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Grex > Music > #9: The Twenty-Third "Napsterization" Item |  |
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krj
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The Twenty-Third "Napsterization" Item
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Feb 17 06:39 UTC 2006 |
The usual canned introduction:
The original Napster corporation has been destroyed, its trademarks
now owned by an authorized music retailer which does not use peer-to-peer
technology. But the Napster paradigm, in which computers and networks
give ordinary people unprecedented control over content, continues.
This is another quarterly installment in a series of weblog and
discussion about the deconstruction of the music industry and other
copyright industries, with side forays into "intellectual property,
freedom of expression, electronic media, corporate control, and evolving
technology," as polygon once phrased it.
Several years of back items are easily found in the music2 and music3
conferences, covering discussions all the way back to the initial
popularity of the MP3 format. These items are linked between
the current Agora conference and the Music conference.
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| 12 responses total. |
marcvh
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response 1 of 12:
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Feb 17 06:44 UTC 2006 |
Yesterday a number of people were somewhat surprised to find that the
RIAA apparently takes the position that taking CDs which you own and
have paid for and ripping them, either for the purpose of making backup
copies or listening to them on your iPod or whatever, is not a "fair
use" of the material but rather is a priviledge which can be taken away
if the copyright holder wishes.
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krj
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response 2 of 12:
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Feb 17 06:51 UTC 2006 |
I have a bunch of old news stacked up. From the beginning of 2006
comes the annual ritual of the Soundscan sales reports on recorded
music. Soundscan is a point-of-sale system, so what they are
measuring is copies actually paid for and taken home by the public.
CD sales resumed their downward march in 2005, down about 7% for
the year compared to 2004. In 2004, you might remember, sales
seemed to have stabilized, but 2005 resumed the downward march which
began with the 2001 sales figures. I vaguely recall from another
report that the industry is back to 1997 sales levels.
Broken down by genres, Latin music was the only bright spot, with
sales of Latin music CDs rising about 12%. "Most" other genres saw
sales totals decline. Classical music (from another story) declined
a whopping 15%.
Roughly half the decline in CD sales was offset by growth in the
paid download business, which is dominated by Apple's iTunes.
The USA Today story from January:
http://www.usatoday.com/life/music/news/2006-01-04-music-sales-main_x.htm?c
sp=N009
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remmers
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response 3 of 12:
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Feb 17 13:06 UTC 2006 |
Re #1: At the RIAA, it appears that the left hand doesn't know what the
right hand doeth. The following quote is from their website at
http://www.riaa.com/issues/ask/default.asp#stand -
"If you choose to take your own CDs and make copies for yourself
on your computer or portable music player, that's great. It's your
music and we want you to enjoy it at home, at work, in the car and
on the jogging trail."
(Above quote found via Boing Boing:
http://www.boingboing.net/2006/02/15/riaa_cd_ripping_isnt.html)
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krj
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response 4 of 12:
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Feb 17 19:38 UTC 2006 |
(( some text recycled from another forum, from about ten days ago ))
In the news -
A French court has ruled in favor of a man charged with sharing about
1,700 music files. (It's unclear to me if this was a civil or
criminal case; the stories say that the files were found by the
prosecutor's office, but the action was brought by the music copyright
industry. ?? )
The court found that this activity fell into the category of "private
copying" which is permitted as long as it is not for commercial gain.
Appeals are expected. The significance of this ruling is that it
wasn't based on any technicalities such as rules of evidence or
split-hair definitions; it was a clear finding that sharing files is
allowed as long as no money changes hands.
http://arstechnica.com/news.ars/post/20060207-6135.html
In the opinion pages -
From "CIO Insight," a Ziff-Davis trade journal for Information
Technology managers: "Why Johnny Can't Stop Sharing Files." The
author compares the death of copyright to other legal revolutions in
American history:
>> "History amply supports this view. The U.S. has seen many
revolutions in basic legal doctrines, some accompanied by violence
(the Revolutionary and Civil Wars), and others largely nonviolent (the
New Deal and the Civil Rights movement). But each had the same
characteristics as the intellectual-property revolt going on right
now: an economically powerful social class with the law solidly on its
side; increased enforcement accompanied by increased resistance from
an identifiable group claiming the moral high ground; and, ultimately,
a complete and often dramatic reversal.
>> "In the late 19th century, for example, railroads, oil companies
and the banking industry controlled much of the economic life of the
country, with the courts and Congress firmly on their side. But a
loose confederation of farmers, progressive intellectuals and urban
residents pushed through the passage of the Sherman Antitrust Act, in
1890; and this was followed by even more dramatic revisions of the
basic rules of economic behavior that were enforced by
conservative-turned-trustbuster President Theodore Roosevelt." <<
http://www.cioinsight.com/article2/0,1540,1913768,00.asp
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khamsun
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response 5 of 12:
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Feb 22 23:38 UTC 2006 |
<<It's unclear to me if this was a civil or
criminal case; the stories say that the files were found by the
prosecutor's office, but the action was brought by the music copyright
industry. ??>>
---------
it's a civil case but punishment can be like in a criminal one (if found
guilty, you can be jailed), if I get what the american law system is.
The burden of proof in on the plaintiff (the music$$$ = french SCPP).How
can that be achieved without breaking the law about privacy?
The "sharing files is allowed as long as no money changes hands"
question is then one aspect of the problem.The other is that CNIL =
french data privacy authority, has already stated against SCPP about the
use of monitoring software to spy on users.But in 2004, CNIL was on the
side of the video-games industry on the same topic.
