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Author Message
25 new of 323 responses total.
richard
response 3 of 323: Mark Unseen   Jun 24 04:57 UTC 2004

FAHRENHEIT 9/11--  This is the incendiary new documentary from Oscar 
winning writer/director and Flint, Michigan resident Michael Moore.  
This movie is a scathing indictment of George W. Bush and his 
administration.  It starts with the 2000 election debacle and then 
shows 9/11/2001, with the planes hitting the World Trade Center.  As 
the first plane crashes into the WTC, we see unedited footage of what 
Bush was doing at that exact moment.  He was reading a children's book 
at a kindegarten class in Florida.  An aide comes in and whispers in 
his book, "we're under attack"  Bush doesn't do or say anything, just 
goes on nonchalanlantly reading his book.  Then seven minutes later, 
he's still reading his book, and the second plane hits, and still he 
does nothing.  

Moore goes into extensive detail about the relationship between the 
Bush family and the Saudis and the Bin Ladens.  We see George HW Bush 
(Bush the Sr.) in the weeks before the attacks, in Texas meeting with 
Bin Laden family members who were investors in Texas oil stocks.  We 
find out that when Bush released the records of his service (or lack 
thereof) in the Reserves in Alabama, the official documents released 
had some names marked through.  Of course Moore got hold of the 
unmarked documents, and we find out that they had marked through the 
name of the other person who was in the Reserves with Bush and got a 
medical leave at the same time.  A man who is an old friend of Bush and 
later became one of the Bin Laden's money men in the U.S.  The 
implication being made is that we attacked Iraq to divert attention 
from Afghanistan, because the Saudis and the Bin Ladens and the Taliban 
are all heavily invested in the U.S. and in the oil industry.  In fact, 
it is claimed that the Saudis have some $800 billion dollars invested 
in U.S. industries, meaning they basically own 1/7th of the U.S.  
Moore's argument seems to be that Bush and co. knew we were 
bloodthirsty after 9/11 and wanted to hang someone, but he wanted to 
spare Bin Laden and not expose the Saudi connections, so we went after 
Saddam Hussein instead.  

It goes on and on.  Moore absolutely roasts Bush.  Members of Congress 
aren't spared either.  Moore goes to Capital Hill and finds out from a 
Congressman that most legislators don't read the bills they vote on, 
because they don't have time.  Then he gets a full copy of the Patriot 
Act, and drives around the Capital in an ice cream truck, holding a 
megaphone, and reading it out loud.  

The most moving parts of the movie come when Moore goes back to Flint, 
Michigan and follows Marine recruiters as they walk around shopping 
mall parking lots trying to recruit kids, giving them a hard sell to 
join the service.  Then we get to meet a mother in Flint whose son was 
killed in Iraq, and she doesn't know why or for what good reason.  Her 
plight is compared to the plight of members of Congress.  Moore goes 
back to the Hill and finds that of all the members of Congress, only 
one has or had a child serving in Iraq.  Moore then chases different 
Congressman down in his man on the street style and demands to know if 
they'd send THEIR kids to Iraq.  We then see Bush, who also never 
served overseas, giving a speech to some of his fatcat donors, 
saying "you are my base"  The implication being that Bush represents 
the elite and the money, and that they are always going to be most 
concerned about maintaining their status and their money, and that in 
the end regular folk-- like this woman and her family in Flint-- are 
the ones paying the real costs.

That only scratches the surface of this film.  It is an amazing 
work.  "Fahrenheit 9/11" won the grand prize at the Cannes Film 
Festival, and when I saw it today, it got big applause at the end.  
Moore is a propogandist of the highest order, and I don't doubt that 
there are arguments for some of the appalling facts he puts forth.  But 
the cumulative effect of the movie is really REALLY powerful.  

I think every American should see Fahrenheit 9/11, regardless of one's 
political views.  It opens nationally on Friday.  (***** five stars out 
of five)
mcnally
response 4 of 323: Mark Unseen   Jun 24 06:57 UTC 2004

  re #3:  I'm pretty sure Michael Moore is a *former* Flint resident.
  I think he lives in NYC now.

  I won't deny that many of his antics are entertaining but he shouldn't
  be mistaken for a serious political commentator -- I'm uncomfortable
  enough with the notion that people consider his films documentaries.
  Occasionally he scores a good point, often one that nobody else in
  the media seems to be making, and is worth checking in on now and again
  for just this reason, but for the most part I think he's a master of
  cheap shots, duplicitous justapositions, and the "post hoc, ergo propter
  hoc" logical fallacy.  When it comes right down to it he's not any more
  interested in nuance, balance, or honest argument than Ann Coulter is,
  he's just starting from a more palatable political perspective.

