 of 306 by twenex on Fri Feb 27 02:33:29 2004:

Witness Protection Program.


#149 of 306 by aruba on Fri Feb 27 03:30:21 2004:

Rane, give it a rest, would you?  It's obvious this is important to people.
We all know how you feel about it.  You don't need to tell us at every
opportunity.


#150 of 306 by twenex on Fri Feb 27 03:31:05 2004:

Why not? I do it! ;-P


#151 of 306 by rcurl on Fri Feb 27 03:53:55 2004:

Yes, why not? The "other side" isn't shy about shoving their stuff in
everyone's face - consider the movie itself! Why should I be less forward
(though no match for Gibson)?


#152 of 306 by bru on Fri Feb 27 04:48:18 2004:

He is just proving the facts we all know about the liberal left.  That they
have no tolerance for anyone who doe not believe as they believe and will take
every opportunity to attack.


#153 of 306 by twenex on Fri Feb 27 04:50:15 2004:

Ahem. WHO is promoting the Federal Marriage Amendment, bruce?


#154 of 306 by rcurl on Fri Feb 27 07:09:05 2004:

"He is just proving the facts we all know about the radical right.  That
they have no tolerance for anyone who doe not believe as they believe and
will take every opportunity to attack."

It is so pathetic when bru tries to attack whole groups with single
broadsides. His words just reflect upon himself.





#155 of 306 by anderyn on Fri Feb 27 14:02:31 2004:

Rane, there is a difference to me about whether the violence is clearly not
real (as in vs. orcs, or aliens, although the Alien/Terminator movies were
on the too much edge for me) and violence very clearly perpetrated upon a
person, whether or not that person is "real" or not. I was expecting to be
ill and repulsed and have nightmares. I didn't have that reaction to this
movie, possibly because I do believe that Jesus is my Lord and Saviour, so
it had a very different feel to it than normal movie violence. I may or may
not explain that further when I have time.


#156 of 306 by katie on Fri Feb 27 15:45:55 2004:

Even is Jesus was not the Messiah, wasn't he an actual historical
figure? 


#157 of 306 by rcurl on Fri Feb 27 16:17:46 2004:

The historical record does establish that *something* happened, but not
what. There are no contemporary substantiated records of the events
recounted in the bible: only some identifiable historical names and places.
There are no written accounts until ca 50 years after the purported events,
and then these are contradictory. The implication is that a legend was being
created for the purposes of groups including the writers.

It is a historical fact that crucifixtion was a favorite reprisal against
enemies. Thousands of people were crucified in single events, with roads
lined with the victims. It was a bloody era for hundreds of years. Perhaps
someone will make a movie of that. 


#158 of 306 by tod on Fri Feb 27 16:34:00 2004:

This response has been erased.



#159 of 306 by twenex on Fri Feb 27 16:36:17 2004:

I've heard this was a belief held by his father, and that he has repudiated
it.

I hope so. I've always found him to be amiable whenever I've seen him
interviewed. But it's amazing how effective appearing to be amiable is at
hiding suspect behaviours and beliefs.


#160 of 306 by tod on Fri Feb 27 16:42:42 2004:

This response has been erased.



#161 of 306 by anderyn on Fri Feb 27 16:43:00 2004:

Gibson said in an interview in the March 2004 Reader's Digest, when asked
about the Holocaust: "Friends and friend's parents have numbers on their arms.
My Spanish teacher was at <a camp>." I got the impression that he admitted
that there were camps and people died, Jews among them, but that he felt that
WWII was a tragedy on more levels than that. That other people were also
killed (Russians, gypsies, etc.). Since this is historically accurate in that
other people WERE killed, and that other groups were targetted for
extermination (gypsies and gays among them), I am not sure if he was weaseling
out (as some might say) or expanding his definition to include more than just
Jews being killed. 


#162 of 306 by tod on Fri Feb 27 16:46:18 2004:

This response has been erased.



#163 of 306 by twenex on Fri Feb 27 16:47:03 2004:

I'd accept his definition as portrayed by twila, with reservations that he
should (have) acknowledged that the Holocaust in particular, and Nazism in
general, DID have a particularly anti-Semitic and pro-ethno-genicidal element.


#164 of 306 by twenex on Fri Feb 27 16:47:19 2004:

#162 slipped.


#165 of 306 by anderyn on Fri Feb 27 16:51:12 2004:

Todd, in re 160 -- I don't think Gibson made the movie for anyone but himself.
He had a crisis of faith about twelve yeaers ago, according to several
interviews, and he nearly committed suicide, and he was only brought out of
it by returning to the faith and by recommitting himself to God. So out of
that recommittment and his own faith, he made this movie. Whether or not you
agree with the specifics of what he believes, it doesn't make him less
sincere. I certainly didn't find the portrayal to be anti-Semitic. It was very
clear that Jesus was freely submitting to this death, and that while he feared
it, it was his course and his own choice. While Caiaphas and other Sanhedrin
members wanted him dead/silenced, and some of the Temple Guard were violent
and abusive and some people were bought/influenced by mob mentality, it was
very clear that it was not every Jew or even a majority of them who wanted
this to happen. Many other characters (Joseph of Arimathea, and two others
in the Sanhedrin were appalled at Caiaphas's actions; some Temple Guards were
aghast at their comrades; many on the route to the crucifixion protested) were
shown as being against this course of action. It was not a monolithic
presentation that "Jews are bad, it's their fault". As I said, it was more
anti-soldier, who were nearly all presented as brutal drunken louts who
enjoyed having someone in their power and revelled in their ability to hit
and kick and lord it over other people -- IF I thought it was anti-anyone.


#166 of 306 by tod on Fri Feb 27 16:57:27 2004:

This response has been erased.



#167 of 306 by goose on Fri Feb 27 18:00:25 2004:

RE#152 Bruce I'm probably more left (liberal) than Rane, yet I don't attack
you at every opportunity.  I already have a full time job.


#168 of 306 by albaugh on Fri Feb 27 18:23:08 2004:

> WHO is promoting the Federal Marriage Amendment

I'm glad to see that the World Health Organization is up to some good.  ;-)

Re: the violence in the LOTR, theoretically one should be affected by it just
as much as in a movie such as Gladiator, because these were living beings,
men against men, men / elves / dwarves against orcs, etc. during time of sword
fighting and archery, really brutal stuff.  The mind can say "but it's all
in a fantasy world", but that isn't quite correct, from the standpoint that
it's not Super Mario World.


