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25 new of 115 responses total.
orinoco
response 50 of 115: Mark Unseen   Aug 31 23:23 UTC 1997

I've heard wonderful things about them from friends, mostly, who are big fans,
and it'd be nice to see what the fuss is about.
krj
response 51 of 115: Mark Unseen   Sep 1 04:45 UTC 1997

Well, get your friends to log in to the music conference!  :)
orinoco
response 52 of 115: Mark Unseen   Sep 1 15:10 UTC 1997

I'm trying, I'm trying.  I've still got a few non-geek holdouts, though, that
I'm working on.
mziemba
response 53 of 115: Mark Unseen   Sep 12 06:57 UTC 1997

What?  Nobody made the Detroit Jazz festival?  Nobody made the Ann Arbor one?
orinoco
response 54 of 115: Mark Unseen   Sep 12 22:14 UTC 1997

'Fraid not, Mark.  I would have loved to, but...
anderyn
response 55 of 115: Mark Unseen   Sep 13 00:23 UTC 1997

My boss spent her weekend at the Detroit one, but I'd rather be skinned 
alive than hear most jazz (well, maybe not skinned alive, but I certainly
do dislike it immensely). I' m always bummed that WDET plays that concert
on laborday weekend, since my favorite shows (Folk Like Us, Thistle
andShamrock when they had it) are always pre-empted, and it's my birthday
weekend darnit!
lumen
response 56 of 115: Mark Unseen   Sep 13 05:47 UTC 1997

If ya don't like jazz, why bother reading this item?  I wonder if people are
turned off by jazz for its nebulous expression, especially considering
freeform is all the rage now..or maybe it's because of the purist movement.
Twila, do you dislike Jamiraqui (sp?)?
mziemba
response 57 of 115: Mark Unseen   Sep 13 07:20 UTC 1997

Gosh, happy belated birthday, Twila!
anderyn
response 58 of 115: Mark Unseen   Sep 14 18:41 UTC 1997

Thanks, Mark! 

Seriously, I read this itme because I like *hearing* and learning
about music, and I always hope I'll find a clue to someone that I
would like. I don't know who Jamiraqui is -- could you tell me
more? 

Most of what I dislike about jazz has to do with my impatience with
long extended instrumental passages -- I am seriously biased in 
favor of voice in my musical tastes although I have learned to 
enjoy classical music and some soundtrack-type recordings. But they
seem to have a structure to them that Idon't hear in jazz...Or
is that another prejudice? 
orinoco
response 59 of 115: Mark Unseen   Sep 14 22:54 UTC 1997

Well, it's true that in much jazz music the only structure beyond "head - horn
solo - bass solo - drum solo - head" is pretty vague, that's not always the
case.  My preferences tend to lean towards music - Miles Davis, for
instance - that have structure in the form of gradual building or subsiding
energy, and other slow changes over the whole piece, rather than bebop which
tends to zip around too rapidly for me.
senna
response 60 of 115: Mark Unseen   Sep 15 05:59 UTC 1997

My main problem with jazz is that though it was invented in the same century
as, say, rock and roll, it's being shoved down my throat as more legitimate
and "educated" to listen to, while rock is some sort of passing fancy.  Still.
Why can't I be musically deepened by listening to rock?
mcnally
response 61 of 115: Mark Unseen   Sep 15 14:45 UTC 1997

  My main problem with "jazz" is that I find the term almost useless --
  it tries to encompass far too much..  Terms like bebop, swing, etc..
  are far more useful as descriptive tools -- saying "jazz" doesn't
  convey a whole lot more to me than saying "music."

  (btw, isn't it Jamiroquai?)
diznave
response 62 of 115: Mark Unseen   Sep 15 17:17 UTC 1997

Orinoco, I have similar prefrences. A wonderful example would be Miles' _Kind
of Blue_. I have mixed feelings about bebop. I have an utmost respect for the
form and the artists, such as Parker and Gillespie, but its too quick and
frantic to move me the same way free jazz or modial jazz does(check out Herbie
Hancock's _Maiden Voyage_), although because of my love for jazz guitar, I
could listen to Charlie Christian for hours at a time.  I guess the main way
I guage my interest in any style of jazz is how much I enjoy jamming along
with it. This pretty much includes any typ of jazz from the cool era on. I
enjoy tremendously fusion jazz (for example Mahavishnu Orchestra's _Inner
Mounting Flame_ or Herbie Hancock's _Mwandishi_), latin jazz, some avant garde
(Sun Ra), and free (Coleman, Coletrane). Sadly, I'm not too familiar with many
latin jazz artists. Could anyone suggest any? 
orinoco
response 63 of 115: Mark Unseen   Sep 15 21:20 UTC 1997

Yeah, I find jazz guitar different too - and also blues, which I can listen
to endlessly no matter how formless.
lumen
response 64 of 115: Mark Unseen   Sep 16 05:55 UTC 1997

Dave-- you mention a lot of jazz styles that are influenced by other genres,
save freeform.  Have you ever tried fusion, or rock that is influenced by jazz
(say, Chicago), Twila? 

Thank you, Mike-- even a spelling freak like me has to be corrected sometimes.
I knew it wasn't right.  Jamiroquai is a jazzy pop group that has been on the
British club scene for years, but has only now been given exposure in the
U.S., according to MTV news.  The group's video for "Virtual Insanity" was
nominated for "Best New Group" at the MTV Music Video Awards.

