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Grex > Cinema > #44: Movie Reviews for the Summer of 2001 |  |
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| 10 new of 284 responses total. |
eeyore
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response 275 of 284:
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Sep 7 04:02 UTC 2001 |
For whomever is reading Big Trouble right now: When you get done, run right
out and buy the book "Gas, Sewer, Electric: THe Public Works Trilogy"...it's
kind of got the same styling and craziness to it. Author is Matt Ruff....Big
Trouble reminded me of it. :)
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bhelliom
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response 276 of 284:
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Sep 7 16:02 UTC 2001 |
Which one came first?
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brighn
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response 277 of 284:
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Sep 7 16:17 UTC 2001 |
#272: I don't think it's at all fair to compare CTHD to Jackie Chan. That's
like comparing Copland to Police Academy: Jackie Chan's movie make little
pretense of being anything other than silly (with a few exceptions), while
CTHD was clearly meant to be a serious drama.
(You posted, so you can recant, but you can't tell us to just ignore it. ;}
)
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flem
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response 278 of 284:
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Sep 7 17:38 UTC 2001 |
I (didn't actually intend to, but I did) threw out Jackie Chan as an
example of classic martial arts movie fight scenes. More or less the
same can be said about anyone from Bruce Lee to Van Damme to Sho Kosugi
to... Martial arts movies have always been about the fights, and the
plot is largely secondary. Martial arts movie fights don't usually try
to depict what would actually happen if the characters depicted got in
a fight, they depict an idealized fight scene from the fight
choreographer's imagination. So instead of "How would Jackie Chan's
character handle a fight in which he was faced with these particular
bad guys", the scene that gets choreographed is "What would be the most
entertaining fight scene to watch", followed closely by "Okay, what
characters do we have that we can plug into these predefined roles in
the fight". The characters' objectives are simple: incapacitate (or
kill) your enemies. What each character does at a given moment in
time, and whether or not it works, is not determined by the character's
skill, but by the dramatic formula of the fight. And so we find that
it's almost always the case that the hero gets the crap beat out of him
for most of the fight, not because his enemies actually have the skill
to do this, but because it's supposedly more dramatic that way.
CTHD does all of this quite differently. Not once in the movie does
a character, any character, get beat up by someone who shouldn't be
able to do so. Instead, in every fight, we can clearly see who is a
better fighter than who, and in every case I can think of, that
assessment agrees with what you'd think based on is known of the
characters in question. Dramatic tension is provided by giving the
combatants *different objectives*, other than just beating each other
up. Consider the movie's first fight sequence, between Michelle Yeoh's
character (whose name I can't remember) and the thief, whose identity
we don't know yet. Yeoh's character is quickly seen to be the superior
fighter, yet her task is much more difficult, since the thief would
clearly rather flee than fight it out. Also, you notice that Yeoh's
character seems to be going out of her way not to injure the thief --
almost as if she knows something we don't. :) Still, even given her
more difficult objective, she seems to be succeeding (and hence winning
the fight), until the intervention of a mysterious third party attacks
from concealment, allowing the thief to flee.
The *first fight* has more dramatic complexity and truth to the
characterization and plot than the last ten martial arts movies I've
seen put together, and it just gets better from there.
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other
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response 279 of 284:
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Sep 7 18:28 UTC 2001 |
re:275
The title is "Sewer, Gas, Electric" etc.
I would definitely second the recommendation, and supplement it with the
author's first book, "Fool on the Hill," which is an immensely engaging
modern day fairy tale/fantasy set on the campus of Cornell University in
Ithaca, New York and in the slums of New York City.
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eeyore
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response 280 of 284:
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Sep 7 21:19 UTC 2001 |
Syl: Sewer et al came first by several years. But Dave Berry is enough of
his own guy that I'm sure that he wasn't trying to copy it. They both have
the same sort of odd style of writing...kind of a skewed look at reality.
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senna
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response 281 of 284:
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Sep 7 21:55 UTC 2001 |
Good explanation, Greg.
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brighn
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response 282 of 284:
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Sep 8 04:34 UTC 2001 |
I must have seen a different movie than everyone else. It SAID Crouching Tiger
Hidden Dragon on the box, and when I put the movie in, it had the right
credits and the right actors, but damn if people keep describing a different
movie than what I saw.
I saw, for instance, a thief who couldn't get away by running and so just
started flying. I saw a series of fights that, to me, seemed even more plagued
by the Batman Syndrome than anything in Jackie Chan. And, again, since you
missed the first analogy, compaing CTHD to Jackie Chan is like comparing
Eyes Wide Shut to Ginger Lynn's Night Out... and, in each pair, I know I'd
rather watch the entertaining mindless fluff than the haute couture nonsense
that thinks way too much of itself.
[I just made up "The Batman Syndrome," but I think it's a good term... Batman
and Robin would be trapped by some completely inescapable deathtrap, and
because of some item that for some unexplained reason Batman had decided to
put on his utility belt THAT DAY, they managed to escape AND get the bad guys
who had easily overpowered them just fifteen minutes previous.]
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fitz
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response 283 of 284:
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Sep 8 14:23 UTC 2001 |
#272 - I dinna mind Meyers' accent in Shrek: I thought it a rather decent
imitation of Bob Hoskins.
More perplexing to me was the unctious french accent given Robin Hood. (I
don't know the actor.)
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eeyore
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response 284 of 284:
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Sep 8 15:05 UTC 2001 |
I didn't mind the accents at all.....they kind of made the whole thing more
ridiculous and fun. :)
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