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Does anyone else here collect classic rock MP3's ?
here's what I got.
Volume in drive C is HOLYSHIT
Volume Serial Number is 3F34-1BFF
Directory of C:\temp
. <DIR> 01-01-99 1:04a .
.. <DIR> 01-01-99 1:04a ..
JIMIHE~1 MP3 6,634,468 02-19-00 11:34a Jimi Hendrix - Wild Thing.mp3
JIMIHE~2 MP3 3,760,379 02-19-00 11:32a Jimi Hendrix - I Don't Live
Today.mp3
HENDRI~1 MP3 5,378,048 02-17-00 10:44p Hendrix, Jimi - AXIS- - If 6 Was
9.mp3
JANISJ~1 MP3 5,093,804 02-19-00 11:28a Janis Joplin - Piece of my
Heart.mp3
METALL~1 MP3 6,240,296 02-18-00 1:23p metallica-one.mp3
ALLMAN~1 MP3 10,207,352 02-20-00 4:41p Allman Brothers Band-Whipping
Post.mp3
ELECTR~1 MP3 4,182,639 02-19-00 11:23a Electric Light Orchestra - Evil
Woman.mp3
ELO-ST~1 MP3 4,986,408 02-19-00 11:23a ELO - Strange Magic.mp3
LYNARD~1 MP3 8,757,787 02-19-00 12:33a Lynard Skynard- Freebird.mp3
CHICAG~1 MP3 7,241,728 02-18-00 10:11p Chicago - I'm a Man.mp3
STEVIE~1 MP3 3,958,784 02-19-00 12:03p Stevie Ray Vaughn - Shake for Me
(Live).mp3
CREAM-~1 MP3 4,060,296 02-19-00 12:39p Cream - CrossRoads.mp3
MOUNTA~1 MP3 3,063,681 02-19-00 1:15p Mountain - Mississippi Queen.mp3
RODSTE~1 MP3 4,806,840 02-19-00 1:42p Rod Stewart - Maggie Mae.mp3
DEEP_P~1 MP3 5,530,344 02-19-00 3:46p Deep_Purple_-_Woman_From_Tokyo.mp3
DOOBIE~1 MP3 4,411,014 02-20-00 3:21p Doobie Brothers - Jesus is Just
Alright.mp3
BLACKS~1 MP3 4,572,079 02-19-00 3:35p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 01 - Black Sabbath.mp3
BLACKS~2 MP3 3,165,541 02-19-00 3:38p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 02 - The Wizard.mp3
BLACKS~3 MP3 2,053,352 02-19-00 3:41p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 03 - Paranoid.mp3
BLACKS~4 MP3 5,733,483 02-19-00 3:46p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 04 - War Pigs.mp3
BLACKS~5 MP3 4,293,718 02-19-00 3:49p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 05 - Iron Man.mp3
BLACKS~6 MP3 2,285,006 02-19-00 3:51p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 06 - Tomorrow's Dream.mp3
BLACKS~7 MP3 4,514,400 02-19-00 3:55p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 07 - Fairies Wear Boots.mp3
BLACKS~8 MP3 3,431,050 02-19-00 3:58p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 08 - Changes.mp3
BLACKS~9 MP3 3,678,249 02-19-00 4:48p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 09 - Sweet Leaf.mp3
BLACK~10 MP3 3,854,547 02-19-00 4:05p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 10 - Children Of The Grave.mp3
BLACK~11 MP3 4,126,325 02-19-00 4:10p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 11 - Sabbath Bloody Sabbath.mp3
BLACK~12 MP3 3,076,516 02-19-00 4:13p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 12 - Am I Going Insane- (Radio).mp3
BLACK~13 MP3 3,977,114 02-19-00 4:16p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 13 - Snowblind.mp3
BLACK~14 MP3 4,525,372 02-19-00 4:20p Black Sabbath - We Sold Our Soul
For Rock 'N' Roll - 14 - N.I.B..mp3
MOTTTH~1 MP3 6,688,310 03-06-00 11:32p Mott the Hoople -All the young
dudes .mp3
JIMCRO~1 MP3 3,654,329 02-20-00 3:47p Jim Croce - Operator.mp3
JIMIHE~4 MP3 12,077,056 02-24-00 1:59p Jimi Hendrix (Band of Gypsys) -
Machine Gun.mp3
LEDZEP~1 MP3 7,074,792 02-22-00 1:06p Led Zeppelin - Led Zeppelin III
- Since I've Been Loving You.mp3
JUDASP~1 MP3 1,835,269 02-24-00 11:34p Judas Priest - You've Got Another
Thing Coming.mp3
EDWINS~1 MP3 4,057,656 02-25-00 6:50p Edwin Starr - War (What Is It Good
For).mp3
BLOOD_~1 MP3 4,821,681 03-06-00 6:31p Blood, Sweat & Tears - Spinning
Wheel.mp3
GUESSW~1 MP3 4,691,968 03-06-00 7:16p Guess Who - No Sugar Tonight &
New Mother Nature.mp3
GUESSW~2 MP3 4,210,688 03-06-00 7:37p Guess Who - Share the Land.mp3
THEBAN~1 MP3 4,341,760 03-07-00 1:25p The Band - Up On Cripple Creek.mp3
FILES TXT 0 03-07-00 4:12p files.txt
41 file(s) 195,054,129 bytes
2 dir(s) 10,407.85 MB free
anyone?