#169 of 306 by mcnally on Fri Feb 27 18:23:57 2004:

  Granted that his father seems to hold some appalling beliefs, 
  but how is the son responsible for his father's opinions?


#170 of 306 by twenex on Fri Feb 27 18:28:14 2004:

Re: #168 - I was affected by some of the scenes in LOTR. Usually the ones with
characters I'd "got to know", like the deaths of Boromir and Theoden, or
Arwen's distress at having to choose between obeying her father and her love
for Aragorn.


#171 of 306 by anderyn on Fri Feb 27 18:47:07 2004:

Oh, that was affecting. I still cry whenever I read about Theoden King's
death. (But that's in the book, the affect. Not in the movie so much.)

I draw a strict line in my own mind and reactions between violence that's to
a person (beatings, fights, etc.) and the results (dimly seen, usually) of
sword fights, etc. I was perfectly fine with the violence in the Last Samurai,
for example, although there were shootings and beheadings and blood sloshing
around, because it wasn't "real". Someone being shot in modern life, someone
being hit and kicked anytime, that is REAL. That makes me cringe. I know it's
weird, but it's my own reaction. I also can't watch any sexual violence on
the screen (I'll never watch Rob Roy, or parts of Braveheart, for example,
because there are rapes implied. I can never watch the first two Mad Max
movies for those reasons. I have left the room, shuddering, when those movies
came on tv.)

Of course, I am much more affected by books than by movies, usually. I can
keep the descriptions in my head for YEARS of squicky things and still react
to them. One reason that I self-censor my reading to things that aren't
uber-violent or sexually violent or deal with graphic child abuse. 


#172 of 306 by albaugh on Fri Feb 27 18:51:09 2004:

You better not read / watch Stephen King, then!  :-)


#173 of 306 by twenex on Fri Feb 27 18:54:46 2004:

Stephen King is overrated.


#174 of 306 by albaugh on Fri Feb 27 18:56:00 2004:

Not the violence he depicts...


#175 of 306 by anderyn on Fri Feb 27 18:57:48 2004:

I've read Stephen King. Mostly the short stories, things like "Stand by Me"
and the recent "From a Buick 8" although I've also read some more graphic
books. (I have also read Dean Koontz, and some other horror writers. Depends
on how graphic and how desperate I am for something to read. :-) I do draw
the line at most splatterpunk, although I'm quite fond of early horror writers
such as Lovecraft, Machen, and the like.


#176 of 306 by anderyn on Fri Feb 27 19:00:37 2004:

I find that his graphicness is over-done, and I skip it, for the most part.
What I *like* about King is the lyrical evocation of a place and time, which
he does do well, when he's not trying to horrify one. I havne't read "Salem's
Lot", "The Shining", or "The Stand" of his famous ones. I have read "Carrie"
and "Cujo". Maybe "Christine". I know there's another one with the guy in the
coma who comes out of it able to read minds, that one wasn't too horrible,
eihter.


#177 of 306 by krj on Fri Feb 27 19:37:44 2004:

Rane in resp:157 :: on a film representation of a mass Roman 
reprisal crucifixion, it's been done; the end of SPARTACUS.
 
On the comparison between the violence in PASSION vs. the violence in
LORD OF THE RINGS:   RINGS is mostly combat; PASSION is entirely 
torture, from the accounts I have read.   I suppose I'm perverse 
in finding that representations of fighting can be exhilirating -- 
I can get really obsessive over James Bond films, for example -- 
but torture scenes in movies range from making me very uncomfortable
to making me stop watching, and movies themed around executions are 
just flat out not watched.


#178 of 306 by rcurl on Fri Feb 27 20:08:46 2004:

Now that you mention it, I do recall a film with a very long line of
crucifixtions shown. The Sparctacus crucifixion massacre was just one
of many. That one was 71 BC. 


#179 of 306 by bru on Fri Feb 27 22:52:13 2004:

I have heard Mel Gibsons father state that he thought teh jews were mostly
forced out of europe, not gassed.

I have heard Mel Gibson say he does not as his father does, and denounce the
nazi atrocities.

Nothing in the movie suggests anti-semetism.  Criticism of the movie began
before the script was even written.  Now some of the hollywood elite are ready
to crucify Gibson for filming and releasing this movie, even talking about
banning him or blacklisting him.

This from people who gave an award to a known rapist.


#180 of 306 by tod on Fri Feb 27 23:11:34 2004:

This response has been erased.



#181 of 306 by aruba on Fri Feb 27 23:19:49 2004:

Twila - the Stephen King book you're thinking of is "The Dead Zone".  I have
the same problem that you do, that scenes get stuck in my head for months
and sometimes years, so I have learned (the hard way) to avoid really
violent movies.  Especially documentaries and docudramas about violent
things that actually happened.


#182 of 306 by anderyn on Sat Feb 28 01:23:10 2004:

Yes that's very true. Thanks for the name of the book,


#183 of 306 by krj on Sat Feb 28 05:47:55 2004:

Wow, there are sure a lot of articles about PASSION on the web.
Christopher Hitchens' very hostile review in Slate led me to a bit 
of information about Sister Anne Emmerich, whose work Gibson seems 
to draw heavily on in the movie.  Beliefnet.com has a compilation
of "extra-biblical" scenes in the movie and discusses the apparent
sources; this site seems fairly neutral.
 
http://www.beliefnet.com/story/140/story_14097_1.html
 


#184 of 306 by rcurl on Sat Feb 28 07:23:23 2004:

Why is it only Christians that claim the movie is not antisemitic, and all
Jewish comentators claim it is antisemitic. Don't you think one should
take the victims more seriously than the perpetrators?



#185 of 306 by twenex on Sat Feb 28 13:27:04 2004:

What a novel idea!


#186 of 306 by tpryan on Sat Feb 28 14:12:04 2004:

        Sorry, have to skip over 81 responses in 3 days.


#187 of 306 by anderyn on Sat Feb 28 14:36:04 2004:

I'd really like to hear from some other people who've seen it. Has anyone else
on Grex seen it? (Thanks, Ken, for posting the beliefnet url. I found it
yesterday but hadn't managed to capture the url for posting.)

