You are not logged in. Login Now
 0-24   25-49   43-67   68-92   93-117   118-142   143-167   168   
 
Author Message
25 new of 168 responses total.
pthomas
response 68 of 168: Mark Unseen   Nov 8 23:28 UTC 2001

Wrong. Copyright on derivative works is retained by the original owner.
This is why the record industry can sue Napster. An MP3 is a derivative
work (a data represenation of a live performance.)
mdw
response 69 of 168: Mark Unseen   Nov 8 23:43 UTC 2001

You better check your facts.  Actually, audio recordings are a special
case; if you make an audio recording of an event, you own the copyright
on *that* recording, which is separate from anyone else's copyright.
Hence, if CNN news makes an audio recording of a speech given by a
politician, they have a copyright on that recording, which is separate
and independent from NBC's recording of the same speech.  This is one of
the reasons why they don't generally allow you to make recordings of
concerts.  Music often has 2 copyrights; one is of the audio recording
and sometimes ends up owned by the performers, although more often it
ends up owned by some giant media corporate conglomerate, the other is
of the music itself.  If you look at pop music at the end of a movie,
you'll often see 2 copyrights per song because of this.  Classical music
may only have 1 copyright because the music has passed into the public
domain.

As a general rule, authors of original creative works that are marketted
commercially do not permit derivative works to be made.  Hence, in your
average book, you will only see 1 copyright notice.  In a few cases,
such as corrections to books, etc., the authors may require you to
assign any rights you have to them before they make use of your
material; this is common with "letters to the editor" in newspaper
columns for instance.  There *are* cases where you will see derivative
works with multiple copyright notices -- for instance, commercial Unix
releases commonly have this because they've incorporated software with
various forms of BSD software in them.

Note that all of copyright law is changing; it's *possible* that DMCA
has somehow fundementally changed the nature of derivative works,
although I've never heard anyone claim this as a feature of DMCA.
pthomas
response 70 of 168: Mark Unseen   Nov 8 23:54 UTC 2001

Let me revise somewhat. You are correct in that the creator of the
derivative work possesses copyright of the derivative work. However, in
order for derivative works to be created legitimately, the original
content owner must give consent. That is why you are not allowed to record
concerts. 

Your "politician giving a speech" example is a poor one. Copyright does
not apply to such materials due to a "public interest" exception. In fact,
at many political speeches there is a "pool" camera  from which all 
networks take their footage. In those cases where networks use their own
cameras, it is not copyright that keeps them from using footage belonging
to the other networks but rather the fact that they do not have the
ability to use it.
krj
response 71 of 168: Mark Unseen   Nov 9 03:06 UTC 2001

resp:63, resp:64 ::  I'll try to piece together revised wording for 
the proposal for the weekend.
(Too tired to do it tonight, and too busy to do it Friday, alas.)
carson
response 72 of 168: Mark Unseen   Nov 9 05:15 UTC 2001

To touch on the issue of "derivative works":  I briefly examined this topic
while researching other copyright matters as related to Grex.  17 USC
Section 103 indicates that when a "derivative work", as defined in 17 USC
Section 101, is created, the author owns the copyright to whatever he
contributed to the work.  The copyright to the pre-existing material is
retained by that author.  Thus, copyright to parts of the derivative work
may be held by different parties.
pthomas
response 73 of 168: Mark Unseen   Nov 9 13:16 UTC 2001

Yes, but derivative works may only be created with the permission of the
original content owner.
jp2
response 74 of 168: Mark Unseen   Nov 9 14:57 UTC 2001

This response has been erased.

carson
response 75 of 168: Mark Unseen   Nov 9 17:18 UTC 2001

re #73:  That is not an entirely true assertion.  You would be more
correct to say that the author of an original work used in a subsequent
derivative work may have cause for action.  Prior restraint, which you
assert, is rarely allowed under U.S. law.
pthomas
response 76 of 168: Mark Unseen   Nov 9 17:32 UTC 2001

No. Prior restraint applies to government restriction of speech. This is
an individual controlling how his work is used. The content owner must
provide permission before (non-parodic) derivative works can be created.
If derivative works are created without permission, the original owner can
seek a cease-and-desist order and/or damages. 
jp2
response 77 of 168: Mark Unseen   Nov 9 20:41 UTC 2001

This response has been erased.

i
response 78 of 168: Mark Unseen   Nov 9 23:26 UTC 2001

Permission to *create* a derivative work?  So the textbook publisher can
haul all the students who used highlighters & made margin notes in their
copies of _Freshmen U.S. History I, 2nd Ed._ into court for creation of
derivative works?  Somehow i have doubts about this assertion...
carson
response 79 of 168: Mark Unseen   Nov 9 23:41 UTC 2001

I believe Phil is in agreement with my statements, although he apparently
has yet to recognize said concurrence, and chooses to overlook the 
exceptions.

re #78:  Your example falls under "fair use" and is legal to do, although
it would fail to receive copyright protection.  That is my nonlegal opinion.