also anyone else use napster?
183 responses total.
I love napster. email me at crmatt@cyberspace.org if you want info about it.
Yes the digital music revolution is here and the record companies are going to have to just deal. In the long run this be good for independent artists because it will allow almost no cost distribution plus music of all types will be available for download so artsist can broaden their musical range. Linked to cyberpunk. Your conf of digital culture and controversy. j cyber at the next Ok: prompt.
Salon runs a feature this week interviewing artists who are highly critical of Napster. http://www.salon.com/ent/feature/2000/03/24/napster_artists/index.html
Interesting article, I read it a couple days ago or so. I'm starting to wonder now whether the current star system can work at all with a technology that permits many easy good copies. Maybe... but the megastar is really a recent phenomena based on the technology of radio and recording. Before that, there were stars in some areas (like opera), but the distribution problems tended to limit exposure. Now the problem is being able to charge for "performances" (playbacks). So do big recording artists deserve the opportunity to be megastars? Should they (or their representatives) be able to use some tech but prevent the use of other tech that might cut into their receipts?
If anything, mp3s would seem to encourage the megastar thing. It's only really possible to find mp3s of someone who is famous enough to have their music in high demand, and the more records you sell, the more likely it is that you can survive a little piracy. It's the medium-famous people who I'd expect this to hurt the most.
Salon has another article (well, more like a commentary) on Napster: http://salon.com/tech/col/rose/2000/03/30/napster/index.html This is what I was saying in resp:4! I'm a pundit now, I guess. ;)
Hmm. Thinking about it, I don't know if I agree with the article's claim that technology created the pop music star. As long as there have been music and money, there have been people who'll pay to hear a good performer. Who was Mozart but a professional star musician, making the popular music of his time? What's changed is the nature of the support system for those professional musicians: rather than a lucky few succeeding on their own and the rest depending on noble patrons and the church, we've got a few indie musicians and the rest relying on the labels. The main difference between the two is that the labels benefit from supporting musicians by earning money, while patrons benefited by gaining prestige. I'm not entirely sure how that changes things, but I think it's an important correction.
Well, what was Mozart? He was, for a while, "court composer". This was about as good as you could do, I'm guessing. Doesn't mean he was a star like we define today. Rather, he worked on pieces requested by the king or other high level music servants. He also did some operas and such on the side, but it's not like he could sell records or CDs. Strictly live event revenues, split up among the many performers. The nobles had a lot of money to spend on high culture... but there weren't that many nobles. The commoners added up to a lot more people, but very little money each. In today's terms, he worked for the UM, played some shows at the Ark, but also had to write songs for local Shania Twain wannabees to make ends meet.
That's a good way of thinking about it, actually.
News item: Metallica is suing Napster, the University of Southern California, Yale, and Indiana University on the grounds of copyright infringement.
They're suing the universities for letting Napster be used on their network, I take it?
im obsessed with napster. whenever im on grex im usually downloading songs from there to put onto cd's.
Indiana blocked Napster, until a means of limiting its bandwidth use was developed. I _guess_ that opens them up to "contributor infringement." I *think* it was Indiana that hosted a conference on the subject of Napster, music and copyright just this past weekend, too.
News item, continued. Yale University has bowed to the Metallica lawsuit and is blocking Napster. Metallica, in response, has deleted Yale from its suit and has added a number of other universities, unnamed in the news story I have from www.sonicnet.com.
in universities choose to block napster because of bandwidth issues that's one thing, I can understand that. Oh, nevermind.
As far as I can tell, Yale decided it was not worth spending money to mount an iffy legal defense on behalf of its students ability to download free music. Most universities and ISPs will probably cave the same way when Metallica or the RIAA get around to suing them.
