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I would like to know more about classical music from other traditions, including Chinese, Indian, Indonesian, Iranian, Egyptian. Did this originate as court music, who supported the musicians, is the music still being composed, is it played at concerts like western music or as part of some other event (religious, political, sports, social), are the players professionals or amateurs, how it the tradition passed along, is the classical music dying out from competition with western classical or popular music, how close are its ties with folk music?
8 responses total.
I feel that ,as far as Indian classical music is concerned,it is still alive with composers,compositions and players.Indian classical music has evolved over a long period of time and it can be classified into two broad classes:-Hinduthani and Carnatic.The ragas are known by the same names in both,but there is a lot of differences in the way they are rendered.It must have evolved from religious occasions and most of the music is Spiritual,even today.Please mail me for more info.
Would you mind sharing a bit more information in this conference? What are the main instruments played? Are they played in groups, usually? I read a little about a Muslim singer of nonspiritual music, with a string accompanist, in A Suitable Boy by Vikram Seth. Does this also count as classical music, by which I mean something that is played and listened to for many years? Are professional musicians trained from childhood by their parents, or can you just decide you want to study music? And could you tell us in brief what a raga is? Thanks a lot.
Indian Classical music as I had mentioned before can be divided into two broad classes,the Hindusthani(prevelant in areas north of the Tungabhadra river in Karnataka state of India) and Carnatic(prevelant in areas south of this river).I don't know if could include Rabindra Sangeet(sang in the easter state of West Bengal)as Hindustahni Music.Again there are two traditions:-Vocal and instrumental.In Vocal,the singer is accompanied by (in Carnatic tradition) by a mridangam(a sort of drum),a violinist,a morrsing(instrument played thru the mouth),a ghatam(a sort of a pot inverted) etc.If the music is purely instrumental we could have a flutist or a sitarist or a violinist.A raga is a mode of rendering music.The same piece of music can be rendered in two different styles or ragas.The tala is like a count of the beat.It prevents the musician from making a mistake.Any other opinions are invited.
> The tala is like a count of the beat. > It prevents the musician from making a mistake. If you think there is anything that can prevent a musician from making a mistake, I've got some swamp land adjacent to the Tungabhadra river I want to sell you! ;-)
Does the morrsing resemble any western instrument, and if not, what does it look and sound like? And I think we need a more detailed description of what a tala is, though I know it is hard to describe music in words.
Actually a moorsing is a very unique instrument.I myself have not seen much of it but it is placed totally in the mouth and it gives a spring like vibration.It is not even used in the Hindusthani style.BTW a tala does prevent a musician from making errors if he is pretty accomplished.It is pretty much like mathematics.There are some calculations involved.A raga also describes the mood of the music.It is said that Tansen,a very accomplished hindusthani musician had brought rain through his music.
Could a morssing be something like a 'jew's harp', 'a small lyre-shaped instrument that when placed between the teeth gives tones from a metal tongue struck by the finger'. Webster's dictionary has a drawing of it. Are different notes (different spacing between the notes) used in the different ragas? I still can't imagine what a tala is, please try hard to describe it to someone who is not Indian. Thanks.
I think it's similar to the time signature of western music, keesan. Some sort of rhythmic structure.
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