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i can still hear the echo of machine gun fire in my soul both enemy and friendly sometimes confusing the two in the deafening ring of shells as i was running for cover in some cerebral corner as the shrapnel ripped at my heart just narrowly missing the 'smart' bombs threatening the logic infrastructure when the occasional hit of agent orange scourged the grey matter jungle during the love battles with the players and the heartbreakers the bugaboos and the scrubs the bad girls and the grand 'ol boys the fastlovers and the swingers when i was a counterspy dancing through the emotional landmines the horror. i am home safe at home at a new base with my ally but there's always the flashbacks and the wondering why i got that damn viet nam treatment
6 responses total.
I know this needs work, so speak up.
i can still hear the echo of machine gun fire in my soul both enemy and friendly sometimes confusing the two in the deafening ring of shells "Both enemy and friendly" seems to be about the only thing you can say here, if you keep the rest of the stanza, but it seems rather clunky...I wish I could make some sort of suggestion, but I can't think of anyway to make it less bothersome as i was running for cover in some cerebral corner as the shrapnel ripped at my heart just narrowly missing the 'smart' bombs threatening the logic infrastructure this whole stanza seems remarkably wordy, I"m not saying I don't like it...it just seems to kinda veer drastically from the first. Where the first was well stated in a nice strong voice, this stanza kinda wimps out, hiding behind too many busy words when the occasional hit of agent orange scourged the grey matter jungle I like this bit here...well stated, comes across rather strong...nice during the love battles with the players and the heartbreakers the bugaboos and the scrubs the bad girls and the grand 'ol boys the fastlovers and the swingers when i was a counterspy dancing through the emotional landmines "...the players and the heartbreakers" seems a bit off..perhaps kill this part and go straight to "the bugaboos and the scrubs" (with the bugaboos and scrubs). Another suggestion is to break this up a bit...so that "when I was a counterspy; dancing through the emotional landmines" becomes its own section the horror. this works well just the way it is...slick i am home safe at home at a new base with my ally but there's always the flashbacks and the wondering why i got that damn viet nam treatment perhaps split "safe at home at a new base" into 2 lines, seems like it might flow a bit better. "with my ally" seems to be almost unnecessary, but I can't pin point why...just a gut feeling Overall, I like this piece Jon, and I hope you don't mind that bit up there, but you asked for it <g>
I think the clunkiness that Joe noticed in the first stanza comes from "both enemy and friendlly, sometimes confusing the two..." which makes it sound like "enemy and friendly" is the _subject_ of "confusing" rather than the object. I had to read that one a second time to parse it right. "running for cover in some cerebral corner" is great. I agree that the rest of the stanza is kind of wordy, though. The last line bugs me a little. It seems a bit too obvious, or something. Not sure why.
<reworked> The veteran inside. i can still hear the echo of machine gun fire in my soul both enemy and friendly in the deafening ring of shells i couldn't tell which was which as i was running for cover in some cerebral corner the shrapnel ripped at my heart and bombs threatened to expose me from my shelter of logic and sanity i remember when the occasional hit of agent orange scourged the grey matter jungle warping my sense of emotion and it was during the love battles with the bugaboos and the scrubs the bad girls and the wild boys the fastlovers and the swingers when i was a counterspy dancing through emotional landmines the horror. i made it home safe at a new base but i can't shake the flashbacks and the stigmatizing label of an unwanted hero
<nods> nice....I like the new ending.
I like this. GW Jon.
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