Indiana caved, too.
well if metallica wins the lawsuit, maybe Mr. Hammett can afford to pay out some descent child support for his illegitamite child for once.
Dr. Dre has piled on, also suing Napster. According to the story on www.cnet.com, Dr. Dre's legal papers say that he will name individual Napster users in his suit at a later date.
see, that's just a crock.
My $0.02 on the issue: Putting copywritten songs on the internet is just like putting copywritten stories on the internet. It's illegal, unless you own the copyright. I don't understand the huzzah about one particular format, though... any practice that involves illegally distributing illegal anything should be treated with the same level of diligence. But if Metallica and Dr Dre don't want their stuff distributed fro free on the internet, they should be allowed to tell people to stop.
(Napster's defense, as I understand it, is that they simply provide the technology to make sharing MP3s easy, and don't do any bootlegging themselves. thus, suing them would make as much sense as suing the companies that built the computers used to make the MP3s, etc. I can't say I disagree with the defense.)
Actually, suing them would make as much sense as suing a photocopy shop for not actively discouraging people from photocopying books. Which has happened. And the copyshops have lost. But yes, since carla explained to me what it is that Napster does, it does seem a little more trite to go about suing them.
It's a little more complicated than that.. While it's true that Napster's just acts to make *any* recorded music easier to trade over the internet, and doesn't specifically differentiate between copyrighted and non-, Napster is certainly reaping huge windfalls from the piracy bonanza that's going on.. In fact, Napster would be just another lousy file-transfer service if it weren't for the massive amounts of pirated material that they help make accessible. So for them to claim that "we're just helping other people trade files, we don't tell them which ones to trade" is pretty disingenuous. Other people's illegal activities are the core of their business..
(the author is 100% correct.)
I'm not saying that it's legal or even moral, I guess. <stands up> I like napster and use it so I want it to stay. How strong is thier defense?
The posative thing Napster is doing is giving the record industry a kick in the butt over the high prices they charge for CD and making them think seriously about new mediums of distribution and new ways to charge people for music. My understanding is that the artist recieves 1 dollar on the sale of a 16.95 CD. Napster is going to force the record industry to come up with online music distribtion schemes which rip off the consumer less. Hopefully artists will also start to do more direct distribution ala mp3.com by passing the greedy record compsny middle men (and woman).
Don't expect music prices from the majors to drop anytime soon. all those lawyers need to be payed. :(
An average CD costs $12-$18. An average hardcover book costs $20-$30. An average softcover book costs $4-$9. An average first-run movie costs $6-$9. An average new release DVD/videotape costs $15-$30. Could somebody PLEASE demonstrate to me how CDs are somehow "overpriced"? IT seems that, when compared to other genres of materials in the entertainment industry, they're reasonably priced. As for artists getting hosed, 10% is a fairly standard royalty. Let's look at inflation. When I first started buying LPs in 1981, they were ca. $7-$9. That price has now roughly doubled. When I first started buying hardcover books, again ca. 1981, they were $10-$15. That price has now roughly doubled. I don't recall ANYONE in 1982 complaining that LPs were overpriced (except in the concept that they degraded quickly, which is moot for the CD). So quit yer whinin'. And quit stealing.
CDs cost less than a dollar each to manufacture. They're actually cheaper than LPs when you figure inflation. So why are CDs still more expensive?
Because manufacture cost isn't the only figure that's used to calculate price. Supply and demand, what the market will bear, what comparable items cost (hence my list)... supply is higher than demand, so that's obvioulsy not a factor, but the market is obviously bearing it, and comparable items are certainly in the ballpark. Few items in the entertainment and leisure industry are priced according to manufacture cost: Concert t-shirts, beverage concessions, fast food, snack food... all priced based on what the market will bear, and what comparable objects cost. Books are fairly unique in that their manufacturing cost IS a significant portion of their cover price, and it's got publishers concerned (As they continue to price themselves higher out of the leisure industry). Furthermore, if you UNDERprice, their are potential negative ramifications. Think about your reaction to seeing a new $9 CD vs a new $14 CD, vs. a new $5 CD... a scenario common in classical music. My standard immediate reaction is that the $14 CD must be better than the $5 CD, even if it's the same composer and the same orchestra. I usually buy the $5 CD anyway, but hey... some of my favorite CDs I got out of the $1 cutout bins. This concept of underpricing might be seen as collusion, but it's not... if one music label has a standard price of $17 MSRP, then the other labels follow suit not out of collusion but because if they price lower, they might induce a perception that their product isn't as good. columbia, for instance, has those "Best Buy" releases -- older CDs at 2/3 the price -- and the implication is that, because this stuff isn't as new, it isn't as good. So, I still maintain that I don't see CDs as overpriced. They're priced fairly, for what they are, and what other items in the entertainment/leisure industry cost. Just because the manufacturers have managed to find ways to make production costs low, doesn't mean they should be punished, and NOTHING justifies out-and-out theft, which is what copping MP3s of copywritten material off the Web is. Theft.