  If you think I've painted an unfairly harsh portrait of Michael Moore,
  well, just keep in mind next time you're watching one of his films that
  the most dangerous arguments are the ones you *want* to believe.
richard
response 5 of 323: Mark Unseen   Jun 24 07:31 UTC 2004

Moore has a house in Flint and an apartment on the upper west side in nyc.
Splits his time.  He is maybe the most famous graduate of UM-Flynt too.
richard
response 6 of 323: Mark Unseen   Jun 24 07:40 UTC 2004

McNally wrote

[b]for the most part I think he's a master of
   cheap shots, duplicitous justapositions, and the "post hoc, ergo
propter
   hoc" logical fallacy. [/b]


Don't make such accusations unless you can back them up with specifics.
Its easy to say those things when you don't agree with his political
views, but unfair unless you can back it up.  At least Moore gives details
and specifics.  Did you see "Roger and Me"?  That was a powerful
documentary that has only resonated even better over time than it did when
it first came out.  "Bowling for Columbine" made a lot of good points too.
There is nothing wrong with a documentary filmmaker who wants to make a
statement, and push a particular point of view, in his work.  This is just
one point of view.  He is not making any pretense of being unbiased, and
he doesn't have to.  Reporters reading the news have to be unbiased.
Columnist and documentarians do not.  Moore's tactics aren't any worse
than what Robert Novak and Bill O'Reilly do in their columns.
slynne
response 7 of 323: Mark Unseen   Jun 24 14:06 UTC 2004

I havent ever heard anyone accuse Michael Moore of being fair or 
balanced. Even Michael Moore admits that he has an agenda with his 
films. Still, I like his sense of humor and I expect that I will like 
this film as much as I have liked his other ones. And hey, once in a 
while, he opens my eyes to something. Like that Marilyn Manson 
interview in Bowling for Columbine. Interesting that the creepy rock 
star with the terrible lyrics seemed to actually be a nice guy with a 
brain in his head. Well wht do you know! And what Marilyn Manson said 
about not talking to kids but listening to them has kind of stuck with 
me. *shrug* 

jor
response 8 of 323: Mark Unseen   Jun 24 15:06 UTC 2004

        I am tempted to go to the Mich to see it tomorrow
        when it opens. I only go to see first run films
        about once per century.

tod
response 9 of 323: Mark Unseen   Jun 24 15:27 UTC 2004

This response has been erased.

slynne
response 10 of 323: Mark Unseen   Jun 24 15:34 UTC 2004

Haha. I am kind of thinking that I might try to catch a morning show at 
Showcase tomorrow but I dont think I am going to have time. GRRRR
furs
response 11 of 323: Mark Unseen   Jun 24 16:13 UTC 2004

re #5.  I'm sorry, you are wrong.  That would be iggy.
klg
response 12 of 323: Mark Unseen   Jun 24 16:26 UTC 2004

This movie is, of course, a despicable work of propaganda and 
trickery.  But we are interested in learning whether the "we're under 
attack" quote is, in fact, true.  If so, (1) how is that known if it 
was whispered and (2) was the the entire extent of the interchange 
between the President and his aide?
slynne
response 13 of 323: Mark Unseen   Jun 24 16:29 UTC 2004

resp:5 richard isnt one for checking facts. Moore may have attended UM-
Flint but he never graduated. Next you are going to tell us about all 
of Moore's great work in Michigan getting rid of the death penalty 
here. ;) hahahaha. (remember that one, richard?)
slynne
response 14 of 323: Mark Unseen   Jun 24 16:30 UTC 2004

resp:12 I am sure that if anyone was slandered, they wont hesitate to 
take legal action. 
klg
response 15 of 323: Mark Unseen   Jun 24 16:33 UTC 2004

Why?  And in this context, what constitutes "slander?"
slynne
response 16 of 323: Mark Unseen   Jun 24 16:43 UTC 2004

Well I figure that if Moore told any actual *lies* in his movie, he 
will be sued. I imagine that he didnt. Which isnt to say that I expect 
the movie to be unbiased. But having a bias is different from telling 
untruths. 

jor
response 17 of 323: Mark Unseen   Jun 24 16:52 UTC 2004

        I read or heard somewhere, recently, Bushie was 
        acting nonchalant on purpose. c/b spin control in
        respnse to MM's film.
tpryan
response 18 of 323: Mark Unseen   Jun 24 16:53 UTC 2004

        IHB tod started a new item for 9/11 discussion.
marcvh
response 19 of 323: Mark Unseen   Jun 24 16:55 UTC 2004

Bush may be, but the talking points still involve villifying Moore in
whatever ways possible.
rcurl
response 20 of 323: Mark Unseen   Jun 24 16:55 UTC 2004

