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anderyn
Selling Out -- What does it mean to you? Mark Unseen   Oct 8 01:36 UTC 1997

Um, on another musical list that I'm on, the question of selling out
came up, and I decided to ask another question of the erudite folks
in this cf. 

Basically, what is the difference between selling out and not selling
out? If someone is pleasing enough as an artist to sell a million
records, then obviously those people are happy with that artist's
direction. What is WRONG with wishing to make money? If it's commercial,
is it bad? 

Sometimes I get the feeling that a lot of people who are interested
in music are only interested in it for the elite feelings that it gives
the. For example, I know people who would *never ever* listen to
the radio because it would just be so declasse. And lord help you if
you admit to liking something popular like Bob Seger or Def Leppard
or even most Eighties music. 

So, this appears to be a two-part question...

One. What does "selling out" as an artist mean to you?

Two. If your favorite obscure artist (whom you love now with all your
heart because they're just so cool) suddenly became the next Big
Thing, would you feel betrayed by that? Would it feel as if they'd
sold out on their true fans for the almighty dollar?
58 responses total.
mcnally
response 1 of 58: Mark Unseen   Oct 8 01:59 UTC 1997

  I generally have little patience for those who accuse their favorite
  obscurity of selling out when that person gets even the slightest bit
  of attention, nor do I think that there's anything wrong per se with
  making music aimed at the mainstream.

  That said, I really don't like most of the music that's popular.
  It might be most obvious to conclude that I dislike the music because
  of its popularity but it's more usually the case that I don't like it
  because I don't like it.  Let's face it, I also don't like the majority
  of *un*popular music..  There are plenty of acts that I like a lot that
  are phenomenally popular (e.g. the Beatles, or Nirvana..) 

  Generally I'm happy to see a performer I like get greater exposure but
  there have been a few cases where I've been convinced that the act in
  question has compromised what *I* liked in their music in order to achieve 
  greater mass appeal.  Since whether or not I like it is the only real
  value judgment I can make about what's "good" or "bad" music I'm generally
  unhappy in such cases (for an example of this sort of thing, I used to go
  to a lot of local ska shows by bands that were prominent in the ska scene
  but more or less nationally unknown.  A couple of those bands have achieved
  substantial national recognition in the past two or three years but I haven't
  been happy with the music they've been putting out.  Could just be that I'm
  tired of that sound but I think some of them really did compromise to hit
  the mainstream..  As long as they're happy with the music they're making I
  suppose there's nothing wrong with it but as long as they continue to make
  music I don't enjoy I won't be their enthusiastic supporter..)

bruin
response 2 of 58: Mark Unseen   Oct 8 14:32 UTC 1997

I do remember a friend of mine who was a fan of "the blues" who felt that B.B.
King sold out because he appeared in commercials and did not emphasize the
stereotypical vices of blues musicials (i.e. smoking, drinking, drugs).
orinoco
response 3 of 58: Mark Unseen   Oct 8 23:10 UTC 1997

Well, I do tend to dislike people who dump a favorite band just because it's
hit the big time, or insult music solely on the grounds that it's
'mainstream'.  Likewise, many bands change their sound over time, and often
this represents artistic development, or just experimentation, rather than
'selling out'.  I think if a favorite local band became famous by playing a
simplified, toned-down, mainstreamed version of their usual sound, I'd be
moderately annoyed - but because this would represent a change for the worse
in their sound, not because they've 'betrayed' me or sold out.
lumen
response 4 of 58: Mark Unseen   Oct 9 00:29 UTC 1997

I think the bottom line is to like music you enjoy, and that you think is
well-done.  Granted, some artists have appealed to the lowest common
denominator in the masses to make money-- but you've got to remember,
musicians do not make big bucks themselves.  Even well-established ones are
spending dinero for equipment they need to do their job, and they are left
with precious little after promoters, producers, sound engineers, studio
managers, concert managers, etc., etc. collect their fees.

Also, some artists made ear-candy music in an attempt to get noticed more
quickly.  Getting established in music is a long, arduous process.  Most
musicians spend 10-15 years struggling and starving before they hit it big.
Even those that are moderately popular early work for a very long time to
continue to establish their sound and expand their audience.  Note that
sub-pop band Depeche Mode survived the entire Eighties decade, and much of
this decade as well, since their inception as Composition of Sound in December
1980.
senna
response 5 of 58: Mark Unseen   Oct 12 05:50 UTC 1997

Selling Out is a major issue in comics as well, where artists and writers have
rebelled against bowing to management pressure and altering their story to
sell comics.  In music, it's just playing music that other people have a say
in besides yourself.  Or, occasionally, just playing to get heard.  It's
perceieved as a smudge on artistic integrity.
tpryan
response 6 of 58: Mark Unseen   Oct 13 03:31 UTC 1997

        or, let's say, agreeing to 'rush' a second album to market
instead of putting as much work into this one as the first one;
the one that got them popular.
senna
response 7 of 58: Mark Unseen   Oct 14 03:30 UTC 1997

That's rarely a problem in modern secular music, since execs tend to want to
ride the success of an album as long as possible.  The trick is to avoid a
severe dropoff on the second album (see Hootie and the Blowfish, Gin Blossoms,
Green Day, etc) by catching demand.
diznave
response 8 of 58: Mark Unseen   Oct 21 21:33 UTC 1997

I enjoy what I enjoy, whether *everyone* listens to it, or *nobody* listens
to it. If becoming popular changes a group that I like in such a way that I
don't enjoy their music any more, I'll just not listen to their new music.