If SCPP can't spy on users they can't bring proofs and therefore can't
bring cases.But they still have the right to ask ISP for logs.
So it seems things were unclear and are coming to a crucial point.
A philosophy of freedom rules in the context must be elaborated, then a
law will be built by the parliament/government.Pure Common-law developed
by custom isn't possible in France.A doctrinal corpus is needed.
Another very important point is in the procedure: french judges are
investigating and determining the facts of the cases themselves.
Takes time...
All in all the RIAA tactics of batch-suing users on a great scale isn't
applicable.
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khamsun
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response 6 of 12:
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Feb 23 08:24 UTC 2006 |
While law is uncertain in France, and the privacy authory doesn't give a
clear legal path for the local RIAA spinoff (SCPP) to sue people, in
Belgium and Switzerland something very very weird did happen two days
ago:
"Razorback Servers Seized"
http://slyck.com/news.php?story=1102
"It appears that one of the largest eDonkey2000 communities is no more.
Often occupied by over 1 million eDoney2000 users spread over several
servers, Razorback2 is often regarded as the very lifeblood of this
network. This morning, users of this server network found their
community offline.
At this time, details are extremely scarce. However it is being reported
the Federal Belgian Police have raided and seized Razorback2's servers.
In addition, it is suspected the administrator of Razorback2 is
currently in custody.
Razorback2 was an eDonkey2000 indexing server - very different in nature
from an indexing site such as ShareReactor. Unlike indexing sites,
Razorback2's index was only available through an eDonkey2000 client such
as eMule. While it does not host any actual files or multimedia
material, it does index the location of such files on the eDonkey2000
network. The legality of such indexing remains questionable, however
this has not deterred copyright enforcement actions.
Giving credence to this report, the Razorback2 home page simply times
out upon request. In addition, pinging the IP address of Razorback's
home page and eDonkey2000 servers yields the same result. Only "fake"
Razorback2 servers are online, communities designed by copyright
enforcement entities to mimic yet deter unauthorized file-sharing.
The Belgian Federal Police homepage at this time have no information
regarding this raid, however considering the magnitude of the situation
this should change. One thing is certain; Razorback2 has been removed
from the eDoneky2000 network. Most noticeably, the eDonkey2000
population has shrunk from its usual 3.5 million users to approximately
3 million users - an unusual departure from its average."
In fact the effect on the edonkey/emule network was noticeable just for
a short period of time, and the average number of users was soon back
around 3.5 M. Servers are many and a new Razorback2 is on the way
somewhere.And in the worst case the Kademlia protocol can take over.
It seems the whole affair is much a mediatic wave of the RIAA/MPAA, at
which computer savvy users laugh.
What's nuts is that the local RIAA/MPAA branch got some judge to raid
the servers in Bruxelles and to arrest an admin in
Switzerland.Razorback2 wasn't hosting files, and Emule itself is plain
legal software, so there are no charges against the admins.
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krj
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response 7 of 12:
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Mar 6 21:30 UTC 2006 |
There's been a trade seminar in New York for the authorized digital
music business, called the Digital Music Forum, and it's generated a
number of stories which I should try to find time to paste in here.
Mostly it's been a lot of entertaining blaming and finger-pointing.
Napster is blaming Microsoft for its problems, and one executive
attacked the Slashdot tech weblog.
But here's the zinger I wanted to get in today.
via Hypebot, via Red Herring: The source can not be considered
totally unbiased since he runs a file-sharing company.
He's discussing the issue of digital music on college campuses.
>>"Michael Weiss, chief executive of StreamCast Networks, which runs
> the peer-to-peer service Morpheus, a frequent RIAA target, said his
> company had polled students about how much they would be willing to
> pay for music and found an unwillingness to pay at all.
>> "We finally came to the conclusion that there is a cultural cost of
> paying for music," he said. "It doesn't matter if it's $0.20. There.s
> a cultural cost, just as there.s a cultural cost of giving up your
> credit card or going into an environment where you might be the only
> one on the dance floor."
http://www.redherring.com/Article.aspx?a=15938&hed=Students+Shirk+Legal+Dow
nloads
The headline not used, but which should have been there:
"Only Dorks Pay For Music"
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nharmon
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response 8 of 12:
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Mar 7 01:53 UTC 2006 |
"Only Dorks Pay For Music"
I like that. :)
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krj
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response 9 of 12:
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Mar 15 16:41 UTC 2006 |
If I read the report correctly, the British music licensing
authority has decided to kill the UK's international internet
radio audience. If this applies to the BBC, I shall become very,
very cross.
"...the Commerical Radio Association and licensing body PPL have said
that from 31 March all current PPL licenses which cover analogue and
simulcast streaming will be bundled together and will have to
conform to the new UK-only regulations. The PPL will not renew
stations' licenses unless they adhere to new guidelines for
'Geo-Locking,' meaning stations are only available to users with
UK IP addresses."
http://www.nma.co.uk/Articles/27074/UK+online+radio+stations+must+Geo-lock+
content.html
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twenex
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response 10 of 12:
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Mar 15 16:44 UTC 2006 |
Suckola.
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wilt
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response 11 of 12:
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May 16 23:52 UTC 2006 |
HACKED BY GNAA LOL JEWS DID WTC LOL
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mcnally
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response 12 of 12:
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May 17 00:46 UTC 2006 |
Despite your "LOL"s, nobody's laughing..
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