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Who are your favorite writers? Can you tell us why? I really like Calvin Trillin. I think of him as an urbane Dave Barry.
22 responses total.
I'm a big fan of Michael Delizia. I know he's an electronic more than a hardcopy writer, but I view that as equally legit. Whether it's a poem, a musical critique, a travel note, or a slice of West Bloomfield life, md's writing is almost always urbane, imaginative, witty, and/or well-informed, as appropriate. T'would be no loss to the New Yorker to replace one of their regular stable of contributors (Calvin Trillin, for instance) by Mr. D.
I am a big fan of James A. Michener. His fiction is really believable and the characters are real (I, am not a Michael Delizia, you'll pardon me). In Centennial, I was impressed by the spirit of Pasquinel, the rebel in Levi Zendt and the sternness of his 4 brothers, the evil that lurked within Frank Skimmerhorn and the others... the one thing that does bug me about Michener is his tendency to run on and on. I have become accustomed to seeing 1200 page books like The Source and Chesapeake. .
[md bows deeply in remmers's direction]
While you have selected some fine authors (*cough*choke*sputter), I prefer authors with a little more flair. Try Patrick Nichols who wrote "Gem World". -------------------------------------------------------------------------- To whom it may concern... The above author does NOT exist! My point here is that I could choose any name and any title and pretend that it is real. Which means that this conference would simply become a "Name dropping" zone. It is supposed to be a Creative Writing conference. If you want to discuss authors, then let's DO IT. Let's discuss their style, their genre, etc. Perhaps, you words will sway me to read one their books.
Okay, you asked for it. FICTION: The young Washington Irving - Knickerbocker's History of New York in particular. You can see in it the roots of American humor: the relentless teasing, the demented consistency, the solemn lunacy, the nothing-is-sacred outrageousness. Everyone from Mark Twain to Doug Kenney and Henry Beard learned from him. Nathaniel Hawthorne - Especially his short fiction. I seem to have been reading him all my life. Mark Twain - I count most of his nonfiction as fiction. Edith Wharton - She did everything well. She could be evocative, sly, ironic, heartbreaking, creepy, hilarious, you name it. Read her stories Xingu, Summer, and Roman Fever, and her novel The Age of Innocence. Jorge Luis Borges - Tlon, Uqbar, Orbis Tertius. Pierre Menard, Author of the Quixote. Funes the Memorious. The Lottery in Babylon. The Secret Miracle. Borges is like Hawthorne to me. I can't stop rereading him. He seems less nourishing than Hawthorne, more like mind-candy. If you haven't sampled him yet and want to, pick up the New Directions anthology called Labyrinths. Vladimir Nabokov - I can't think of another writer who worked harder and took more pains to give his readers pleasure. Three of his "American" novels, Lolita, Pnin, and Pale Fire, have been judged his greatest work. His autobiography, Speak, Memory, might be the most beautiful book ever written. J. D. Salinger - There is a nasty streak of self-righteous smugness in him that becomes more apparent on rereading, but he's still, well, J. D. Salinger. John Updike - One of the great short-story writers of all time. Some of his novels are first rate, some aren't. His Henry Bech series is great. Stephen King - Hey, after all that I'm entitled. I think he's gotten carried away with his own wonderfulness lately. He rambles and drones on messily. His editor is probably afraid of him. POETRY: Geoffrey Chaucer - The Middle English course I took in college was far and away my happiest educational experience. William Shakespeare - Obviously. Alexander Pope - Bons mots up the wazoo. The most readable "serious" poet. William Wordsworth - Instant kindred spirit. I went "Yes, yes, yes" all the way through his stuff when I first read it. When you love a writer that much, you start feeling affection even for the crap he wrote, and Wordsworth wrote volumes of crap. I learned later on that this marked me as a typical "Wordsworthian." George Noel Gordon, Lord Byron - At his best when he was being satirical. Dazzling. The "Byronic" stuff is not his best, imho. Keats 'n' Shelley - The Debussy 'n' Ravel of English Romantic verse, not really all that similar but lumped together by tradition. Keats is the better poet (as Mt. Everest is taller than Mt. Makalu), more human and certainly funnier when he wants to be; Shelley is more serious, more demanding, more political. Matthew Arnold - Of all the countless poets who were influenced and inspired by Wordsworth, he was the best. Walt Whitman - If he's not one of your favorites, too, then there must be something wrong with you. Robert Frost - Another one I'm always reading. I never get tired of him. Philip Larkin - Gloomy and depressing, but too good to resist. Richard Wilbur - My affection for him comes and goes. He's written some beautiful things, but he has so many mannerisms and affectations you just want to throttle him sometimes. Robert Bly - See Richard Wilbur. NONFICTION: R. W. Emerson - New takes on old problems. Wisdom, encouragement, subtlety. Read his essay on compensation, for example. H. D. Thoreau - Not as original as his most fanatical admirers will try and tell you he is, but *such* a good writer he makes every idea seem as if you're reading it for the first time. Plus the first Green, plus the father of nonviolent resistence, plus if he hadn't lived where would the Sierra Club get quotes for their calendars? William James - A good writer, very insightful, and such a *likeable* guy. Re Matthew Arnold's comment that those looking for "the interesting" won't find it in America, James wrote, "What makes Matt so many enemies is the entirely needless priggishness of his tone, and his deplorable lapses in judgment. Imagine setting up 'interesting' as an absolute category!" Henry James - Yep, him. I don't like his novels and stories much, but he was our best literary critic. Read his long essay on Hawthorne, for example. John Updike - Yep, him. He's a better critic than he is a novelist, maybe our best living literary critic. Read *his* long essay on Hawthorne, for example. This is a snapshot. If I'd taken the snapshot twenty years ago, you might've seen J. R. R. Tolkien and Joyce Carol Oates on the fiction list, W. H. Auden and Wallace Stevens on the poetry list, and so on. There are others who could be on the list but aren't, either because I don't know any of their works beyond the two or three I love (Max Beerbohm, Anne Beattie), or because they didn't produce enough to provoke more than a distinct but local affection in me (C. S. Calverly), or because I forgot them and won't remember them until after I've enter this response.