If anyone else would like to join the "Who Wants To Be A Copyright Expert?"
game, there is a searchable listing of 17 USC at http://uscode.house.gov
and at http://www4.law.cornell.edu/uscode.  Title 17 covers federal
copyright law.
scott
response 80 of 168: Mark Unseen   Nov 10 00:22 UTC 2001

(A really good example of "derivative works" would be musical sampling, such
as rap rhythm tracks.  Even if you take a tiny snippet or even a drum sound
you're supposed to get clearance [and probably pay a royalty, depending on
the deal you strike with the owner].  "Rapper" Vanilla Ice stole a very
distinct sample, made a tiny change, and claimed it was now "original" because
of the change, but I don't think he got away with it)
mary
response 81 of 168: Mark Unseen   Nov 10 00:25 UTC 2001

Ken, I just got around to reading the handout you gave everyone
at the last board meeting.  You obviously spent a lot of time on it.
Would you want to enter it here or place a pointer to a file? 

Thanks for taking the time to put it together.
jp2
response 82 of 168: Mark Unseen   Nov 10 00:28 UTC 2001

This response has been erased.

mdw
response 83 of 168: Mark Unseen   Nov 10 01:08 UTC 2001

Generally, copyright law applies to distribution/publication/*copying*
of material, not what you do with it yourself.  Hence, you certainly
have the right to make derivative works -- you *are* making a derivative
work (of a sort) merely in listening to it, as the pattern of nerve
impulses is related in an obvious but not completely accurate fashion to
the material that was impressed upon them, and leaves behind a permament
derived work that continues to change inside the brain.  You are also
allowed to take your copy of "gone with the wind", to chop it up with a
pair of scissors, and paste the bits over the crack in your bedroom
window.

These are generally covered under "fair use", although copyright owners
have been busy eroding just what "fair use" means over the past 40
years, especially in the last 10 with regards to digital copies of
material.
davel
response 84 of 168: Mark Unseen   Nov 10 22:26 UTC 2001

Jan's discussion in #65 seems to me an excellent reason for either continuing
the present policy or (at worst) completely eliminating the scribble command.
I for one would sure hate to see staff dealing with that kind of judgment call
all the time.  And if someone keeps threatening to sue on the basis of the
present policy, just imagine the opportunities for legal challenges that kind
of situation would open up.
janc
response 85 of 168: Mark Unseen   Nov 11 04:03 UTC 2001

Actually, I consider #65 a huge improvement over the status quo.

We already have to make the same judgment calls.  Marcus just deleted some
text from Agora because someone asked that it be deleted.  It was text
imported from elsewhere, not text originally posted on Grex, but aside from
that little detail, the judgement call was the same - was the complaint from
the legitimate copyright holder?  Was the posting on Grex fair use?

None of the options - delete command logging to a readable file, working
delete command, no delete command - protect the staff from having to make
these kinds of judgements sometimes.  99% of the time though, they aren't such
hard calls to make.

However, if the user doesn't have a delete command or only has a pretend
delete command, then staff gets to deal with *all* of these instances.  If
the user can delete his own postings, then many copyright complaints can be
resolved by the poster all by himself without staff assistance.  This is not
possible otherwise.

Furthermore, it absolves Grex from having to get it's users to agree to any
special terms to use Grex.  We recognize the author's full rights over his
text.  We don't need any irrevocable license to anything, so we don't need
anything more than the implied license the user makes when posting the item.
We treat our users with maximum respect and trust that they won't abuse there
privileges.  Fits right in with the Grex philosophy, if you ask me.

Avoiding the need for such an agreement avoids the need to deal with the
question of how to make it retroactive.  Since we probably can't, any kind
of user agreement would mean Grex operating under two sets of rules, one
for old responses, one for new ones.  But with the solution proposed here,
we'd be resolving the issue by giving the users more rights, specifically
rights that many users already think they have, not by taking them away.
How much saner can you get?
krj
response 86 of 168: Mark Unseen   Nov 13 04:52 UTC 2001

Revised proposal wording:
 
   Grex conference users shall be able to withdraw the items and 
   responses they have entered from further public view.

   Users are currently able to remove text they have posted from the
   conferencing system, but a copy is saved in a particular file which is
   readable by everyone.  This proposal would be implemented by making that
   file readable only by the Grex staff. 

scott
response 87 of 168: Mark Unseen   Nov 13 13:17 UTC 2001

Would that wording mean that if I'd entered a response in an item started by
somebody else, they could remove my text by removing "their" item?
krj
response 88 of 168: Mark Unseen   Nov 13 13:36 UTC 2001

Mmm, how does one define "response 0"?
jp2
response 89 of 168: Mark Unseen   Nov 13 14:29 UTC 2001

This response has been erased.

scott
response 90 of 168: Mark Unseen   Nov 13 14:51 UTC 2001

It's probably a moot point, unless we start allowing non-fws to kill entire
items.
gull
response 91 of 168: Mark Unseen   Nov 13 14:55 UTC 2001

Re #87: Wouldn't the item text ("response 0") just show up 
as "<expurgated and scribbled>", and the item header and all the other 
responses remain?
jp2
response 92 of 168: Mark Unseen   Nov 13 15:18 UTC 2001

This response has been erased.

 0-24   25-49   43-67   68-92   93-117   118-142   143-167   168   
Response Not Possible: You are Not Logged In
 

- Backtalk version 1.3.30 - Copyright 1996-2006, Jan Wolter and Steve Weiss