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25 new of 290 responses total.
omni
response 170 of 290: Mark Unseen   Aug 9 04:05 UTC 1998

  I think Evita was written just after Jesus Christ, Superstar. I remember
buying the sountrack and libretto in 1981. I really fell in love with it, and
I was pissed when some jerk stole it along with all my other tapes.
kittie
response 171 of 290: Mark Unseen   Aug 9 04:43 UTC 1998

I just got back from watching "Ever After"... yet another grrreat Drew
Barrymore film :)
scg
response 172 of 290: Mark Unseen   Aug 9 05:06 UTC 1998

I saw Ever After last night.  It was pretty nice.

daimon
response 173 of 290: Mark Unseen   Aug 11 12:56 UTC 1998

I saw SAVING PRIVATE RYAN last Saturday.  That's a film I have no 
problem recommending.  The best word to describe it is "relentless" - 
the killing and the mayhem just never seems to end.  It was a good up 
close and personal look at some real dying and death during a war.  A+, 
go see it, yadda yadda yadda.
jep
response 174 of 290: Mark Unseen   Aug 11 14:49 UTC 1998

We rented The Full Monty over the weekend.  I thought it was tedious and 
boring, with very little to recommend it.

We also rented Men in Black.  While I enjoyed this one (as I knew, I've 
seen it before) I found myself wondering, as I have with other Tommy Lee 
Jones movies:  if they replaced Tommy Lee Jones with a cardboard cutout, 
would anyone notice the difference?  He seems like an "insert generic 
actor here" kind of guy.
senna
response 175 of 290: Mark Unseen   Aug 11 16:06 UTC 1998

Somehow I find the critiques of Saving Private Ryan, including mine, to be
amusing--"relentless, nonstop gore.  Excellent movie, A+."  Is that just me,
or is this really a unique issue? :)
bjorn
response 176 of 290: Mark Unseen   Aug 11 17:19 UTC 1998

on August 8th, scg, Dave Warner, and I saw "Snake Eyes".  We thought it was,
um, interesting.
coyote
response 177 of 290: Mark Unseen   Aug 11 23:07 UTC 1998

Re 174:
        Really?  I though The Full Monty was a really funny, cute movie.
maeve
response 178 of 290: Mark Unseen   Aug 11 23:27 UTC 1998

I liked the Full Monty, but then I was biased..a lot...
happyboy
response 179 of 290: Mark Unseen   Aug 12 01:35 UTC 1998

you have a think for chubby nekkid guys?
md
response 180 of 290: Mark Unseen   Aug 12 12:48 UTC 1998

LOLITA (A) -- Somebody read the novel on which this movie is based
and then crafted an amazingly detailed visual representation of it.
Not much of Nabokov's language brilliance remains, but the scenes
are so beautifully detailed that many of them came close to matching
the mental images I've always had of the book's people and places.
An awful lot of stuff has been left out that Kubrick managed to
include in his version 35 years ago, such as John and Jean Farlow,
Frederick Beale, etc.  These were wonderful Nabokovian comic
characters, whose absence is more than made up for, imho, by the
loving, almost obsessive, detail paid to other things, such as the
various motels, Beardsley school, and the Kasbeam barber.  Above
all, the movie captures the rich, inescapable horror of Nabokov's
novel.  Hubert's sexual paradise had skies the color of hell-flames,
he said, and it's all there.  The screenwriter added a couple of
years to Dolores's age (making her 14 instead of 12) and also to
Humbert's age (40ish instead of mid-thirties), but the shame and
horror are still there.  Now if we can talk Adrian Lyne into doing
Pale Fire .. .
md
response 181 of 290: Mark Unseen   Aug 12 13:03 UTC 1998

LETHAL WEAPON 4 (D) -- I was hoping that Chris Rock might inject
some new life into this tired old franchise.  No such luck.

SPHERE (C) -- One of those movies you hate because of all the cool
things it could have done and didn't.  The three main actors, Dustin
Hoffman, Samuel L. Jackson and Sharon Stone, are three of my
all-time favorites, though, so just seeing them trying to keep
straight faces was worth the price of the rental.