The problem, I was thinking, is that people are pre-judging the movie without
seeing it. Which is a problem with a lot of movies, actually. I'm sure that
the "Last Temptation of Christ" was labelled blasphemous by people who had
not seen the movie or read the book because they'd heard that it was, or that
it included scenes that they assumed were played in one way or another. It's
the same now. If Todd saw the movie, and then said it was anti-semitic, with
reference to the pices that made him say so (in particular the supposed covert
anti-semiticism that people have spoken of , but which I haven't seen any
details about), I would certainly have a better basis for re-thinking why I
didn't see that in the movie. Because, as it stands now, I have seen the movie
and I didn't see the elements that people are alleging are in there. Personal
experience trumps allegations every time.



#188 of 306 by twenex on Sat Feb 28 14:53:53 2004:

I will see it (on DVD).


#189 of 306 by bru on Sat Feb 28 20:44:34 2004:

it has been approved for viewing thruought the mideast, passing all their
censor boards, and has even been sold out in the 1st four movie houses to
schedule it.

Approved in Isreal as well, by the way.


#190 of 306 by twenex on Sat Feb 28 20:45:11 2004:

The Middle East isn't known for frowning on anti-Semitism.


#191 of 306 by rcurl on Sat Feb 28 21:15:59 2004:

Re #187: I understand that you are a Christian. From the commentary coming
from various quanters it seem very clear that Christians are blind to
anti-semitism.


#192 of 306 by mcnally on Sat Feb 28 21:40:49 2004:

  re #191:  I find Rane's unqualified accusation of Christian tolerance
  of anti-Semitism to be both bigoted and offensive.  Furthermore it's
  exactly the kind of reasoning he would never accept if Christians
  were not the target of the accusation -- he'd bend over backwards to
  give virtually any other group the benefit of the doubt.  As such it
  says a great deal about Rane and his painfully obvious biases than it
  does about either Christians, Jews, or the alleged anti-Semitism of
  Gibson's film.


#193 of 306 by twenex on Sat Feb 28 23:09:57 2004:

I agree, in parts. "Fundie Christians" would probably be a better and more
accurate target of Rane's accusations of blindness to anti-semitism. Moreover,
his tarring of all Christians with the same brush is akin to the tarring of
all Brits, etc.. with it.


#194 of 306 by mcnally on Sun Feb 29 02:20:56 2004:

  Now you're just substituting your own bias for Rane's.


#195 of 306 by klg on Sun Feb 29 05:07:12 2004:

re:  "#184 (rcurl):  Why is it only Christians that claim the movie is 
not antisemitic, and all Jewish comentators claim it is antisemitic."

Once again, Mr. rcurl, your sweeping, shoot from the lip,  generali-
zations are easily proven inaccurate.  Two prominent Jewish commenta-
tors who claim that the movie is not anti-semitic are:  Michael Medved 
and Rabbi Daniel Lapin.


#196 of 306 by albaugh on Sun Feb 29 06:50:50 2004:

Took the 10-year-old to see Miracle.  I certainly didn't think it was anything
great, though it did occasionally bring on nastalgia.  I'm sure it is probably
more "new" for people who weren't alive and able to remember 1980.  A few
trivial hockey observances:

1) The players were calling the coach by his first name Herb, rather than the
customary "Coach Brookes".  I'm assuming that was deliberate because it was
accuracte.

2) For one of the Russian goals it showed the referee skating to the scorer's
window and saying "Goal so-and-so, with assist to #25".  Referees do not
concern themselves with who will be credited with assists - that is the job
of the official scorer.

3) For each goal, it showed the entire bench skating out onto the ice to
congratulate the scorer (USA).  I know of know level of organized hockey where
that is allowed, so I'm concluding that was done for some overblown dramatic
effect.


#197 of 306 by rcurl on Sun Feb 29 07:26:52 2004:

Re #192: I pointed out that Christians appear to be blind to
anti-semitism, not that they are tolerant of it. There is a big
difference. Perhaps if they could see it, they would do more about. This
was certainly true when Hitler was overtly practicing anti-semitism. But
apparently most Christians do not see the depiction of just Jews being
spectators during the alleged murder of Jesus is capable of creating
negative stereotypes in the minds of fervant acolytes of Jesus. 



#198 of 306 by twenex on Sun Feb 29 13:55:23 2004:

Mr. MacNally, I'm not sure whether you're too fond of playing Devil's
Advocate, or whether you just like to sling mud.


#199 of 306 by mcnally on Sun Feb 29 19:00:31 2004:

  re #198:  Unless you're going to play definitional games so that 
  a "fundamentalist Christian" is any Christian you so define, how
  is the statement "Christians are blind to anti-semitism" more
  ignorant than "fundamentalist Christians are blind to anti-semitism"
  (your suggested alternative) except that the first statement 
  incorporates a larger group?

  re #197:  

  > But apparently most Christians do not see..

  See how much difference there is between writing "Christians do not see"
  and "Most Christians do not see"?

  The appeal to the emotional power of mentioning Hitler is such a tired
  cliche at this point I wonder that you don't blush to use it, especially
  since it really doesn't support your original unqualified assertion.
  By your logic since I haven't heard any high-profile Chemical Engineering
  professors denouncing Gibson's film, wouldn't I be just as justified in
  making the claim that Chemical Engineering professors (no "some" or "most"
  necessary.  yeee-ha!) are blind to anti-semitism?


#200 of 306 by rcurl on Sun Feb 29 20:34:03 2004:

I haven't heard that any principles of chemical engineering, or practitioners
of them, were shown in the film. 

You seemed to have responded with a knee=jerk reflex to my mentioning
"Hitler". I only cited that as a case where some Christians opposed his
behavior (few in Germany, though). 


#201 of 306 by aruba on Sun Feb 29 22:40:08 2004:

Roger Ebert says "Passion of the Christ" is the most violent movie he's ever
seen.  Wow.


#202 of 306 by anderyn on Sun Feb 29 23:59:04 2004:

Well, it would be hard for there to have been Norwegians or welshmen or
Chinese people at the Crucifixion. As far as I know, the only people
documented as living in Jerusalem at the time would have been Jewish or Roman,
possibly Greek. The only people therefore who COULD possibly have witnessed
it were rather limited.  It's kind of stupid to blame Gibson for sticking 
to the actual deomographics of the area at the time period and to say that
it's antisemitic. 


