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25 new of 146 responses total.
eieio
response 88 of 146: Mark Unseen   Nov 19 06:13 UTC 1998

What Potter likes:
Brynn O'Malley
Kathy Marrero
Kandy Harris
Bronwen Rae (do we sense a pattern?)
skin on stage
implied homosexual undertones
 
What Potter does not like:
sudden very loud noises
blatant sexual content (of any affiliation)
wearing a belt
or underwear
 
(Thus, Erik does not like sitting near Potter in an audience, in case he drops
his pen. And he ALWAYS drops his pen. I'm so serious about this one. When he
leans down to retrieve his apparently irreplaceable Bic, the acoustics of the
room change.)
senna
response 89 of 146: Mark Unseen   Nov 19 07:45 UTC 1998

I read Newsweek.  Not every article, but I do stick my nose in it every week
for a decent amount of time.  
mary
response 90 of 146: Mark Unseen   Nov 19 13:04 UTC 1998

Me too.
remmers
response 91 of 146: Mark Unseen   Nov 19 15:48 UTC 1998

Re resp:88 - I don't know who those people you listed are, so I can't 
sense a pattern.
mary
response 92 of 146: Mark Unseen   Nov 19 22:07 UTC 1998

I really liked "Meet Joe Black".  
other
response 93 of 146: Mark Unseen   Nov 20 02:45 UTC 1998

potter likes female actors, more if they appear scantily clad.
that's the pattern above...
eieio
response 94 of 146: Mark Unseen   Nov 20 05:29 UTC 1998

Yep.

In his review of "A Little Night Music", he did everything short of 
salivating over Brynn O'Malley; praising her talents (yes, she's good) 
and lusting after her.

Problem was, she was 16 at the time.

So theoretically, you could laugh it off, saying, well, she was dressed 
and made up to look a few years older, so it really could be classified 
as an honest mistake.

Except he kept harping on the fact that she was 16. And then drooled 
more.

Several people's gut reaction to Potter for many months afterwards:
"EEEYEW!!"
md
response 95 of 146: Mark Unseen   Nov 22 22:15 UTC 1998

Recent rentals:

CAN'T HARDLY WAIT (C+) - A story about two young couples learning to
be in love.  Since it's also a highschool graduation comedy, the love
affairs are between pairs of cliches: the prom queen who admits to
herself, almost too late, that her football hero boyfriend is a moron
who gets off on mooning the cashier at Burger King and giving the
freshmen wedgies, and the quiet young writer-to-be who has idolized
her for four years and whom she's never so much as noticed; and the
painfully virginal boy who wants more than anything else to be cool
and who vows to get himself laid at the party, and who ends up falling
in love (and, yes, having sex) with a childhood friend, a dumpy little 
girl he abandoned freshman year because she was in all the smart 
classes and had no money.  The former couple are kept apart until the
very end of the movie, while the latter couple spend the entire movie
locked in a bathroom together.  Nice symmetry.  Many subplots and 
incidental characters, and some memorable scenes descended from 
National Lampoon's Animal House.  Jennifer Love Hewitt as the prom
queen girl didn't seem half as desirable to me as the supposedly
"dumpy" little bluestocking, who was in reality a cupcake.  Hewitt
has all these facial expressions she makes, rather like the visual
counterparts of the way girls that age talk nowadays.  Highly annoying,
but I guess she has her fans.

DIRTY WORK (C) - Either you love Norm MacDonald or you hate him. 
I happen to think his comedic bits are funny.  This movie made me laugh
out loud in a few places.  The comdeic bits have to be strung on a plot
of some kind, naturally, and this is where the movie fails badly.
mcnally
response 96 of 146: Mark Unseen   Nov 23 02:44 UTC 1998

  "There's Something About Mary" (B-)  A comedy about a man who's
  been mooning over a lost high-school sweetheart and the troubles
  that ensue when he decides to find her.  Enough jokes actually worked
  to make up for the majority that failed to move me but not enough for
  me to really be thrilled.  B- is probably on the generous side, I'm
  giving it a bit of extra credit because the rest of the audience 
  apparently thought it was hilarious.  I enjoyed the contrived and 
  contorted plot and liked the couple of incidents in which the main
  character's life would spiral nightmarishly out of control but didn't
  much like the physical humor, nor am I big on comedies that rely on
  embarrassment and humiliation for laughs.  Showing at Ann Arbor's
  2nd run theater, worth $1.50..