BTW, I've been accused when I've made similar comments in the past of being morally- high-and-mighty. I'm not. I have tapes at home that friends made for me, I like to post lyrics of pop songs, I have unregistered copies of shareware that I use a lot (like WinZip), as well as illegal copies of commercial software. But I'll also freely admit taht I'm a thief, and if the government or private companies come after me and demand that I either pay up or cease and desist, or go to jail, then I'll pay the piper.
No Paul theft is making a CD for dollar and pocketing at least 10 dollars while the artist who makes the CD gets a buck. There is a pretty interesting article about this by Chuck D from Public Enemy somewhere on the web URL later. As I said before I think the ultimate solution is sites like mp3.com wherere you can buy sonds direct from the artist or they will burn a cd on demand for you and the artist gets all or nearly all the procedes. Yes Napster probably is wrong but wrong in a way like making home audio tapes or dubbing movies with a vcr, wrong in a way that became acceptable to society. I think the way home audio taping at least was dealt with was with a tax on audio tapes with the $ passed on to the record industry. It seems like some sort of online micro tax will have to happen as Napster I think in practical terms won't be stopped even in they lose in court they can use move to a country without copyright laws, then there's gnutella...
re #27: Napster is certainly an irritation to the record companies, but it's not exactly news that a lot of people aren't willing to pay $18 for something that they can get for free, so the idea that this is some sort of wake-up call for the music industry is somewhat flawed, I think. I believe a more significant result of the Napster situation is that many artists are being alienated by what's going on and dissuaded from music formats like MP3. Most artists have no great love for the record companies, so when you see them both lining up on the same side of an issue that should tell you something. Napster is, in fact, allowing the record companies to (almost justifiably) claim, "See? All of those paranoid scenarios we spun concerning on-line music distribution are true!"
Theft is taking something which doesn't belong to you. If you stand on the street corner and tell passersby, "Hey, gimme $10," and people give you $10, you're not committing theft. Saying that Columbia or Elektra is committing "theft" when they charge $18 for an album implies that the album belongs to YOU, that you have the RIGHT to own that album, and that Columbia or Elektra is denying you that right. That's ridiculous. You have absolutely no right whatsoever to own prerecorded music. None. The CD belongs to the record store until you purchase it. Then it belongs to you. If you don't want to pay the price, then don't pay the price. Somebody else will. Independent labels exist. Wax Trax!, for instance, and On Her Majesty's Behalf (or whatever it's called)...Whip-Smart. Oh yes, and Righteous Babe, Ani's label. Do these labels go out of their way to make sure *their* CDs are less than $18? Not generally. Ani's CDs are the same price as everyone else's. So she's pocketing the money instead of the record execs. Good for her. You're still giving it to her. I also remember Garth Brooks' tirade against used record stores some years ago... and that's different. I own a CD. I don't like the CD. I'm entitled to sell my CD to somebody else, just like any other possession. But accusing the record labels of THEFT? Because musicians (and oh yeah, some gold-plated phatcat with a Beemer and swimsuit models is going to get a lot of sympathy from ME about oh boohoohoo the recordcompany stole from him) were held at gunpoint and forced to play music? Because you were held at gunpoint and forced to buy a CD? I just don't buy it.
(I agree with brighn wrt CD pricing.)
What if I am download MP3s of songs I already have on a purchased format? It's just that someone else done the conversion for me.
what if you make a tape of a CD you own, and use it for yourself? Once you have purchased a piece of recorded music, you are generally permitted to copy that music, in whatever formats you deem appropriate, to your heart's content, for "archiving" purposes... that is, so long as you don't sell/give/exchange it with anyone else. Ditto software, for that matter.
Paul if you are so convinced this is a crime why don't you turn yourself in for your tapes and "stolen shareware." Your position is sort of like saying shoplifting is wrong except for those strawberries I lifted last week at the store. If you turn yourself in maybe Metllica or Dr, Dre will give you a good citizen award. :-)
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