#203 of 306 by rcurl on Mon Mar 1 06:46:32 2004:

You still don't understand. Simply because it is alleged to have taken
place in a Jewish community, with Jewish witnesses, the Jews are implicated.
History shows this clearly. It is an unfortunate, irrational, and bigoted
response, but its what people do. The alleged incident has ever after been
used to create anti-semitic environments, even if unjustly. THIS makes
the flaunting of the alleged incident antisemitic. 


#204 of 306 by remmers on Mon Mar 1 11:17:53 2004:

Re #210:  Ebert also gives "Passion" 4 stars.  He thinks highly of it.
But he points out that the film's "R" likely reflects some ratings
politics -- had the victim of the violence been anyone but who it was,
it would have received an "NC-17", in Ebert's view.

Personally, I don't plan to see the movie.  Possible anti-Semitism
aside, there's the fact that (a) it sounds like the violence is of a
kind for which I have low tolerance, and (b) what it celebrates is
so far outside my own belief system as to be insufficient to overcome
(a).


#205 of 306 by md on Mon Mar 1 12:06:01 2004:

It's like Titanic with all this buzz and the gigantic box office.  It's 
an "event sociological" (Truffaut's character Lacombe in "Close 
Encounters").  You have to go see it or else you'll be left all alone 
with your excuses for not going.  Sad but true. ;-)  If the lines ever 
go away we might go see it.

It's possible to make great art out of almost any material.  God knows 
(sorry) there's been enough great art produced out of this particular 
topic, including some rather grisly stuff.  Remember the crucifixion 
painting with the twisted spasming hands and body by some Northern 
Renaissance painter (Grunewald?).  I'd be surprised if Mel Gibson has 
done anything that enduring, but I guess stranger things have happened.



#206 of 306 by mary on Mon Mar 1 12:36:45 2004:

I'm holding out for something based on fact instead of
fiction.  Maybe, "The Rosary Rapes: 10,000 Children God
Forgot but Priests Found Memorable".



#207 of 306 by remmers on Mon Mar 1 13:06:07 2004:

Indeed.  Whether and how soon it gets made is, again, a matter of politics.


#208 of 306 by twenex on Mon Mar 1 15:09:49 2004:

I would define refusal to accept the notion of "anti-Semitism" and denial of
the Holocaust as hallmarks of fundamentalist Christianity.


#209 of 306 by remmers on Mon Mar 1 17:28:19 2004:

You've *got* to be kidding...


#210 of 306 by mcnally on Mon Mar 1 17:31:12 2004:

  re #206:  Happy you.  Until the movie you really want comes out you
  can rent the recent film about the Magdalene Sisters and have your
  very own smug-fest.


#211 of 306 by klg on Mon Mar 1 17:48:10 2004:

So.  How many synagogues did the arsonists hit last weekend?


#212 of 306 by jmsaul on Mon Mar 1 23:03:55 2004:

Even William Safire thinks it's anti-semitic and dangerous.


#213 of 306 by rcurl on Tue Mar 2 01:11:36 2004:

I even think it could not have gotten into the theaters at all except for
the "Jesus" cover. Once that button is pushed a whole bunch of people go
into mental lock-step like zombies. 



#214 of 306 by rcurl on Tue Mar 2 01:34:42 2004:

_Matchstick Men_ (DVD, 2003): a little flim-flam caper goes awry - or does
it? In any case, WE were the one's flim-flammed. I was tempted to watch
it again to see if I could catch the trick.

_The Endurance_ (DVD, 2000): The story of Sir Ernest Shackleton's
ill-fated 1914 expedition to Antarctic, which foundered in the Weddel Sea
ice pack, leading to a 635-day self-rescue marathon. The film is mostly a
narration of the photographs taken by the ship's photographer, with
supplemental current on-site views and partial reenactments. Shackleton's
27 crew members all survived. It is nearly unbelievable story of personal
courage and leadership.



#215 of 306 by mcnally on Tue Mar 2 02:38:49 2004:

  I wonder if that's the same Shackleton-expedition film I saw in IMAX
  format in Seattle a few years ago..


#216 of 306 by bru on Tue Mar 2 03:06:21 2004:

tell us all "why" it is anti-semetic.


#217 of 306 by rational on Tue Mar 2 03:08:22 2004:

Did you not notice how all the Jews had huge noses and wallets?


#218 of 306 by rcurl on Tue Mar 2 06:50:38 2004:

Besides that....it is anti-semitic because of the centuries of blame by
Christians of the Jews for the alleged crucifixion. You can't turn around
that centuries old tradition overnight - and I bet the thought is still
harbored by a lot of Christians, especially fundmentalists. Anti-semitic
acts are still frequent (burning of synagogues, graffitti on tombstones
and buildings, etc.). 



#219 of 306 by md on Tue Mar 2 12:33:21 2004:

I've seen the swastika graffiti.  There was an incident in my home town 
once: a brand-new modernistic synogogue - an architectural masterpiece, 
set in a beautiful wooded area - was covered with swastikas in the 
night.  Turned out to be a bunch of rich drunken frat boys, but I don't 
doubt the Christians of Rane's colorful imagination - whipped up to a 
vandalous frenzy by watching Mel Gibson's movie - are capable of it, 
too.

"Frequent burning of synagogues" is another matter.  I don't recall 
hearing about synagogues burning down even once in a while, much 
less "frequently."  Anyway, I'm afraid the most likely perps in any 
future such arson and vandalism, especially where I live, won't be 
fundie Christians.


#220 of 306 by remmers on Tue Mar 2 12:37:40 2004:

Re #212, #216:  Safire's column on "The Passion" can be found at
http://www.nytimes.com/2004/03/01/opinion/01SAFI.html?n=Top%2fOpinion%2fEdi
tor
ials%20and%20Op%2dEd%2fOp%2dEd%2fColumnists%2fWilliam%20Safire

(Sorry about the long URL.)


#221 of 306 by rational on Tue Mar 2 12:55:03 2004:

http://url.rexroof.com/, newb


#222 of 306 by remmers on Tue Mar 2 13:19:37 2004:

http://url.rexroof.com/515


#223 of 306 by rational on Tue Mar 2 13:56:34 2004:

Thanks!