Woah....what happened?

Anyway, the logic that if millions of people like my band, then they suck,
is kind of like saying well, if people from New Jersey start liking these
guys, I'm not going to listen to them.
lumen
response 9 of 58: Mark Unseen   Oct 22 01:27 UTC 1997

Actually, if some people from New Jersey started listening to my band, I would
start to wonder why they were out there.
diznave
response 10 of 58: Mark Unseen   Oct 22 05:06 UTC 1997

What kind of music does your band play, Jon?
orinoco
response 11 of 58: Mark Unseen   Oct 22 22:39 UTC 1997

Hey.  Are you casting aspersions on us New Jersoids?
lumen
response 12 of 58: Mark Unseen   Oct 23 05:01 UTC 1997

It was a joke (;
diznave
response 13 of 58: Mark Unseen   Oct 23 18:39 UTC 1997

You from Joisey? Which exit?  *grin*
orinoco
response 14 of 58: Mark Unseen   Oct 25 20:47 UTC 1997

ROTFL
agent86
response 15 of 58: Mark Unseen   Nov 17 15:43 UTC 1997

I believe that selling out is when a band/performer wildly changes their act
to something they don't believe in for the sake of getting more money... other
than that, I feel that the money groups get for their performances is pretty
irrelevnat... Like Duke Ellington said, "If it sounds Good, it *is* Good."
I think this means even if "it" braught in $80 million in revenue.

teflon
response 16 of 58: Mark Unseen   Nov 18 02:08 UTC 1997

ditto.  I wouldn't be at all sad to see Fish become a millionare, but only
if he did while making music he loves.  He might drastically change his style,
but if he does it for _himself_, then it's OK.  I just might stop buying his
stuff, is all, and I would be drastically disapointed that one of my fave
singers had written mainstream stuff, but I wouldn't see it as _selling out_.
orinoco
response 17 of 58: Mark Unseen   Nov 19 03:58 UTC 1997

And if Fish was making _good_ mainstream music - perhaps even better than the
music he had made before in his own style - what then?
teflon
response 18 of 58: Mark Unseen   Nov 21 01:55 UTC 1997

rattle off some mainstream stuff that you would honestly consider better than
Fish.  Do that, get me to agree with you, and then your question will be
valid.
diznave
response 19 of 58: Mark Unseen   Nov 21 17:19 UTC 1997

Selling out: No seats or tickets left to be had.

Starting to play music that makes me ill: Could happen in any of the following
situations:

(Obscure band that I love)...gets popular and starts playing crap...(i don't
care for their new stuff and won't see 'em live)

(Obscure band that I love)...stays obscure and starts playing crap...(i don't
care for their new stuff and won't see 'em live)

(Obscure band that I love)...gets popular and keeps playing amazing music...
(I don't pay attention to their popularity and still see them live)

lumen
response 20 of 58: Mark Unseen   Nov 22 03:34 UTC 1997

What about a band that once was obscure, gets popular, but then goes obscure
again, all the while playing great music?

Case in point: the B-52's.

They once were a little Georgian party band that played odd novelty songs--
y'know, songs like "Cake," "Rock Lobster," "Butterbeans," "Mesopotamia," and
the like.  They gradually built up a following, and their popularity peaked
upon the release of _Cosmic Thing_.  Upon the release of their next album,
_Good Stuff_, their popularity began to wane, and has since dropped off.

Without a doubt, "Love Shack" is probably their biggest party hit, and _Cosmic
Thing_ had some good material (I think "Topaz" is a fine example).  However,
I think _Good Stuff_ contains some of their finest material.  Other
songwriters contributed strong selections-- "Revolution Earth" is one. 
Finally, Fred Schenider, usually known for his chant-sing style backups to
Kate Pierson's leads, honed his singing skills for the album.  Yes indeed,
he fully learned the art of singing-- and he even sings a beautiful solo on
one of the songs (I can't remember what the name of it is; I'll have to
check).

But all I have heard of them lately is Kate and Fred singing the theme song
for the Nickelodeon cartoon show "Rocko's Modern Life."  Even then,
Nickelodeon changed the arrangement to an instrumental one after a number of
episodes.  I guess they couldn't afford to pay the musicians anymore.
bruin
response 21 of 58: Mark Unseen   Nov 22 19:40 UTC 1997

RE #20 Don't forget that the B-52's (as the "BC-52's") recorded the "Meet The
Flintstones" theme from the live action "Flintstones" movie of 1994.
orinoco
response 22 of 58: Mark Unseen   Nov 23 17:43 UTC 1997

Cricket - too often 'mainstream' gets used to mean 'mediocre'.  These are
often synonymous, but _not_ always.  I think you'd have a hard time arguing
that Hendrix was just some little-known fringe musician with a cult following;
I also think you'd have a hard time arguing that Fish is a better guitarist
than Hendrix was.
teflon
response 23 of 58: Mark Unseen   Nov 24 16:23 UTC 1997

well, considering that Fish doesn't know how to play guitar, I would have to
agree w/you there.  My point is that what is mainstream right now sin't as
good as Fish, IMHO.  If good prog-rock was to become mainstream, then that
wo8uld be a different matter...
orinoco
response 24 of 58: Mark Unseen   Nov 24 17:49 UTC 1997

Fish isn't a guitarist?  I could have sworn he was....
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