|
|
falling to my knees
in the depths of sorrow's pity
seeking all i shall never grasp
all i'm too weak to withstand
reaching for that broken glass
to prove what i am
leaning into the wind,
despite the harsh chill
the world seems to be passing,
though i will be ahead in the end...
5 responses total.
i don't know.. it's short, and somewhat queer for a poem, but... i don't know... i just couldn't stand not posting my stuff... i sware by Bast, i'm never going to deprive myself of writting again!!!
I like the way this one _sounds_ most of all. It seems to keep flirting with rhyme (grasp/glass, withstand/am, wind/chill) without ever really committing to a rhyme scheme, which is something I like a lot.
dan and I always seem to like the pieces that are short, simple and sometimes weird or vague. the picture this one paints is like one of those little snapshots of your thoughts and your feelings. sometimes little snapshots are the best way to appeal to one's own thoughts and feelings. people try so hard to put their every emotion and thought into words, and then call it p oetry, and sometimes it achieves that status... but other times, the least amount said is exactly enough to fill the cup to the brim without spilling over. <erinn is reminded of the poem she wrote called "Bubble">
resp:1 Good Girl!
resp:4 Julie is a cat lover, so she'll respond to any statement regarding Bast.. resp:2 resp:3 Agreed. Short is good, and the assonance is a nice spice to an otherwise free verse. The spacing is another wonderfully applied touch. I believe the text not only makes a concrete picture of a feather fall in their position (not in meaning), and it sets a predetermined pace for reading. e.e. cummings was a master of using space to pace poetry and I wince when a reader recites it in an almost traditional meter the poem so clearly breaks. Give yourself a pat on the back-- this seems to be a classic among your works.
Response not possible - You must register and login before posting.
|
|
- Backtalk version 1.3.30 - Copyright 1996-2006, Jan Wolter and Steve Weiss