#224 of 306 by bru on Tue Mar 2 15:09:52 2004:

In 1965's historic Second Vatican Council, during the papacy of Paul VI, the
church decided that while some Jewish leaders and their followers had pressed
for the death of Jesus, "still, what happened in his passion cannot be charged
against all Jews, without distinction, then alive, nor against the Jews of
today." 

That was a sea change in the doctrinal interpretation of the Gospels, and the
beginning of major interfaith progress

William Safire


I don't kniow what planet Safire lives on, but my church never taught that
jews were responsible for the death of Christ.  Of course I am not Catholic,
and we were taught the pope was full of hooey.


#225 of 306 by rcurl on Tue Mar 2 16:25:11 2004:

Safire expressed more eloquently than I have my sense that this movie is a
piece of the same anti-semitic "tradition" of the classic passion plays. 
It is also an example of "religious excess" - carrying aspects of
religious mythology way too far as a means of emphasis. But here these
seeming "traditionalists" go too far. They are the ones that complain that
violence depicted in movies creates a society more tolerant of violence. 
How can they applaud this extreme excess of violence? 



#226 of 306 by albaugh on Tue Mar 2 18:37:28 2004:

> Once that button ["Jesus"] is pushed a whole bunch of people go
> into mental lock-step like zombies.

Really, rcurl, such caustic generalizations don't become you.


#227 of 306 by rcurl on Tue Mar 2 20:04:51 2004:

Well, I did feel that I had perhaps gone too far with that one. But
there is a variety of religious fanaticism that obscures peoples'
senses of proportion (is that a kinder way of saying the same thing?). 
I think Passion dips into that kind of fanaticism.


#228 of 306 by twenex on Tue Mar 2 23:58:55 2004:

"the pope [is] full of hooey". Well, someone once said that 95% of everthing
is crap, which I suppose means that (a) most of us are capable of a lot hooey;
(b) moany of us are full of hooey; (c) a small proportion of us are
responsible for a disporportionate amount of hooey. I wonder which bru agrees
with?


#229 of 306 by tod on Wed Mar 3 00:02:59 2004:

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#230 of 306 by twenex on Wed Mar 3 00:12:40 2004:

If it could, the GOP would be the party *least* interested in lessening
America's dependence on foreign oil and ruining Alaska.


#231 of 306 by jmsaul on Wed Mar 3 02:29:34 2004:

Re #224:  Safire is talking about Catholic doctrine before Vatican II.  He
          lives on the same planet you do, but he's better read, apparently.


#232 of 306 by richard on Wed Mar 3 02:35:20 2004:

this is the MOVIE REVIEW item...can we move the religious discussion drift
to a new item?  what movies have you seen lately?


#233 of 306 by jmsaul on Wed Mar 3 02:38:41 2004:

Unfortunately, none.  The current crop of movies doesn't look interesting to
me.


#234 of 306 by bru on Wed Mar 3 03:08:14 2004:

I kniow what he was talking about Joe.  But I spent 8 years in a Christian
SChool during that period.  While not catholic, I did grow up in a catholic
neighborhood.  I always found the catholics reatehr demented in their
attitude, what with being able to commit sins and then go to confession and
be absolved.

But I never heard any schools or churches in our area that blamed Jews for
the death of Jesus during that period, either before or after.


#235 of 306 by aruba on Wed Mar 3 03:55:57 2004:

We saw "The Triplets of Belleville" at the Michigan Theater tonight.  It was
weird.


#236 of 306 by albaugh on Wed Mar 3 18:06:41 2004:

I didn't know that Belleville had anything interesting enough going on to make
a movie about.  Well, maybe the Strawberry Festival...  ;-)


#237 of 306 by remmers on Wed Mar 3 18:09:19 2004:

Right, the Belleville I know is *so* dull that only Michelangelo Antonioni
would consider making a movie about it.


#238 of 306 by tod on Wed Mar 3 19:58:41 2004:

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#239 of 306 by aruba on Wed Mar 3 20:20:46 2004:

A passion play is a re-encatment of the Christ story.  There is a village in
southern Germany called Oberamergau, which, through some twist of fate, was
spared being hit by the plague in the 1300s.  Ever since, in thanks to God,
they enact a big huge passion play every year.  It's a big tourist
attraction, I gather.

The movie "Triplets of Belleville" doesn't specify where Belleville is, but
it's certainly on the seacoast, and it has a statue that looks like a short,
fat version of the Statue of Liberty in the harbor.  So draw your own
conclusions.


#240 of 306 by salad on Wed Mar 3 20:40:43 2004:

The airport in belleville sucks compared to the one in Trenton


#241 of 306 by twenex on Wed Mar 3 21:03:39 2004:

Passion plays originated in mediaeval times, not in the 1930s.


#242 of 306 by tpryan on Wed Mar 3 21:04:13 2004:

        Sorry have to skip over 55 responses in 3 days.


#243 of 306 by tod on Wed Mar 3 21:04:48 2004:

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#244 of 306 by jmsaul on Wed Mar 3 22:19:44 2004:

(They're an older tradition than that, but Tod's right about how they were
used.)


#245 of 306 by tod on Thu Mar 4 00:37:51 2004:

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#246 of 306 by jmsaul on Thu Mar 4 23:51:21 2004:

>Jews kidnapped and murdered Christian children
> in ritual sacrifice; the blood of pure Christians was needed by Jews to
> make matzoh.

This seems like a ridiculous and archaic rumor, but it's been published in
the Arab press within the past few years.  So this crap isn't dead.


#247 of 306 by twenex on Thu Mar 4 23:52:46 2004:

if there's anywhere this crap ain't dead, it's in what the (comedic ) Prince
Regent (in Blackadder) called "Jolly Arab Land".