There is a difference between telling a one-sided story and telling
lies. Most critical commentary is one-sided. Take Jonathan Swift,
for example, who excoriated hypocracy and stupidity. That was one-sided, but
not lying. Does Moore lie? Very little, as far as I can tell - at least
that is not what he is criticized for. He is criticized for telling
one-sided stories. Well, OK then: let his critics tell the *whole* stories,
but not of course omitting what Moore highlights or they will be equally
one-sided. 
klg
response 21 of 323: Mark Unseen   Jun 24 17:08 UTC 2004

Mr. Moore is, for example, legendary for using trick editing to convey 
false impressions to his audience.  He uses the camera to lie for him.
rcurl
response 22 of 323: Mark Unseen   Jun 24 17:15 UTC 2004

Examples?
klg
response 23 of 323: Mark Unseen   Jun 24 17:18 UTC 2004

The trickery involved with Charleton Heston's speech the the NRA, for 
one. A second example is "showing" the ease with which a bank depositor 
could obtain a gun as a premium, when, in fact, in his case it was all 
pre-arranged.
scott
response 24 of 323: Mark Unseen   Jun 24 17:19 UTC 2004

Don't be silly, Rane.  klg has solid opinions about the content and
presentation of this movie, and despite the fact that he'll probably never
see this movie, he'll defend his opinions of it to the death.
rcurl
response 25 of 323: Mark Unseen   Jun 24 17:48 UTC 2004

Heston said what was shown that he said. No words were put in his mouth.
What "trickery"? And are you denying that the bank offered a gun as a
premium? 

I looked at http://www.bowlingfortruth.com/bowlingforcolumbine/scenes/bank.
htm
where the "staging" of the scene is described. Of course it had to be
"staged" to be filmed. But the fact remains: the bank was offering a gun
as a premium. Most people consider that weird on its own. Toasters, sure:
but, guns?
mcnally
response 26 of 323: Mark Unseen   Jun 24 18:20 UTC 2004

 re #6:

 >> for the most part I think he's a master of cheap shots, duplicitous
 >> juxtapositions, and the "post hoc, ergo propter hoc" logical fallacy. [/b]
 >  
 >  
 >  Don't make such accusations unless you can back them up with specifics.
 >  Its easy to say those things when you don't agree with his political
 >  views, but unfair unless you can back it up.

 Is there anyone here who has given serious thought to Moore's work
 (which obviously excuses Richard) who doesn't think these are fair
 criticisms?  They don't mean that Moore's work isn't entertaining or
 interesting, but let's not confuse entertaining or interesting with
 honest.  One must keep in mind when reading Moore's writings or watching
 his films that Moore is an untrustworthy narrator.

 Richard doesn't seem to be able to separate the idea of criticism of
 Michael Moore's argumentative style from criticism of Moore's political
 positions.  I suspect he would therefore be shocked to find out that I
 agree (at least partly) with Moore's positions on a number of issues.
 I'm not willing, though, to check my skepticism and critical thinking
 skills at the door when listening to someone, even when I agree with
 much of what they're saying.  I simply don't appreciate being conned,
 even (or perhaps especially) when the con artist is telling me the
 things I want to hear.

 >  He is not making any pretense of being unbiased, and he doesn't
 >  have to.  Reporters reading the news have to be unbiased.
 >  Columnist and documentarians do not.  Moore's tactics aren't any worse
 >  than what Robert Novak and Bill O'Reilly do in their columns.

 Is that really the standard to which we aspire:  no more intellectually
 dishonest than Bill O'Reilly?  Perhaps democracy really *is* doomed.
richard
response 27 of 323: Mark Unseen   Jun 24 19:05 UTC 2004

RE #13..slynne, I don't recall any item where Michael Moore's views on the
death penalty in michigan were discussed, at least by me.  You must be
confused.

re: mcnally, okay I see your problems are with his style.  Moore has an in
your face take no prisoners style and he has been accused of not being
tactful.  there were people who thought he ambushed poor charlton heston and
didn't like it.  But it didn't change the words that came out of Heston's
mouth did it?  It is whether the means justify the ends, when it comes to
Moore's tactics.  I believe that what he is telling is truth, in a way that
few others have the guts to tell it these days, and questionable tactics
aside, that should be admired.

btw, at the theater, every single showing all day long in all three theaters
in the multiplex that had it were sold out all day long yesterday and today
in advance.  this movie should break all the records for highest grossing
documentary.  Makes you wonder if Disney regrets refusing to release it. 
Moore gets in his shot there too.  In the movie, he goes into the various
corporations that Saudis are heavily invested in, and pointedly mentions
Disney as being one them.  
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