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I live in Petoskey, at the very core of Michigan's beautiful north country. In addition to skiing, biking and flyfishing hereabouts, I do binaural recording of nature sounds: birdsong, streams, wave sounds, thunderstorms - anything that can be labeled "Soundprints of the North Country." Binaural sound is not the same as "stereo." Binaural is meant to be listened to using headphones. It is astoundingly realistic; your head is taken to the very location where the original sounds were recorded and the sounds are localized, i.e., you can locate the sound in space. If a woodpecker is tapping his stacatto beats on a tree twelve meters at a 36-degree angle from true north, that is where you will locate him as you listen through your headset. I record with a Sennheiser binaural microphone set and on digital audio tape for max. quality. Playback can be enjoyed though with an inexpensive Walkman and ordinary headphones; the sound will be amazingly realistic. I usually travel a bit south of here to a two-track dirt road through one of our state forests. It is a 16-mile trip through a valley where one of our famous trout streams has its beginnings, eventually running into Lake Charlevoix. Here, deep in the forest, away from the sounds of civilization and cars, I can capture birdsong of almost endless variety: barred owls, thrushes, wild geese, the loon, whip-poor-will, sawhet owl, ruffed grouse, &c., &c. The best recordings are made early in the morning before sunrise and late in the evening after sunset. I think more people should know about this method of capturing the elusive and ephemeral sounds of nature. Even the whisper of a breeze slipping through a grove of pine or hemlock is music of the purest kind. Tapes made this way and listened to while lying in bed at night is the finest way I know of "meditating" and clearing the psyche of all the rubbish of ordinary, everyday happenings amid babble and urban noise and the endless chatter and clatter of "busylife." Is anybody interested?
11 responses total.
You just reminded me of how much I dislike the the stinch, noise and pace of the urban machine. I wake to it every morning, as it raises in intensity, insanity, the machine. I'd move away but my livelyhood is entangled in the workings and then I'd have to add to the stinch, etc. as I pilot someones idea of transopration to work, with no relation to the reality you mentioned above.
Samuel, you've just reminded me of why I've drifted away from caring for "stereo" from loudspeakers. The sounds/music were recorded by separated microphones (usually unnaturally separated, further than a head-width), so as to simulate two ears, but then played back so that both ears hear each microphone. There is definitely an "effect" but it isn't "stereo" (a long time ago I likened it to listening to an orchestra through two holes in a wall, rather than one). However, with earphones, one can hear what each microphone heard, separately, so the effect should be closer to physiologically natural. But do you have a microphone system with the spacing and orientation of human ears, or do you also "enhance" the effect with unnatural separations?
At the sound effects place at Universal Studios in Orlando, there was a room with booths you could go into and listen to a sound effects demo on special headphones. It was a day in the life of a Hollywood producer, as I recall, complete with meetings, and a haircut. The haircut was astonishing. The sounds of the shears snipping away, the blower blowing the hairs off your ears afterwards -- it was eerily realistic. Is this the kind of recording you do? If so, I would love to get my hands on one of your recordings. Are they for sale?
The kind of recording that I do, binaural, is based on the theory that sound reaches each ear at a different time (phase difference). Imagine that you are in the woods and a whip-poor-will is singing somewhere off to your right. The sound of his singing reaches your right ear earlier than your left ear. Now, if you place a sensitive microphone in each ear canal, or at the entrance to each ear, you can capture this "localization" of the sounds. In Germany it is called "kunstkopf" or "dummy head" recording. The mikes are placed in the ear canals of an artificial head for recording, In my case I use my own head, my own ears, placing a small condenser mike in each ear, with the power supply in my pocket and the output of the two signals connected to the input jack of a portable digital tape recorder. My tapes are not for sale yet, but I have been asked to produce them commercially which I am giving some consideration to. There are millions and millions of Walkmen and headphones in the U.S. but virtually nothing has been recorded expressly for headphone listening. Binaural recordings are so natural,, so outstandingly real, that i'm amazed that so little is available on the market.
I would thinkk that system would pick up the sounds you make, such as from your breathing, and your blood flow, etc. I can hear all of those, if I listen for them. It is only conscious filtering that suppresses those to hear the sounds outside.
I've read and heard about binaural recording. I've never listend to a tape recorded that way though. A guy, here at work, has several CD's recorded that way. Mostly clasical music. I'll have to ask him if I can give one a listen. Too bad my Stax headphones died. Those things were *fantastic*! I should have spent the $'s and had them re-built. I wonder too about hearing your breathing, ect. I have that problem when I make family vidio tapes... When I play them back, I hear myself breathing. I also wonder about different skull shapes and it's effect on the sound. Perhaps, to get the most realistic sound, one should use one's own head to make the recordings. I also wonder how conductive hearing effects actual hearing, not reproduced in a recording. How much of the conductive hearing is responcible for the body sounds Rane mentioned?
It is true that breathing has to carefully controlled when the recordist wears the microphones in his own ears. I studiously avoid recording if I'm not calmed down and, in fact, I practice breathing through my mouth rather than through nostrils; it's much less able to be detected. Of course, it requires editing the master tapes to avoid all extraneous sounds that would detract from the naturalness of woodland venues. There are, indeed, binaural recordings on compact disc (CD) and they are available commercially. One of the best is "Dawn Chorus" recorded by Gordon Hempstead - a potpourri of birdsong recordings made from East coast to California in the early minutes of dawn before sunrise. They're well worth listening to if you have a CD player and good headphones.
Some years ago (15? 20?) I was listening to Godley and Creme's "Consequences" with headphones on. It was the first time I ever listened to it. STeve was present -- I think it was his copy, so he can verify what happened. There's a section in it where the listener attends a funeral. You hear the parson reading "ashes to ashes," and when he gets to "we commit his body to the ground," a listener with speakers will hear dirt being thrown on the casket. A listener with *headphones* will hear him or herself ... being buried alive! I'd been listening closely, eyes closed, and at this point jumped up out of the chair with a scream. Wow. On the liner notes, they explained that they placed a binaural microphone pair, with head, at the bottom of a staircase. They placed a plywood sheet over the head, and threw shovels of dirt onto the wood from the top of the stair. It was an exceedingly realistic effect.
this sounds great! my band record using 2 sets of stereo mikes, spaced (more than head with) apart, and the sound can be outstanding. our equipment probably isn't as sensitive as your, but that might be a possible recording method for us. we will have to bring in a listener to wear the mics. also i have been considering recording sounds from sround me, including nature sounds
Samuel, these tapes would make a great Christmas present for someone I know, and I wouldn't mind getting my hands on a few myself. Would thre be any possibl way I could buy one or more from you? I know you said you weren't selling them, but that was back in June, so I thought that by now,they might be available. I live in Gaylord, so it's not like you'd have to send them very far, and I'd be willing to even pay for the postage, if you wanted me to. So anyway, if you're interested, just let me know. Thanks!
What ever came of these tapes; anything?
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- Backtalk version 1.3.30 - Copyright 1996-2006, Jan Wolter and Steve Weiss