#248 of 306 by tod on Thu Mar 4 23:53:39 2004:

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#249 of 306 by richard on Fri Mar 5 03:20:21 2004:

Hey Starsky and Hutch is opening tomorrow, with Ben Stiller as Starsky and
Owen Wilson as Hutch-- TV Land is even having a Starsky and Hutch marathon
tonight. That was one of the campier tv shows of the mid/late seventies. The
movie is getting good revies, and yes, Paul Michael Glaser and David Soul--
the REAL Starsky and Hutch-- get cameos


#250 of 306 by richard on Sun Mar 7 07:11:08 2004:

Okay I finally saw The Passion of the Christ today at the multiplex
(Starsky and Hutch was sold out, so I figured what the hell)  The movie is
well made and the special effects and makeup were great.  That sure looked
like a REAL scourging to me.  Jim Caviezel also puts in an oscar-worthy
performance as Jesus-- I read that he suffered hypothermia, a dislocated
shoulder and a lung infection during filming, and after seeing the movie I
can believe it.

I am worried about what the reaction will be to this film.  The punishment
that Jesus endured and the crucifixion is so violent and so vivid and so
intense in this movie that I think some people could get worked up seeing
it to a point where they go looking to make acts of vengeance.  I guess
Mel Gibson's point in emphasizing and making as explicit as possible the
scourging and torture of Jesus was to make Christians watching it feel the
proper (in the catholic view, of which Gibson is a catholic) sense of
guilt.  But some people won't feel guilt. They'll feel anger.  This is the
sort of film that Hitler, had it been made in the thirties, could have
used to stir up support for the Holocaust.  

I am not sure therefore that it was necessary for Gibson to so explicitly
show the way Jesus was beaten.  Viewers are smart enough to get the point
without being beaten over the head with it. Did we really need to watch
Jesus violently whipped, with the flesh coming off his back in chunks, for
twenty minutes?  It was gratuitous, the sort of excess that is meant to
incite.

I'd rather have seen more flashback scenes with Jesus and the Disciples,
and more development of the other characters, like Judas and Mary
Magdalene.  I also think that both the Romans and the Jews come off
looking really badly here.  There were good Romans and good Jews, but the
sense you are given here is that the Romans were clueless thugs, and the
Jewish rabbis were conceited and arrogant.  And when you see the ground
shaking after Jesus dies, and the rabbis who pronounced judgement and the
romans who carried it out suddenly are wide eyed with the fear of God and
run terrified for cover, the sense you are given is that they are getting
what they deserved.  That they deserved vengeance.  In spite of what Jesus
repeatedly says of, "forgive them, they know not what they do", the movie
shows them in such a bad light that they are the bad guys and you want the
ground to open up and swallow them.  I heard a couple of people in the
back applaud when the black crow shows up and pecks out the eyes of the
guy on the cross next to Jesus who had been dissing him.  He was getting
his.  Vengeance not compassion.  This is the problem I have with the
movie-- instead of concentrating more on who Jesus was and what he was
teaching, this movie mostly wants to show in gory detail his beating,
torture and death in order to incite emotions.

I didn't like this movie for the same reason I don't like hard porn
movies-- they show "the act" in too much detail and for too long at the
expense of character development and story telling.  


#251 of 306 by richard on Sun Mar 7 07:31:22 2004:

Last week there was a picture in the paper of a class of kids from a local
catholic high school marching down the sidewalk in their uniforms, on a school
sponsored field trip to see the movie.  This movie was so violent, so
gratuitous, that it really should have carried an NC-17 rating.  I find it
ironic that many of the same church leaders who scream about tv and movies
being too violent, and wouldn't want their kids going to the next Friday the
13th or Nightmare on Elm Street movie, let them see this.  This was more
violent, and had more bloodshed than any movie I ever saw Jason or Freddy
Krueger in!


#252 of 306 by mary on Sun Mar 7 13:02:21 2004:

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#253 of 306 by mary on Sun Mar 7 13:09:27 2004:

I suggest that those folks who are getting their panties in a bunch
over this piece of fiction should go see Judgement at Nuremberg, Shoah, or
Schindler's List.  Then we can have a real talk about religious hate
crimes depicted on film.  



#254 of 306 by jmsaul on Sun Mar 7 14:22:27 2004:

I'm not sure what point you're trying to maje, Mary.


#255 of 306 by jmsaul on Sun Mar 7 14:22:47 2004:

(Um, "make".)


#256 of 306 by jor on Sun Mar 7 14:47:33 2004:

        "This is the sort of film that Hitler, 
        had it been made in the thirties,
        could have used to stir up support 
        for the Holocaust."
 
        I appreciate Richard's remark, it helped
        me understand why some people think the
        film is anti-Semetic.



#257 of 306 by bru on Sun Mar 7 22:20:03 2004:

you could also use it to stir up anti-italian (roman) sentiments.  Or anti
Caucasian sentiments.  Take your pick.  

The same could be said about J.C. Superstar.  Or Quo Vadis.  Or the Robe.

If you want propaganda, pick a film and put your spin on it.  Eall it to the
people you want to influence, adn off you go.


#258 of 306 by twenex on Sun Mar 7 22:21:11 2004:

Roger-rabbit is anti-authority!


#259 of 306 by anderyn on Mon Mar 8 14:49:56 2004:

I agree that the whipping scene was far too much. But something that you may
have missed, Richard, in all the spectacle, was the emphasis Gibson put on
Jesus' own willingness to be  there. It was His choice.  He knew it would
happen and chose to allow it. So there's no vengeance to be taken since He
could have stopped it at any time.


#260 of 306 by twenex on Mon Mar 8 14:51:27 2004:

Stockholm syndrome.


#261 of 306 by tod on Mon Mar 8 16:10:37 2004:

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#262 of 306 by novomit on Mon Mar 8 19:27:18 2004:

I wonder how many people left the theatre with tears in their eyes . . . this
was what Gibson was trying to do, right? Give everyone a sense of the
sacrifice that was made . . .


#263 of 306 by tod on Mon Mar 8 19:33:46 2004:

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#264 of 306 by mcnally on Mon Mar 8 19:58:18 2004:

  re #263:  Who banned it?  From what?


#265 of 306 by novomit on Mon Mar 8 20:09:05 2004:

Yeah, you can get it online. Kinda boring, though. 


#266 of 306 by tod on Mon Mar 8 20:54:40 2004:

This response has been erased.