  "Enemy of the State"  (B+)  Enjoyable paranoia thriller about a 
  Washington D.C.-area lawyer whose life suddenly careens completely
  out of control when the wrong people decide that he's got the 
  MacGuffin they want.  He of course has no idea what's happening.
  Directed by Tony Scott, so you can count on plenty of explosions
  and helicopter chases, but the plot is better than average for a
  modern suspense movie (but then I've got a pretty low opinion of
  your average suspense movie..)  Will Smith and Gene Hackman are
  unexceptional in their roles but things move quickly enough that
  you don't have time to dwell on the movie's deficiencies.
shf
response 97 of 146: Mark Unseen   Nov 23 05:26 UTC 1998

( For a much better Ben Stiller see _The Zero Effect" Bill Pullman is very
good in this also.
)
mcnally
response 98 of 146: Mark Unseen   Nov 23 08:17 UTC 1998

  I'd second that -- I liked "Zero Effect" much better than "Something
  About Mary" but fans of the latter should be warned that "Zero Effect"
  is not very much like it, though it is funny in an offbeat way..
remmers
response 99 of 146: Mark Unseen   Nov 23 11:04 UTC 1998

I third the recommendation of "Zero Effect".
md
response 100 of 146: Mark Unseen   Nov 23 12:26 UTC 1998

I like Zero Effect, too, but I thought Stiller and Pullman were
both miscast.  I don't know if it's been noticed or remarked on
that the "something" about Mary in There's Something About Mary
is that she is an incredibly good person who looks like Cameron
Diaz.  I mean, a really, really nice young woman, whose niceness
positively radiates like a beacon from a lighthouse.  Her goodness
elevates all the men smitten with her -- ie, literally all the men
in the movie -- at least a notch or two.  It's a sweetly Capraesque
kind of movie, as if a Capra had made a movie when he was in his
teenage gross-out phase.  It's the people-are-basically-good message
that makes the movie so popular, not merely the gross-out stuff.
mcnally
response 101 of 146: Mark Unseen   Nov 23 20:03 UTC 1998

  I'm not sure I'd agree with that.  The Mary character is certainly
  idealized -- almost without flaw in fact.  But the way I saw it,
  infatuation with Mary drove the men around her to elaborate deceptions,
  betrayals, and foolish behavior -- they'll do anything or say anything
  to get her (hire detectives to watch her, spy on her day and night,
  insinuate themselves into her life under false pretenses, take any
  chance to back-stab their competitors, etc..)  This is what it means
  to be "elevated a notch or two"?
remmers
response 102 of 146: Mark Unseen   Nov 24 01:13 UTC 1998

Re resp:100 - I've read the suggestion that Stiller and Pullman should
have switched parts in "Zero Effect", with Stiller playing the detective
and Pullman his assistant. But I think the casting was exactly right
just as it was.
renny
response 103 of 146: Mark Unseen   Nov 25 10:24 UTC 1998

I am from India and unfortunately hollywood movies come after a few months
to the theatres. I recently saw X-files the movie and thoroughly enjoyed the
flick. The chemistry between Scully and Moulder have been depicted well and
transition from small screen tothe big screen is done superbly. I am sure we
will see more of the X-files on the big screen
mdw
response 104 of 146: Mark Unseen   Nov 25 11:17 UTC 1998

Honey bees _?_ corn.
gregb
response 105 of 146: Mark Unseen   Nov 25 17:01 UTC 1998

What I still want to know is, how the heck did they get out of the artic
alive?  everything was destroyed when the ship accended, and nobody knew they
were out there.

As a two-hour episode, I'd say it was great.  As a movie, I can only say it
was pretty good.
md
response 106 of 146: Mark Unseen   Nov 28 13:43 UTC 1998

A BUG'S LIFE (B) -- The animation is pretty cool, the story is pretty
lame.  Kevin Spacey shines as the evil grasshopper.  Julia-Louis
Dreyfus's ant-princess sounds too much like Elaine Benes.  A fun movie.

