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Hey! How's it going? I'm glad you stopped in here. I just hope you
can help me. Don't get me wrong, I can think for myself, but I'm too
busy right now. I am in the middle of writing a good four novels at
the moment. Doing bits and pieces here and there. But I'm am very
interested in a play. If given the proper relaxation and time, I
could do a great one. But as I've said, I haven't the time. So
please, give me a good topic for a play. Something a little gothic.
A little scary. A little bit of Fantasy. And a good plot. This will
be just an average length play. So keep it short, and appropriate.
Thanks a bunch!!!
7 responses total.
I was going to write a play/movie about a vampire assassin with a pet crow named Nevermore. Coldn't thinkof a plot though, so it ied ;}
Maybe sousapeg will have better luck with it....
Go to a gaming store. Pick up Vampire: the Masquerade and Mage: The Ascension. If you can't get ideas for a dark fantasy play with gothic themes fom them, I wouldn't know would else to suggest.
well, octavius, they won't give you plots,just weird dreams (is a former goth, former stortller who crashed out one night, summer of oh 95, realizing that she missed the sun*
I play Mage regularly, I get no weird dreams from it. (I don't care
for Vampire, though. White Wolf was asking for psychotic people to give them
bad press with this one.)
Of course then, my mage is a Son of Ether, which might explain why I
don't get strange dreams. (Plus, I'm working third shift right now.)
*grin* Vampire is OK for people who understand where to draw lines and how to have fun. But it attracts a large number of teenagers who are too stupid to read the first paagraph of the rule book "Playing VTM isn't about being a vampire it's about learning how to human" so many people forget that. Ultimately the only clans not entirely ridden with punk-goth sentiment were Gangrel and Malkavian. (and the one that stars with an R too). I found the ame was only fun if you include werecreatures and mages too in your world. (we thought about wraith too, but decided it was a lil boring for our tastes). My character was actually of mixed parentage, Malkavian and Toreador. An insane artist, in sort, but she neer all that insane anyway. She didn't believe Gehenna was really coming, and slept with were-cheetahs and were-wolves (particularly one werecheetah named Bonnie --male--) and generally was such a sweet person she got along with everyone. The older ZI got, the less SHE was a goth-punk ;} -- Anyway RELEVANTLY: I have written the first 4 scene of a play (which is the first act, in this particular play). Does anyone have an estimation for converting pages (number of them that is) to performance lenmgth?
I've found that converting both ways, a scene is likely to be one chapter (if you're doing a novel, which is 100,000 words or so, and you are doing 1500 word chapters) and a chapter is likely to be a scene. Also, the page numbers depends on your handwriting size or font size. When I work on my current novels-in-progress, I find that a chapter is likely to be five pages or more. My handwriting is big, and I count my words, and I'm using regular notebook paper, skipping lines, both sides. I do the same thing (except for counting words) in plays. I skip lines because my handwriting *is* big, and because it's so messy that sometimes even **I** can't read it, and I also sometimes want to add things. Plot idea: (which I'm taking from my own Idea File, I think) Have synthetic (that is, genetically engineered) werewolves (and that would mean no turning into a wolf on a full moon, only at will) be created and then the gene map (or a copy) stolen by this extra-terrestrial human who uses magic ruthlessly, and is pursued and harried by a former teacher who, because of a prophecy, *can't* use magic but knows how. (Actually, that's the basic starting point of one of my novels-in-progress. Take it and do what you will with it, and let's see how they compare in the end. Probably *very* different.
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