#267 of 306 by mary on Mon Mar 8 22:22:58 2004:

If Jesus hadn't been killed per God's plan, if he had been spared by those
Jews, would God have been disappointed that plan A didn't go as planned? I
mean, he knew from before Jesus' conception that this innocent man, his
"son", had to be brutally killed so that He could forgive mankind for
being sinful.  No brutal murder, no forgiveness.  Not the kind of god I'd
respect but that's the beauty of religion, you get to choose what works
for you.  Without God's help Jesus wouldn't have been on that cross, the
Jew's wouldn't be the fall guys, and Mel Gibson would be doing what he
does best, looking sexy. 

Religion is a hoot.




#268 of 306 by twenex on Mon Mar 8 22:33:12 2004:

Yeah, God is forgiving like that. That's why he smote Sodom and Gomorrah,
brought down the Tower of Babel, prevented people from communicating from one
another, subjected *his own Son* to (supposedly) "the greatest crime in
history"; drowned everything but one specimen of each animal (what about
plants?) and will "forgive" every sinner on judgement day by subjecting them
to eternal damnation and torture.

Maybe the "torture" envisaged will consist of being subjected to homophobic,
xenophobic, and Thatcherite rants /ad infinitum/.


#269 of 306 by bru on Tue Mar 9 03:04:17 2004:

either that or we will have to sit chained to computer terminalsreading your
posts.


#270 of 306 by twenex on Tue Mar 9 03:33:42 2004:

Or yours...

Sorry, two specimens of each animal.


#271 of 306 by aruba on Tue Mar 9 03:36:47 2004:

Indeed. :)


#272 of 306 by richard on Tue Mar 9 07:23:51 2004:

God said "thou shalt not commit adultery", and then went and impregnated a
woman to whom he was NOT married, and in fact an underage woman at that.  God
was guilty of statutory rape and adultery if you want to be technical about
it.  But He seems like a complex individual so He'd probably come up with a
perfectly plausible explanation for the hypocrisy if you asked Him  :)


#273 of 306 by fitz on Tue Mar 9 09:09:37 2004:

Mystic River  D

Sean Penn's acting deserved some sort of award, but the best acting in the
world isn't going to help a poor screen play.  Other actors acted up a storm
of fidgeting, gritting teeth, wringing hands.  I don't see how tighter
editing could have improved it.

Penn, Robbins and Bacon were boyhood friends, until the abduction of
Robbins' character by a pair of molesters rather much ends the innocence
of youth for all three.  Years later, the three are reunited by the murder
of Penn's nineteen-year old daughter.  Bacon, a detective, is the
hub between Penn and Robbins as the investigation plods along.  It's a
whodunnit:  I canna say much more.

Look for an uncredited performance by Eli Wallach.  I paid matinee prices for
this and felt royally ripped off.  Eastwood the director is now on my shit
list.  Nothing would be lost from this film by renting it.  Waiting for it
to play on TNT for free would give the view the added bonus of frequent
bathroom breaks.


#274 of 306 by fitz on Tue Mar 9 09:49:40 2004:

The Price of Milk -  B

This was a rental.  Novel character behavior makes this movie watchable. 
Eccentric behavior can be overdone and ruin a film, but you gotta love the
screen's first agoraphobic dog.  This is light, romandic comedy, filmed in
New Zealand.

After a farmer, Rob, asks Lucinda to marry him, she takes her friend's
advice to test his commitment by doing something to outrage him.  The
initial attempt merely baffles him and she doesn't feel that she has yet
put him to the test.

When she finally suceeds, it is by selling his herd of dairy cows.  The
loss puts him in a depression that Lucinda's friend would gladly take
advantage of.




#275 of 306 by twenex on Tue Mar 9 14:12:06 2004:

The League of Extraordinary Gentlemen. Bunch of fictional 19th century
characters team up together to save the world from mystery evil force. Better
than you would expect from the premise, not as good as you would expect if
you heard it was better than you would expect.

How long can Sean Connery keep on doing this?


#276 of 306 by jor on Tue Mar 9 15:43:25 2004:

        Uncredited Eli Wallach:

        In 'The Producers' as they are auditioning
        the Hitler wanna-bes, it turns into a
        hysterical montage and one of them looks
        like a crazed Eli Wallach. I've never
        been able to verify this.



#277 of 306 by krj on Tue Mar 9 16:27:00 2004:

This reminds me that I wanted to mention that THE PRODUCERS (the original
film) will be screened at the Michigan Theater as part of their comedy
classics series, at the end of the month.  


#278 of 306 by klg on Tue Mar 9 17:41:57 2004:

re:  "#272 (richard):  God said "thou shalt not commit adultery", and 
then went and impregnated a woman to whom he was NOT married,"

Herr richard,
Does this mean that you are also opposed physicians who perform
in vitro fertilization?
auf wiedersehen


#279 of 306 by slynne on Tue Mar 9 19:17:47 2004:

I saw Hildalgo on Sunday. It wasnt as bad as the reviews made it sound. 
But I am not saying it was good either. If it werent for the eye candy, 
I would have only barely liked it. But, it was a fairly decent action 
movie that a person who really likes that genre would probably like. 
The horse was cool. The plot was...lacking. But there were lots of fun 
scenes with people being chased on horsies. There were also a few funny 
lines here and there. Granted, nothing knee slapping funny but I found 
myself chuckling now and then. 

Personally, this is one I would recommend for a video rental. Dont 
waste your money seeing it first run unless, like me, you think Viggo 
Mortensen is worth watching just all on his own for 2 hours. 



#280 of 306 by anderyn on Tue Mar 9 19:27:05 2004:

I want to see it for Viggo and the horsie. :-) I like simple action movies
and it looks like it's a good popcorn flick. That's what I hope for in the
spring, anyhow, a good popcorn flick that will be enjoyable.


#281 of 306 by tod on Tue Mar 9 19:31:28 2004:

This response has been erased.



#282 of 306 by albaugh on Tue Mar 9 23:18:12 2004:

Can anyone remember a movie where there was something like a conversation or
interview with an older black gentleman, a musician maybe, and every so often
he would say:

Can you dig it?  I knew that you could.

Searching the web indicates that John Travolta's character Tony Manero
supposedly said that in Saturday Night Fever, but that's not what I'm looking
for...


#283 of 306 by mcnally on Wed Mar 10 01:13:48 2004:

  sounds like a role Scatman Crothers would've played..