ENEMY OF THE STATE (A) -- A totally preposterous, ridiculously
contrived, riveting nail-biter of a movie.  I will never understand
how Hollywood can make such terrific entertainment out of such
weak material.  (Sudden dismaying thought: maybe they count on weak
minds like mine?)

THE RUGRATS MOVIE (A) -- Like many parents, I am a Rugrats fan.  
I caught it from my kids.  The adorable malapropisms are when make
the TV series so much fun: during a game of pirates, someone exclaims,
"Shiver me fingers!"  Much of the feature film takes place in a
gloomy forest, which gives it a curiously mythic feel.  Anyway,
childish, simple, sentimental, but very enjoyable if you like Rugrats.

Recent rentals:

A PRICE ABOVE RUBIES (B-) -- This has to be for Hassidic Jews what
THE LAST TEMPTATION OF CHRIST (B-) was for fundamentalist Christians.
A young Hassidic woman (Renee Zellweger, whose stylized pouty mouth
moves are starting to get on my nerves) is sexually aroused way more
often than is healthy in a culture where they do it, when they do it
at all, with the lights off and their clothes on.  She gets turned on
when she nurses her baby, and she even starts to come on to a female
friend at one point.  When she confesses her "problem" to the Rebbe,
*he* gets so turned on that he drags his wife, the Rebbetzin, into
bed and dies of a heart attack.  At his funeral, the Rebbetzin, played
by Kim Hunter, walks up to Renee Zellweger and whispers "Thank you!" 
in her ear.  Unbelievable.  And there's flashbacks of Renee's little
brother Yossi, who died in a swimming accident when they were kids.
Supposed to mean, you gotta go swimming even if you drown.  So she
breaks away, gets funky with blacks and hispanics, is kicked out of
the community, and loses everything but gains her freedom.  This
movie evidently takes place in a world where women don't masturbate.

FEAR AND LOATHING IN LAS VEGAS (F) -- Unwatchable.  Put me to sleep
three times.

THE BIG ONE (B+) -- Michael Moore's latest.  It got so-so reviews,
but I enjoyed it a lot.
hhsrat
response 107 of 146: Mark Unseen   Nov 28 21:52 UTC 1998

Waterboy (B) - Funny yes, but not Adam Sandler's best.  Did Disney have a part
in the making of this movie?  I could almost swear that the ending is
incredibly similar to "The Mighty Ducks," or "The Big Green,"  If I were
choosing, I would say wait until it comes to Fox, or on Video.
senna
response 108 of 146: Mark Unseen   Dec 1 20:31 UTC 1998

Due to the fact that my tape deck is nonfunctional and travelling strains
radio signals, I was forced into listening to Howard Stern for 20 minutes
yesterday.  He said that Adam Sandler is the only actor who should be able
to make 20 million dollars per film, because he can make absolutely horrible
movies and people will see them.  I think he has a point.
aruba
response 109 of 146: Mark Unseen   Dec 2 17:57 UTC 1998

I enjoyed "A Bug's Life" a lot.
gregb
response 110 of 146: Mark Unseen   Dec 3 18:49 UTC 1998

Wow!  With such an insightful review as that, how couldn I _not_ go see it.
8-)
mappy
response 111 of 146: Mark Unseen   Dec 4 00:37 UTC 1998

I really liked _There's Something About Mary_ It was absolutely hilarious.
The plot was good and the gags were funnier than I expected. I give it an (A)
personally. _Enemy Of the State_ was very good. Awesome effects...a real
nail-biter. I also recently saw _John Carpenter's Vampires_ I really liked
it as a whole. There was a lot that could be done differently but all in all
it was entertaining.
mary
response 112 of 146: Mark Unseen   Dec 6 14:23 UTC 1998

I really enjoyed "Enemy of the State".  Scary stuff because you
know it's possible for the most part.  I also applaud the clever ending
and the interesting characters.  Kudos to the screenwriter.
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