[One did not mention remmers because one does not log-roll.]
Matthew Arnold: "And so I say that, in America, he who craves for the *interesting* in civilization, he who requires from what surrounds him satisfaction for his sense of beaity, his sense of elevation, will feel the sky over his head to be of brass and iron." William James: "The trouble about Matthew which sets so many against him is the entirely needless priggishness of his tone. His ultimate heads of classification, too, are lamentable. Think of 'interesting' used as an absolute term!"
Oh Michael, I think you just made all those names up. ('cept for mine,
of course)
See now isn't this a much more entertaining item? I bet Michael has one helluva bookcase!
I assume that's "bookcases" in the plural.
Btw, I note that all of the writers on my "non-fiction" list are Harvard men. There is a *great* temptation to mention remmers here, but one restrains one's self.
Geez Michael...didn't you sorta mention Remmers AND restrain yourself? Would that be an oxymoron or just your garden variety "illogical statement"?
I once knew a person who would read the lines "Whatever it is that doesn't love a wall / Is having fun with Harvey's Amoco" and say something like, "You've been influenced by Robert Frost, I see."
Seems reasonable to me ...
ANYONE OUT THERE LOVE CHARLES BUKOWSKI AND HIS SKEWERED ROMAINTIC VISIONS? BY FAR THE MOST ENTERTAINING NOVEL I'VE EVER READ IS HIS "POST OFFICE". AND HIS POEM ON THE BURNING DOWN OF THW L.A PUBLIC LIBRARY COULD HAVE B BEEN WRITTEN FOR ME. BETWEEN HIM ee cummins, HEMMINGWAY,SALLINGER,MARTIN AMIS, CAMUS AND SARTRE THERE IS NO REASON TO CONTINUE WRITING SUCH IS THE BREADTH OF THEIR RISK-TAKING AND SUBJECT MATTER. READ THESE TO SEE YOUR OWN LIFE EXPERIENCES REFLECTED OFF THE PAGE.
i'm a colonial(they forgot to tell my mum's english teacher when they left india) dont americans do the fabulous penguin publications like gerry durell,james herriot,giovanni gureshi,cyril northcote parkinson, the author of "inlaws and outlaws" i forget his name. if all these names sound suspeciously fictional to you, the most famous of hte bunch (and least talented, in my opinion) is PG wodehouse -HIM you must have heard. saki?
Give me Vonnegut, McCaffrey, and Tolkien, I'll be happy forever.
Isaac Asimov made references to P.G. Wodehose, scout, in the Gold
Science Fiction Collection. I understand he is a humorist. Perhaps you want
to try Terry Pratchett as well, who mostly does paradies.
toking -I can't say I care for McCaffrey or LeGuinn very much. The
first seems pointless and the second uses many phrases to fit her "lyrical"
style which seem to make no sense. (Yes, yes, I know most of my phrases don't
make much sense.) But I do enjoy Tolkien, Terry Goodkind(he's fairly new,
but you should check him out._, Douglas Adams, Frank Herbert, and Robert A.
Heinlein.
Btw: Have they ever come out with a Dune movie that in anyway compares
to the book?
I did enjoy the Dune movie.....but no, I don't think that they have <or can> come out with a movie that will do Dune any justice. I think the reason I like McCaffrey is because it is pointless <don't ask> Douglas Adams is just helarious <sp>, I've yet to read "Long Dark Tea Time of the Soul" but I've heard that it is very good. What sort of stuff does Goodkind write?
Douglas Adams is wonderful :{ ion 100 years they'll still be reading him.
forget anne rice ;} Adams, they'll still be reading, because it is
good ;}
"Long Dark Tea Time of the Soul" is a lot of fun. :)
Needed a few more *Roman* gods, but still, thoroughly enjoyable. Dirk Gently
is by far one of his most intriguing characters.
I think this quote of Terry Goodkind's will become a standard quotation
---"People are stupid. They'll believe anything either because they want it
to be tru or because they're afraid it might be."
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