JACKIE BROWN (B) -- Not bad at all.  Extremely well-cast, especially
Samuel L. Jackson as a not-very-bright but very vicious villian.
(Jackson is turing into the male version of Anne Heche -- he seems
to be in every other movie I see.)
maeve
response 182 of 290: Mark Unseen   Aug 12 14:46 UTC 1998

close :) the accents are the third on my list of favourites...and there are
some amazingly funny visual puns(?)
(I'm not sure how to explain visual puns ot people..it's kind of a dancer
thing..)
happyboy
response 183 of 290: Mark Unseen   Aug 12 21:25 UTC 1998

re180
did the movie show chafemarks from her retainer?
senna
response 184 of 290: Mark Unseen   Aug 13 09:26 UTC 1998

Hmm.  Something About Mary was quite amusing and rather good.  Not for the
faint of heart, though.
md
response 185 of 290: Mark Unseen   Aug 13 10:44 UTC 1998

Re #183, no, Dolores Haze always takes her retainer out first in
this movie.  She didn't wear a retainer at all in the novel, though, 
so that's one of the screenwriters' added details.  Btw, I didn't
like Melanie Griffith as Charlotte Haze.  Shelly Winters was much
better in the Kubrick version.  Neither Peter Sellers nor Frank
Langella is very close to the Clare Quilty of the novel.  I would
have casted someone like Jason Alexander or Wallace Shawn, or even 
Harvey Feirstein if I could get him to calm down.  The gruesome and
nightmarish murder scene at the end of the new movie is lightyears
better than the Kubrick version.  It follows the novel almost step
by step.  But Quilty needs to be more prissy and theatrical about
the whole thing.  Imagine a man being shot to death, and with each
bullet he twitches and smirks and actually seems to be having fun
with it, saying things like, "Ah! Very painful.  Very painful, indeed.
God!  Hah!  That hurts atrociously, my good fellow.  I pray you desist."
remmers
response 186 of 290: Mark Unseen   Aug 13 17:23 UTC 1998

Well, he was more prissy than most people would be under the
circumstances.

I largely agree with you about "Lolita", both the new version and the
Kubrick rendition. Melanie Griffith was miscast -- she's much too
attractive for those things that Humbert wrote about her to be
convincing. I thought Jeremy Irons and Dominique Swain were excellent as
Humbert and Lolita respectively.

Gone from the new version were most of the novels's comic and satirical
touches that showed up in Kubrick's treatment. I think that resulted in
a significant shift of focus. Maybe it's worth remembering that Nabokov
himself wrote the screenplay for the Kubrick version.
bjorn
response 187 of 290: Mark Unseen   Aug 13 17:47 UTC 1998

I need to see the Hell segment from Deconstructing Harry again.
md
response 188 of 290: Mark Unseen   Aug 13 22:43 UTC 1998

Re #186, Kubrick credited Nabokov with the screenplay, but he
ignored most of it.  Nabokov's screenplay has been published,
if you want to compare it with Kubrick's movie.  If Kubrick
had gone along with everything, the movie would've been about
four hours long, and Vladimir Nabokov himself would've had
a cameo.
remmers
response 189 of 290: Mark Unseen   Aug 13 23:11 UTC 1998

Hm... I would like to see that movie.
maeve
response 190 of 290: Mark Unseen   Aug 14 05:30 UTC 1998

saw Pi, it was...interesting...it was well-shot and well-scored..but the film
itself was a bit annoying
other
response 191 of 290: Mark Unseen   Aug 14 13:47 UTC 1998

love all that flashing light and shaky camerawork.
maeve
response 192 of 290: Mark Unseen   Aug 15 17:33 UTC 1998

I saw The Avengers yesterday...it was wonderful..much along hte lines of James
Bond with more Saville Row and some odd Mary Quant things on Uma Thurman..ohit
was quite wonderful..
bruin
response 193 of 290: Mark Unseen   Aug 15 18:04 UTC 1998

RE #192 Also, in _The Avengers_, the evil Sir August was played by Sean
Connery, the original James Bond.
fitz
response 194 of 290: Mark Unseen   Aug 15 20:29 UTC 1998

There's Something about Mary  C-

Juvenile.  This two hour movie seemed *much* longer than it was.  I paid
matinee prices and did not get full entertainment value.  Still, it had a few
laughs (very few).
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