#284 of 306 by krokus on Wed Mar 10 02:16:51 2004:

I saw Hidalgo on Saturday, and really appreciated the way the that
the Native Americans were portrayed.


#285 of 306 by richard on Thu Mar 11 08:21:22 2004:

SCHINDLER'S LIST-- Steven Spielberg's holocaust masterpiece, just 
released on DVD finally and I watched it earlier this evening.  This is 
quite an emotional experience to watch, even a second or third time.  
This movie has a lot of meaning for me, because I'm half german and 
while my german grandfather served in the american army in world war 
II, I also had relatives who were in the german army at the same time. 
It is hard not to cry at times watching it.  The story of Oskar 
Schindler, a nazi aristocrat who opens a factory in Poland with the 
idea of getting rich off of slave jewish labor, and instead ends up 
saving all the jews he hires to work for him.  Wonderfully acted, with 
Liam Neeson as Schindler and Ben Kingsley as his bookkeeper.  The 
slowly developing friendship between the two of them is at the center 
of the movie.  

This is a great movie, well worth having the widescreen edition now on 
DVD as a keepsake.  The DVD has in the bonus section testimonies from 
Holocaust survivors, many of which are as moving if not more so than 
the movie itself.  These testimonies are part of the Shoah project.  
Steven Spielberg gave all of his profits from the movie and many 
millions more than that, to personally help fund the Shoah project 
which was formed to record the testimonies of as many Holocaust 
survivors as possible.

I'm not sure if it was some sort of weird coincidence or not that this 
movie came out on DVD right when "The Passion of the Christ" was 
released.  Who knows.  But I personally think that everyone should 
see "Schindler's List".  It is a DVD worth being part of anyone's 
collection  


#286 of 306 by richard on Thu Mar 11 08:29:23 2004:

Note-- as I typed that, I'm still watching survivors testimony in the bonus
section of the dvd.  this is pretty overwhelming stuff.  one of these days
I hope to buy the Shoah dvd set, which is also out (just a bit overpriced in
my opinion)  


#287 of 306 by tod on Thu Mar 11 15:59:21 2004:

This response has been erased.



#288 of 306 by krj on Sat Mar 13 04:50:35 2004:

resp:235, resp:239 :: Belleville's an odd town, isn't it?  Clearly a 
lot of New York in it, and the signs are in English, but the gangsters
drive modified Citroens...
 
TRIPLETS OF BELLEVILLE we found absolutely delightful, but it's not
going to be for everyone.  There is almost no dialog in it, and there's 
a lot of almost-surrealism.  It's (mostly) old fashioned, hand drawn 
animation, mostly produced in Canada and France, with some BBC help, and
there were some other countries there in the credits.  Not as much of 
a musical as I thought it would be; to talk about what the movie is really
about might spoil half the fun of trying to figure out where the story 
is going.
 
The characterization of the dog, Bruno, is one of the best animated 
animals ever.


#289 of 306 by salad on Sat Mar 13 04:55:44 2004:

!useruseruser
a

^K!useruseruser
b

^L!useruseruser
c

!useruseruser
d


#290 of 306 by rational on Sat Mar 13 04:55:59 2004:

WHOA!


#291 of 306 by salad on Sat Mar 13 05:03:19 2004:

Wow!  That didn't turn out good.


#292 of 306 by krj on Sat Mar 13 05:43:20 2004:

I suppose it should be mentioned, as TRIPLETS OF BELLEVILLE is an 
animated film:  it's not a movie for small children.  There are a 
few scenes which some might deem unsuitable for kids, but more 
to the point -- I don't think children under the age of 12 or so
would follow the story.


#293 of 306 by slynne on Sun Mar 14 04:40:47 2004:

I really liked Triplets of Belleville. I loved the dog's dreams the 
best. I especially liked the one with the train going around the rim of 
the food bowl :) I also liked that the French Mafia's slogan was "In 
Vino Veritas" I think that is going to be my slogan :)


#294 of 306 by krj on Sun Mar 14 15:47:54 2004:

Leslie pointed out that the dog dreams in black and white, as dogs'
vision only works in black and white.  At least, we think we know that.


#295 of 306 by tod on Sun Mar 14 16:53:02 2004:

This response has been erased.



#296 of 306 by fitz on Tue Mar 16 17:20:02 2004:

Dogs dream in Smell-o-vision:  They're dogs, for goodness sakes.


#297 of 306 by edina on Wed Mar 17 14:35:23 2004:

"STarsky and Hutch" was a great popcorn movie.  We had a great time at it.
"Starsky's bored now!!  Starsky's bored now!!"


#298 of 306 by styles on Sat Mar 20 03:57:23 2004:

dawn of the dead.  see it.


#299 of 306 by krokus on Sat Mar 20 20:50:05 2004:

I must agree with Anthony.  The current Dawn of the Dead is worth
seeing, even at normal prices.


#300 of 306 by furs on Mon Mar 22 12:42:08 2004:

I agree!  It's incredible.  The humor, the gore, the filiming.  Awesome.


#301 of 306 by remmers on Mon Mar 22 13:41:56 2004:

Interesting.  I'd dismissed "Dawn of the Dead" as Yet Another Unnecessary
Remake, but it's been getting some good reviews and endorsement here from
people who have seen it.  Maybe I'll catch it sometime.


#302 of 306 by tod on Mon Mar 22 17:36:29 2004:

This response has been erased.



#303 of 306 by jvmv on Fri Jun 25 06:29:45 2004:

     re #285 Schindler's list

     "This film is very empty, for not only does it
     portray the germans as 'evil, lop-sided,
     devil workshippers' but it shows the jew as
     being 'promising, alluring, good guys'. If one
     it to question morality, then do so, but don't
     give us the black vc white issue found in this
     film. Spielberg, immature since day one as
     director, tell us what to think, he strips away
     our humanity by overdosing us on excessive
     amonts of guilt and sentimentality. In effect,
     the film lacks any moral basis except to
     denounce all evil men and with that, we learn
     absolutely nothing"



#304 of 306 by klg on Fri Jun 25 11:01:09 2004:

Bunk.


#305 of 306 by jvmv on Sat Jun 26 06:44:39 2004:

     My critic serves as reflection.
     Bunk is to sleep.



#306 of 306 by tod on Tue Sep 14 19:03:22 2004:

Ben Kingsley was brilliant.


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