Indeed, jazz encompasses many well-defined sub-genres, but to most people,
what is termed "classical" includes chorale music, baroque, classical,
Romantic, Impressionist (Debussy's music-- he was an anomaly), neoclassical
(whichis a misnomer-- neo*baroque* is more accurate), Modern, and post-Modern.
Thus Eurocentric music genres have tended to be lumped together as well.

I think latin jazz includes salsa and meringue.  I haven't heard Willie Bobo,
but he falls into the salsa category.  Beyond that, I really haven't a clue.
You'll enjoy salsa-- it shares some of the influences carribean music does,
sparkling with the sound effects of percussion 'goodies' and smaller drums.
albaugh
response 65 of 115: Mark Unseen   Sep 16 17:58 UTC 1997

Re: jazz and no vocals, you need to listen to some good jazz singers with scat
singing improvs.  Pretty cool stuff...
diznave
response 66 of 115: Mark Unseen   Sep 18 22:08 UTC 1997

Jon, yes, I love fusion. That is, if we can agree on a definite meaning for
the term. I consider Miles Davis' style around the _Bitches Brew_ _Tribute
to Jack Johnson_ period to be fusion. I consider Weather Report around the
_I sing the Body Electric_ period to be fusion. I consider Herbie Hancock's
work on the _Mwandishi_ and _Headhunters_ albums to be fusion. I would say
the Mahvishnu Orchestra's stuff is almost *all* fusion. But then again, I
consider Blood Sweat and Tears' first album to be fusion. And I could really
stretch and say that Steely Dan's and Chicago's first few albums were fusion.
In any case, all the music I just mentioned, I truly LOVE. So, if indeed,
these examples are accepted forms of fusion, then I guess I DO love fusion.

I think that latin jazz also includes Bosso Nova. I was reading something that
Carlos Jobim said before he died. He said (paraphrasing) that that if one was
bosso at something, they were extremely good. So a bosso guitar player, he
said, was a virtuoso. I really wish I knew more about latin jazz (Brazillian
and Cuban, in particular).
lumen
response 67 of 115: Mark Unseen   Sep 19 03:04 UTC 1997

No doubt-- but bossa nova music was in the elevators before SpiroGyra was.
I don't know what's good, and what's fluff, but it seemed to be a minor rage
in the 70's.

You are probably right that bossa nova is latin jazz, if Fernwood is correct
that you might hear it 'in an elevator in Brazil' ("Am I in Miami?")
The Carribean, in general, retained elements of African music in a purer form
than the U.S. did.  But the Carribean is of such mixed ethnicity that I can't
guess all the influences there.
diznave
response 68 of 115: Mark Unseen   Sep 19 16:18 UTC 1997

Actually, at the end of the 1800's, Carribean music was a significant
contribution to the music of New Orleans that eventually became jazz. It is
not at all surprising that New Orleans was the main City where jazz developed.
Not only was the actual population of the city extremely diverse, it was also
the main major seaport in the south U.S. Ships from all over the world came
into New Orleans ports, a large number of them from the Carribean and other
parts of Latin America.
mziemba
response 69 of 115: Mark Unseen   Sep 24 07:55 UTC 1997

Yesterday was John Coltrane's birthday.  I've enjoyed listening to his
material in the past few years.  Arwulf, a local DJ, was doing a salute to
the man, this evening on WCBN, 88.3 FM.  Played some nice stuff...
diznave
response 70 of 115: Mark Unseen   Sep 30 16:36 UTC 1997

I've recently, over the past 2 or three years, started buying Coltrane. Most
of his stuff (that I've heard) I love. I've also heard some of his really
free, unstructured, Ornette Coleman type stuff that I can't seem to get into.
I really miss the Community radio station down in Tampa (WMNF 88.5). They have
the most incredible lineup of ANY radio station I've ever heard. Here in
Gainesville, the local public radio station plays amazing music as well, but
only from midnight until 5 a.m. The rest of the time, they play "classical"
music, which is okay at times, but a bit weary if you're driving around all
day (unless you have your recorder in your car with you, and you catch a
groovy fugue by Bach to jam along with).
mziemba
response 71 of 115: Mark Unseen   Oct 1 15:03 UTC 1997

I've heard _My Favorite Things_, _Soultrane_, and _A Love Supreme_, all of
which came pretty highly recommended.  I haven't heard too much of the more
experimental stuff, yet.
diznave
response 72 of 115: Mark Unseen   Oct 1 17:27 UTC 1997

Mark, check out _Stellar Regions_ and more importantly, _Giant Steps_. The
changes on giant steps are pure genuis. Supposedly, he sat in his apartment
for a year practicing the title track from this album, before he would play
it for anyone (much less record it), according to the professor who just
taught the jazz history course I was in over the summer. 
mziemba
response 73 of 115: Mark Unseen   Oct 2 06:06 UTC 1997

Yeah, _Giant Steps_ is next on my list to check out, actually...
diznave
response 74 of 115: Mark Unseen   Oct 2 20:14 UTC 1997

If you want a cool twist to _A Love Supreme_, there's an album that Carlos
Santana and John McLaughlin did called _Love, Devotion, Surrender_, that has
the tune _A Love Supreme_ . I can't remember off the top of my head if they
do another Coltrane tune on this album, but I gotta tell you, these two guys
together are incredible!
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