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| Author |
Message |
| 25 new of 348 responses total. |
jazz
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response 225 of 348:
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Aug 17 04:08 UTC 1999 |
See it. Even if you know where the road's going, the ride's well
worth it.
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aaron
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response 226 of 348:
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Aug 17 17:15 UTC 1999 |
Not to mention that Haley Joel Osment gives one of the most memorable
performances by a child actor in recent memory.
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janc
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response 227 of 348:
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Aug 19 03:38 UTC 1999 |
I watched Godzilla because it was renting for 99 cents. Having arrived
with very low expectations, I didn't find them entirely met. Special
effects were fine. Liked the way that they failed to anthromorphize
Godzilla - he is treated as a big fierce animal, not a sapient being.
Interestingly, because he is treated that way, he becomes somewhat
sympathetic and you can feel sad for him when he is killed. I think
it's a bit of 90's think - it's kind of sad to kill the last of a
species (barring sequels) even if it's not exactly a species you want
visiting your backyard. The hero and heroine were a pair of dewy-eyed
Brady-bunch escapees, but that's consistant with the human characters in
all the original films, and makes a nice contrast to the monster. And
they had fun pitting New York City against Godzilla. The final duel
between Godzilla and a yellow cab driven by a foreigner was fun from
that point of view. Chrysler Building, subways, fish markets, Madison
Square Gardens, Holland Tunnel, and the Brooklyn bridge all figure
promently into the movie. Interesting that they left out the Empire
State Building, the World Trade Center (except for a reference to the
bombings) and the Statue of Liberty. Anyway, it wasn't great, but it
was enjoyable for me.
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remmers
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response 228 of 348:
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Aug 19 23:15 UTC 1999 |
Didja notice how the mayor and his assistant were named Siskel and
Ebert?
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tpryan
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response 229 of 348:
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Aug 20 01:36 UTC 1999 |
Oh my God! They killed Godzilla. Those bastards!
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charcat
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response 230 of 348:
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Aug 20 06:17 UTC 1999 |
I just watched Fail Safe and Dr Strangelove in a row. yikel!
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otter
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response 231 of 348:
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Aug 21 13:48 UTC 1999 |
Where the heck did you find _Fail Safe_? I've wanted Kenn to see it for years
and can never find it!
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shf
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response 232 of 348:
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Aug 21 17:24 UTC 1999 |
Where all obscure videos hide: Liberty St:)
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aaron
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response 233 of 348:
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Aug 21 22:50 UTC 1999 |
The Thomas Crown Affair - C+ - It is cute, which might make up for the fact
that the plot is not credible, but it is *entirely* predictable. The only
think I did not predict was how lame the ending was going to be. They do
an amazing job with some of the sets, however, such as the museum sets (no
part of the film was shot inside a real museum).
|
otaking
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response 234 of 348:
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Aug 22 17:42 UTC 1999 |
Why is _Fail Safe_ an obscure video? Was it because it came out the same year
as _Dr. Strangelove_?
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don
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response 235 of 348:
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Aug 23 03:09 UTC 1999 |
Universal Soldier: The Return (B-) is a sequel to the original. The
computer running the unisols (reanimated dead supersoldier) goes FUBAR,
moves into a human body, and directs the unisols to wreak havok in the
military base in which they are situated. It's Jean Claude van Damme's job
to stop them. The storyline doesn't go smoothly (Damme's sweethart seemed
to be stuck into the story, and there wasn't a good transition from the
original), although there was a bit of humor in there (people getting
bashed in some funny ways), and the sound (Heavy rock music for all the
fight scenes) and graphics were pretty good. Basically, if you have a DVD,
50" projection screen, and a really good sound system, you won't care for
one minute that the story's bad. Though this movie has one scene which
made half the theatre yuck out, you can take your teenagers with you
(exept for the fact that there's around five minutes of off-and-on (mostly
on) frontal nudity (strip club), so that's a great time for the teen to
get a refill on popcorn). Anyway, unless you go to a theatre with really
good DTS Surround sound, wait for the DVD.
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charcat
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response 236 of 348:
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Aug 23 04:18 UTC 1999 |
I got both fail safe and dr strangelove from amazon.com. Failsafe was only
8.99 I.ve already got my order in for yellow submarine in. to be rerelised
next month.
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jep
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response 237 of 348:
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Aug 23 13:08 UTC 1999 |
We saw "The Blair Witch Project" at the new theater on Jackson Rd.
on Saturday. I was not impressed at all; it seemed to me like 2 hours
of a home movie, with very little plot and not much of interest from the
characters. My wife liked it pretty well; she called it "post-modern".
Interestingly, we read an article in the AA News on Saturday, saying
that people over 35 don't like it as much as those under 35. I'm over
that age, and she's under.
We weren't too impressed by the new theater, either. Andrea didn't like
the smaller theater; she said she just prefers larger ones. I thought
it was okay. Smaller theaters ought to mean a smaller chance of
someone behind you using his popcorn to compete with the audio level of
the movie. (Though perhaps less likely, we were treated to this
experience on Saturday.)
