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Ok, in keeping with the title of this conference:
What is the worst song ever to be played on the accordion?
What is the worst song you can imagine played on the accordion?
Who is the worst accordionist ever? (don't answer that! ;-)
That, and other good/bad things....
10 responses total.
Great now I'm going to have nighmares about accordion Muzak...
<evil grin>
worst song to play on an accordion? pachelbel's "canon in d."
HOw about Hector Berloiz's "Romeo & Juliette Overture?" (sorry to give ya Heck, Hector!)
The Beverly Hillbillies theme.
the "ode to joy."
Twinkle, twinkle, little star.
Madonna's "Like A Virgin" played polka-style.
Brahm's "Lullaby"
Not much oom-pah but lots of oomph at Edmonton accordion extravaganza Published: Sunday, September 30, 2007 EDMONTON - Love 'em or loathe 'em, there's no arguing that 40 accordions in one room is a sound unique to the eardrums. But the 200 people in the audience at the annual Accordion Extravaganza in Edmonton on Sunday certainly appeared pleased with what was eased out of those squeezeboxes by players from across Western Canada and the U.S. Northwest. And for those who think the rather cumbersome instrument belongs only to polka kings and organ grinders, you're striking the wrong chord with David Jerke. "It's easy to play, difficult to master," said the president of the Edmonton Accordion Society, which has been host to the fall festival for 12 straight years. "They really don't understand what the accordion is all about. It's not just an oom-pah-pah thing. You look at Cajun music, blue grass, big band. Rock 'n roll even has a few button accordion players." The three-day festival and competition certainly offered a musical melange. There were waltzes, tender ballads, tangos, show tunes and a rollicking - yes rollicking - version of In the Mood, featuring dozens of "massed accordions" played in time if not always quite in tune. Continue Article Oh, and some polkas to keep the traditionalists happy. Jerke admits one of the biggest goals of the 150-member society is to get young people interested in strapping on an instrument that kind of looks like it can't decide what it wants to be. Keys? Must be a piano. Chords? Maybe a guitar. Bellows? How about bagpipes. But Michael Bridge, a 14-year-old up-and-coming player from Calgary, doesn't need convincing. He's played the accordion since he was five years old, has already cut a CD or two and writes some of his own music. "It's actually a very expressive instrument," he says. The Canadian Press, 2007
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