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Earth: X-86A602-3 (Water world) (Formerly C-867976-8)
Okay, so it wasn't really Oscar material. But this is one of the things
that interest me in movies; it only cost me $3 instead of the customary $7;
I was curious how things would be portrayed; and the idea of New York cab
drivers having to take a bath was too good to resist.
Unfortunately, I missed the first 5 minutes or so; I got in at the part
where the guy with the gills had come up from a dive and was throwing a bag
of dirt aboard his ship.
However, some notes, questions, and observations:
* In order for Denver to be under water, New York and Los Angeles have to be
5000 feet deep. In order for most of the mountains to be under water, just
about all of the previously civilized world has to be *many* thousands of
feet deep - out of reach of most military submarines, let alone divers. No
wonder dirt is so valuable!
* Large oceans of water are well known for producing big storms. There should
have been at least one good hurricane in this movie.
* Whatever happened, there was plenty of time for National Geographic to
publish a story called "Paridise Lost" - presumably about the swamping of
Hawaii - and expect people to have time to read it. Yet there is a hint of
nuclear exchange in the ostracism of "mutations!"
* This is a little like the Noah's Ark story but with plenty of watercraft
already available. Would there be enough watercraft to carry everybody?
Probably not - most of the people would still end up going blub-blub-blub.
But there *are* thousands of freighters, fishing boats, passenger liners,
oil tankers, not to mention military ships including aircraft carriers.
Aircraft carriers and modern subs are cities unto themselves. It should be
possible for at least a couple of these to still be functioning during the
time period of the movie.
* Was that a submarine with its nose stuck in the bottom at a 45 degree angle?
(The scene where Aqualung takes the woman down in the diving bell to show
her not-so-dry land.)
* Can a sailing ship perform that well? My family's next door neighbor had a
sailing vessel many years ago; it was impossible to get the thing to go
faster than a few miles per hour, no matter what the wind. Of course, a
trimaran design would help, by keeping the wind from rolling the ship over;
and sail-driven land and ice vehicles are reputed to be reasonably fast.
But outrunning jet-skis is stretching it a little.
* There are a few problems with the diving bell. There was a guage which
displayed numbers in the hundreds; but this could have been meters or fathoms
as well as feet, supposing it even read correctly. And as stated previously,
most of the bottom has to be thousands of feet down. Each 30 feet down is
an atmosphere of pressure. (Another visual cue to depth is the high voltage
electric line towers.) The bell was open at the bottom, so the pressure
would equalize and not crush it, whether fresh air was being pumped in
from the surface or not. However, the occupant would be breathing elevated
concentrations of oxygen and nitrogen, and in any event would have to come
back up a lot more slowly.
* So *that's* why there were so many holes in the _Exxon Valdis's_ freeboard.
(to stick oars through).
* The first and most likely dry land would be the Himmalayahs. The most
effective srategy for finding it would be to sail to the latitude of
Everest, then head either due east or due west; and if it's sticking out
of the water, the height of the highest point, combined with a topographic
map of Earth, should point out the locations of other pieces of dry land.
* Dry Land should be inhabited by the time our heros get to it. Wouldn't
people be evacuated to it as the water is rising?
* How does everybody know where they are? Latitude is easy. But Greenwich is
thousands of feet under the waves, and everything else moves around.
* Where did the water come from? There isn't enough in the polar caps to cover
everything. (Melting the north polar cap won't raise the oceans an inch -
that chunk of ice is floating, and is displacing all the sea water that it
ever will.)
10 responses total.
You were raised by picky parents, weren't you? Three words: 'suspension of disbelief'. The movie is not there to be analyzed, it's there to be ENJOYED. Don't pick it to death!
Sometimes its interesting to note what is wrong with a picture. Perhaps someone other than me will take on exactly what is wrong with Asimov's view of Robots, and the amazing lack of programmers around them...
Yes, but I can't ENJOY a movie if it contains glaring inacurracies. I agree that movies are to be enjoyed, but for me, that enjoyment requires a certain amount of technical correctness, so that I can believe the hypothetical world is a real one and buy into it.
This was exactly what was wrong with VR5, except for bad acting.
VR5 was so full of errors I stopped counting in the first 5 minutes. The only thing it had going for it was Lori Singer. <pant>
Oh no. She was the worst actor in VR%, and much too forced. Like Lost in Space, I couldn't stand to wacth an episode of this awful show.
Who said anything about her acting ability? :-)
I suppose you're right, but I couldn't stand looking at her while she was in the show..., now maybe if it was a picture without her trying to act...
OK, so WaterWorld is based on cartoon physics... Aside from that it was pretty good, what with the Dennis Hooper cartoon bad guy and all.
I particularly liked the attack water skiers.
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