I liked one thing: at 8:00 pm on a Saturday, there were *no lines* at
the concession stand, and the line for getting a ticket moved very
quickly.
Neither of us liked the tiny parking lot.
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aaron
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response 238 of 348:
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Aug 23 14:50 UTC 1999 |
Actually, it seems that a smaller theater could increase the odds of
somebody eating popcorn while sitting behind you -- in a larger theater,
assuming similar traffic, the odds are greater that there won't be
someone behind you at all. Of course, there are a lot of variables to
consider.
|
don
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response 239 of 348:
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Aug 23 17:28 UTC 1999 |
However, a larger theatre will have a larger clientele.... therefore, the
proportions for filled-seats-to-empty-seats and
jackass-filled-seats-to-normalpeople-filled-seats will be the same. Ergo, you
have the same chance of someone screwing around with the popcorn behind you.
|
aaron
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response 240 of 348:
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Aug 23 19:00 UTC 1999 |
Which is why I specified similar traffic. As I said, there are a lot of
variables to consider.
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mcnally
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response 241 of 348:
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Aug 24 04:17 UTC 1999 |
In any case it hasn't been my experience that theater patronage is
generally proportional to theater size..
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remmers
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response 242 of 348:
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Aug 24 17:49 UTC 1999 |
Right. This is because nature abhors a vacuum but not an empty theater.
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don
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response 243 of 348:
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Aug 24 23:43 UTC 1999 |
My experience is that at theatres with different-sized screens, a bigger
screen meant a more popular movie, ergo more patronage, ergo proportionality.
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mcnally
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response 244 of 348:
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Aug 25 00:56 UTC 1999 |
Within the same theater megaplex, no doubt the management tries to
balance just as you say.. Once you get outside the confines of a
single megaplex, though, the relationship doesn't hold. In this
area, where large-capacity old-style theaters like the Michigan
show independent and 'art' films, there's probably a negative
correlation between theater capacity and theater patronage..
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scg
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response 245 of 348:
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Aug 25 03:09 UTC 1999 |
Even in the bigger theaters, they have a set number of theaters of various
sizes. It costs more to build large theaters. It may cost moderately more
to operate them, due to cleaning costs, but I'm guessing that part isn't too
significant in the grand scheme of things. Therefore, once they've built the
capacity, much of the expense directly related to capacity has been taken care
of, and they then need to start bringing in money to pay their construction
and operations costs.
To maximize income, they need capacity to hold as many people as want to see
the most popular movies during peak hours. There may be a lot of people
wanting to see the popular movies, and there may be several popular movies
out at once. It is therefore to the megaplex's advantage to build a number
of very large theaters. They also build some small theaters, not because off
peak crowds are small, but because there will always be some movies that don't
draw big crowds even during peak times.
Now, let's say it's an off-peak time, or a time of year when the studios
aren't releasing many really popular movies. The theater has all these
large theaters sitting there, but crowds that aren't big enough to fill them.
The theater has a choice: leave the large theaters sitting empty and make no
money from them, or show movies in them anyway, and make some money. Which
are they going to choose?
|
bdh1
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response 246 of 348:
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Aug 25 05:49 UTC 1999 |
_Sixth Sense_ - a definate 'do'. Try not to hear anything about it
before you see it. Whats-her-name and I were both fortunate in not
knowing anything about it other that her nephiew said to do it. Both of
us were extremely and pleasantly surprised by it. The acting is superb,
all the major characters deliver outstandingly. (Bruce Willis has two
kinds of movies, one where he actually works, and one where he kinda
floats jokingly through the script while collecting green beer coupons -
this is most definately the former.)
_Bowfinger_ - a definate 'do'. Not in the same class, but still well
done none-the-less. There are a lot of 'hollywood inside jokes' that do
not detract from the film if you don't 'get' them and add to your
enjoyment of it if you do (especially when you know who Steve Martin's
most recent sex partner was).
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remmers
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response 247 of 348:
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Aug 25 11:25 UTC 1999 |
I liked "Sixth Sense" quite a bit and agree that the less you know about
the plot going in, the better. I'll say a little bit about the style,
though. The movie takes chances that Hollywood films don't often take -
very leisurely pace, many quiet moments. "Sixth Sense" is a big hit
(number one at the box office for two weeks in a row), so the approach
seems to be working with audiences. We saw it in a fairly crowded
theater, and during the quiet moments, the audience was absolutely
silent; you could've heard a pin drop.
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jazz
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response 248 of 348:
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Aug 25 12:20 UTC 1999 |
I was impressed that such an intelligent film did so well at the box
office.
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don
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response 249 of 348:
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Aug 25 13:45 UTC 1999 |
I take it you're a connoisseur of movies like Dumb & Dumber and Romy &
Michelle's High School Reunion?
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